In this new edition Joseph S. M. Lau and Howard Goldblatt have selected fresh works from familiar authors and have augmented the collection with poetry, stories from the colonial period in Taiwan, literature by Tibetan authors, samplings from the People's Republic of China during the Cultural Revolution, stories by post-Mao authors Wang Anyi and Gao Xingjian, literature with a homosexual theme, and examples from the modern "cruel youth" movement. Lau and Goldblatt have also updated their notes and their biographies of featured writers and poets. Now fully up to date, this critical resource more than ever provides readers with a thorough introduction to Chinese society and culture.

    China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

    Hard-core realism, experimental prose, and black humor; exoticism and eroticism;shocking tales of brutality, tender evocations of love, and engrossing mysteries all coexist in an anthology that spans nearly a decade, ten years that have witnessed a dizzying array of societal and political changes. Almost all of the stories appear in English translation for the first time. Includes Shi Tiesheng, “First Person”; Hong Ying, “The Field”; Su Tong, “The Brothers Shu”; Wang Meng, “A String of Choices”; Li Rui, “Sham Marriage”; Duo Duo, “The Day I Got to Xi’an”; Chen Ran, “Sunshine Between the Lips”; Li Xiao, “Grass on the Rooftop”; Yu Hua, The Past and the Punishments”; Mo Yan, “The Cure”; Ai Bei, “Green Earth Mother”; Cao Naiqian, “When I Think of You Late at Night, There’s Nothing I Can Do”; Can Xue, “The Summons”; Bi Feiyu, “The Ancestor”; Yang Zhengguang, “Moonlight over the Field of Ghosts”; Ge Fei, “Remembering Mr. Wu You”; Chen Cun, “Footsteps on the Roof”; Chi Li, “Willow Waist”; Kong Jiesheng, “The Sleeping Lion”; Wang Xiangfu, “Fritter Hollow Chronicles.”

    

    Since then, award-winning author Jia Pingwa’s vivid portrayal of contemporary China’s social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt’s deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China’s most provocative writers. While eroticism, exoticism, and esoteric minutiae—the “pornography” that earned the opprobrium of Chinese officials—pervade Ruined City, this tale of a famous contemporary writer’s sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China’s premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society. Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.

    A young poet named Liao Yiwu, who had up until then lead an apolitical bohemian existence, found his voice in that moment, and, like the solitary man who stood firmly in front of a line of tanks, Liao proclaimed his outrage—only his weapon would be his words. Liao's memoir, For a Song and a Hundred Songs, captures the four dehumanizing years he spent in jail for writing the incendiary poem "Massacre." Through the power and beauty of his prose, he reveals the brutal reality of crowded Chinese prisons—the harassment from guards and fellow prisoners, the torture, the conflicts among human beings in close confinement, and the boredom of everyday life. Hailed by Philip Gourevitch as "one of the most original and remarkable Chinese writers of our time," Liao presents a stark and devastating portrait of a nation in flux, exposing a side of China that outsiders rarely ever get to see. This honest account and witness to history will forever change the way you view the rising superpower of China.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    

    The Classic of Mountains and Seas explores 204 mythical figures such as the gods Foremost, Fond Care, and Yellow, and goddesses Queen Mother of the West and Girl Lovely, as well as many other figures unknown outside this text. This eclectic Classic also contains crucial information on early medicine (with cures for impotence and infertility), omens to avert catastrophe, and rites of sacrifice, and familiar and unidentified plants and animals. It offers a guided tour of the known world in antiquity, moving outwards from the famous mountains of central China to the lands beyond the seas. Translated with an introduction and notes by Anne Birrell."

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    It is considered second only to the Tao Te Ching, but the two books coundn't be more different. Where the Tao Te Ching is distant and proverbial in style, the Chuang Tze buzzes with life and with insights, often with considerable humour behind them.

    Each poet is introduced by the translator, David Young, and represented by a selection that spans the poet's development and career.

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.