He brings his insider's knowledge to this moving account of the most famous French soldier's last years in seclusion on a tropical island. After his defeat at Waterloo in 1815, Napoleon was exiled and imprisoned by the British on the island of St. Helena. He became increasingly withdrawn, surviving on a diet of memories that he recounted to the few people around him. But the book -- part history, part travelogue -- portrays the leader as a prisoner also of his mind, poisoned by nostalgia for his triumphs and grief over his defeats. "A haunting, unforgettable book....Kauffmann captures the desolate atmosphere of Napoleon's last home with evocative precision." -- Boston Globe

    He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

    TO THE FINLAND STATION is a work of history on a grand scale, at once sweeping, detailed, closely reasoned & passionately argued, that succeeds in painting an unforgettable picture--alive with conspirators, philosophers, utopians & nihilists--of the making of the modern world. 'The 1st thing that strikes us about To the Finland Station is the vastness of its scope...It is easily, equally at home in the philosopher's study, in the prisoner's cell, on the steppes, in the streets, melancholy in great country houses, choking in fetid industrial slums...It can remind us that our history is alive & open & rich with excitement & promise'--NY Times Book Review

    With the death of his grandmother, he is sent to a seminary--but is soon expelled. He is briefly imprisoned in the fortress of Sant' Andrea. After wandering from Naples to Rome in search of a patron, he enters the service of Cardinal Acquaviva.About this edition: Because every previous edition of Casanova's "Memoirs" had been abridged to suppress the author's political and religious views and tame his vivid, often racy, style, the literary world considered it a major event when Willard R. Trask's translation of the complete original text was published in six double volumes between 1966 and 1971. Trask's award-winning translation now appears in paperback for the first time.

    The French Revolution is an indispensable study of his pivotal era and of its lasting impact on the world.

    So says the Marquis de Sade, philosopher and pornographer. His virtuous Justine, who keeps to the rules, is rewarded with rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality.With brilliance and wit, Angela Carter takes on these outrageous figments of de Sade's extreme imagination and transforms them into symbols of our time: The Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes.Author Bio: Angela Carter (1940-1992) was best known for her subversive short stories, including her most famous collection, The Bloody Chamber. Carter translated the fairy tales of Charles Perrault, and wrote the screenplay for Neil Jordan's 1984 film, The Company of Wolves, based on her short story.

    But recent decades have brought a marked change in sensibility. The Revolution is no longer judged in terms of historical necessity but rather by “timeless” standards of morality. In this succinct essay, Sophie Wahnich explains how, contrary to prevailing interpretations, the institution of Terror sought to put a brake on legitimate popular violence—in Danton’s words, to “be terrible so as to spare the people the need to be so”—and was subsequently subsumed in a logic of war. The Terror was “a process welded to a regime of popular sovereignty, the only alternatives being to defeat tyranny or die for liberty.”

    Anyone who started a business, marketed a new invention, ran for office, formed an association, or wrote for publication was helping to fashion the world's first liberal society. These are the people we encounter in Inheriting the Revolution, a vibrant tapestry of the lives, callings, decisions, desires, and reflections of those Americans who turned the new abstractions of democracy, the nation, and free enterprise into contested realities. Through data gathered on thousands of people, as well as hundreds of memoirs and autobiographies, Joyce Appleby tells myriad intersecting stories of how Americans born between 1776 and 1830 reinvented themselves and their society in politics, economics, reform, religion, and culture. They also had to grapple with the new distinction of free and slave labor, with all its divisive social entailments; the rout of Enlightenment rationality by the warm passions of religious awakening; the explosion of small business opportunities for young people eager to break out of their parents' colonial cocoon. Few in the nation escaped the transforming intrusiveness of these changes. Working these experiences into a vivid picture of American cultural renovation, Appleby crafts an extraordinary--and deeply affecting--account of how the first generation established its own culture, its own nation, its own identity.The passage of social responsibility from one generation to another is always a fascinating interplay of the inherited and the novel; this book shows how, in the early nineteenth century, the very idea of generations resonated with new meaning in the United States.

    Stories abound of absinthe's druglike sensations of mood lift and inspiration due to the presence of wormwood, its infamous "special" ingredient, which ultimately leads to delirium, homicidal mania, and death. Opening with the sensational 1905 Absinthe Murders, Phil Baker offers a cultural history of absinthe, from its modest origins as an herbal tonic through its luxuriantly morbid heyday in the late nineteenth century. Chronicling a fascinatingly lurid cast of historical characters who often died young, the absinthe scrapbook includes Paul Verlaine, Arthur Rimbaud, Charles Baudelaire, Oscar Wilde, Ernest Dowson, Aleister Crowley, Arthur Machen, August Strindberg, Alfred Jarry, Vincent van Gogh, Henri de Toulouse-Lautrec, Alphonse Allais, Ernest Hemingway, and Pablo Picasso. Along with discussing the rituals and modus operandi of absinthe drinking, Baker reveals the recently discovered pharmacology of how real absinthe actually works on the nervous system, and he tests the various real and fake absinthe products that are available overseas. The Book of Absinthe is a witty, erudite primer to the world's most notorious drink.

    In eighteenth-century London the spectacle of a hanging was not simply a form of punishing transgressors.Rather it evidently served the most sinister purpose—for a prvileged ruling class—of forcing the poor population of London to accept the criminalization of customary rights and the new forms of private property. Necessity drove the city’s poor into inevitable conflict with the changing property laws, such that all the working-class men and women of London had good reason to fear the example of Tyburn’s Triple Tree.In this new edition Peter Linebaugh reinforces his original arguments with responses to his critics based on an impressive array of historical sources. As the trend of capital punishment intensifies with the spread of global capitalism, The London Hanged also gains in contemporary relevance.

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    A significant figure in French society and literary circles, whose close friends included Madame de La Fayette and La Rochefoucauld, she reflected on both significant historical events and personal issues, and in this selection of the most significant letters, spanning almost fifty years, she is by turns humorous and melancholic, profound and superficial. Whether describing the new plays of Racine and Moliere, speculating on court scandals including the intrigues of the King's mistresses or relating her own family concerns, Madame de Sevigne provides throughout an intriguing portrait of the lost age of Le Roi Soleil.

    The Cathars, whose religion was based on the Gospels but contradicted the tenets set forth by Rome, found themselves the focus of ruthless repression. In systematic waves of brutal persecution, thousands of Cathars were captured, summarily tried, and burned at the stake as heretics. Yet so ardent was their faith that during the years 1290 to 1329, the Cathars rose up one last time. René Weis tells the dramatic and moving story of these thirty years, offering a rich medieval tale of faith, adventure, sex, and courage. Having spent years exploring a rich trove of untouched information, including trial records and interrogation transcripts, Weis creates a remarkably detailed portrait of the last great gasp of the movement and the day-to-day life of the individual Cathars in their villages. This is an exceptionally vivid re-creation of a fascinating, and otherwise lost, world.

    Self-serving monarchic social systems, which collectively reduced common people to servitude, were now attacked by Enlightenment philosophers, of whom Rouseau was a leading light.His masterpiece, The Social Contract, profoundly influenced the subsequent development of society and remains provocative in a modern age of continuing widespread vested interest. This is the most comprehensive paperback edition available, with introduction, notes, index and chronology of Rousseau's life and times.

    Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subject including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.