John is sleeping with Mary. Mary is married to Daniel. Both men work for her father, the Top Man. Daniel is his son-in-law, next in line to take over his little empire. John is muscle. The Top Man orchestrates robberies—banks, pay rolls, anything that will bring in some easy money. When Daniel discovers his wife’s illicit liaison, he wants John dead. The Top Man signs off on it.But John’s a man you only get one shot at. When Daniel happens to botch that one shot, then everyone involved needs to watch their back. Because John will be coming for them, and he won’t stop until he’s taken revenge on every last one involved in leaving him for dead.

    His farcical attempts to renew his identity expose him to a world of relationships he can no longer avoid – a world where Mary Magellan, an unpredictable conceptual artist, becomes important in ways Michael could not have imagined. A world where Michael must rely on Larry, a disgraced professor of logic, Sam, a lonely metal head living in his basement, and Julie, a manager of the Vital Records Department who takes a VERY personal interest in Michael’s problems. Hilarious, sad, and relevant. Here is a story of psychological collapse and the possibilities that exist at the boundaries of human experience.

    His inertia is broken when he becomes the chief suspect in the murders of his soon-to-be ex-wife and her new lover. Set in the town of Modesto, deep in California’s Central Valley, Tussinland is about sex, drugs, addiction, smart phones, Facebook and the internet, digital cable, anti-government militias, reality TV, fundamentalist homophobic Christians, families, 12-step groups, pornography, marriage, death, disease, and love.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    Donny and Big Rich want to film Gabriel Thaxton with their cell phones during a sexual act and put the video up on YouTube. Little do they know, the man they've chosen, a high-profile San Francisco defense attorney, is already being blackmailed by someone more sinister: an ex-client of the lawyer's. A murderous speed freak named Dustin has already permeated the attorney's life and Dustin has plans for the old man. The lawyer calls upon an old biker for help and they begin a violent race to suppress his deadly secret.

    But Calvin Cantrell doesn’t care for those jobs anyway. Instead, he dreams of becoming a famous serial killer. When sleazy restauranteur Tom London hires Calvin to kill his ex-wife, Calvin’s dreams begin. And so do Lake Castor’s nightmares.

    Two stories from this collection have been adapted into the films Viscosity and A F*ckload of Scotch Tape.

    It's lean and smart and very good. I say, check it out.” Joe Lansdale Career criminal Longview Moody, on the run from killers, assumes his dead, twin brother's identity as the new Chief of Police of a Texas town that's being terrorized by a Mexican drug cartel. To pull off the deadly deception, Longview desperately works to become the kind of cop and man that his brother was. But when the two lives he’s living converge, he’s forced to embrace the violence within him to get justice...and vengeance. PRAISE FOR ‘DEAD MAN’S BADGE' “Robert Dunn unloads both barrels – DEAD MAN'S BADGE is a fast, furious shootout from beginning to end. This tale of corrupt cops, cartel killers, and one bad guy just trying to make good, lingers like gun smoke. Bloody, dark, and pistol-whip smart, it's Border noir at its best.” J. Todd Scott, author of THE FAR EMPTY “Fans of Clint Eastwood’s spaghetti westerns will find a lot to like.” Publishers Weekly "In Dunn's capable hands, readers will jump onboard for the ride. Dunn is a gifted writer and he opens DEAD MAN'S BADGE with one of the most gripping scenes I've ever read. Fans of grit will love this fast-paced book." Mystery Scene Magazine "Riveting thriller about coming back from the dead, revenge and redemption. The pages fly by even faster than the bodies pile up. DEAD MAN'S BADGE establishes Robert E. Dunn as a formidable new name in hard-boiled fiction." R.G Belsky, author of the Clare Carlson and Gil Malloy mystery series "DEAD MAN'S BADGE sizzles with suspense! Dunn promises action on page one of this thriller and delivers the goods nonstop to the very end." Margaret Mizushima, award-winning author of HUNTING HOUR. "Brutal, vivid, and unforgettable...a modern-day western morality tale in crime-novel wrapping with a blood-red bow. This one will haunt you." -Lee Goldberg, #1 New York Times bestselling author of TRUE FICTION "DEAD MAN’S BADGE is crazy good, a great story, non-stop action, and a brilliantly-crafted hero. Dunn hit it out of the park with this one". -Harry Hunsicker, former executive vice president of the Mystery Writers of America and the author of THE DEVIL’S COUNTRY

    They're not criminals. They're outlaws. They have made a living by driving anything and everything for the Stanleys, the criminal family who has been employing them for decades. It's ended with Tucker. He's gone straight, much to the disappointment of his father, Webb. When Webb vanishes after a job, and with him a truck load of drugs, the Stanleys want their drugs back or their money. With the help from his grandfather, Calvin-the original lead foot-Tucker is about to learn a whole lot about the family business in a crash course that might just get him killed.Praise for RUMRUNNERS:“A killer. If you dug Bull Mountain, you’ll love it.”—Brian Panovich, author of Bull Mountain“The best word to sum up this book is ’FUN’, in capital letters.”—Stuart MacBride, author of The Missing and the Dead“Buckle up...RUMRUNNERS is a fast and furious read.”—Samuel W. Gailey, author of Deep Winter“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path.”—Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series“Rumrunners just never lets up. It's a fuel-injected, mile-a-minute thrill ride. I had a blast.”—Grant Jerkins, author of A Very Simple Crime and Done In One

    Dustin loves to drink. Dustin loves his women. Dustin loves loyalty. He might even love his adopted nephew Jeremy. And, he sometimes gets a little too enthusiastic in his job doing collections for local bookies--so, sometimes, he loves to hurt people. Told in the first person, Uncle Dust is a fascinating noir look inside the mind of a hard, yet very complicated criminal.Rob Pierce has been nominated for a Derringer Award for short crime fiction, and has had his stories published in Flash Fiction Offensive, Pulp Modern, Plots With Guns, Revolt Daily, Near To The Knuckle, and Shotgun Honey. The editor of Swill Magazine, he lives in Oakland, California, with his wife and two children. He is equally comfortable taking romantic walks on the beach or dumping the body elsewhere. "I was imprisoned for bank robbery, where I read plenty of novels with a bank robber as the protagonist. Only a few writers entertained me with killer dialogue. I even contacted Elmore Leonard when I was paroled, told him crime writer to crime writer that he understood criminal dialogue real swell. Here's the thing: Had I read "Uncle Dust" while I was incarcerated I would've got out and contacted Rob Pierce before Elmore. The story and dialogue in "Uncle Dust" captured so much of that world and circumstance in all its squalid glory. Made me wish I'd done time with tough guy Dustin. I thoroughly enjoyed our criminal hero's mind as he observed the world, and himself, through a cynical thief's lens. And I think you will too."– Joe Loya, author of the critically-acclaimed memoir, The Man Who Outgrew His Prison Cell: Confessions of A Bank Robber.

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    Instead of spending the next three to five years behind bars, he's got a plan: stage his own death, take the money he stole and light out for Central America, leaving behind wife Nicole and daughter Clara. But when he sticks around town long enough to watch his own funeral, he makes the unpleasant discovery that the life he's leaving behind isn't the life he thought he had.The shock of seeing Nicole in the arms of another man leads Alton to postpone his plan to run for the border and forces him to reconsider his self-image as a respected and admired pillar of the legal community. What comes next is a slow-burn train wreck, a tale of self-deception, revenge, and bad decisions.

    Until Keyonna Jackson, a social justice activist, presents him with a troubling video: a made-for-Youtube cell phone snippet chronicling the same kind of questionable use-of-force that had set New York City, Ferguson, and Cleveland on fire in recent years. The same use-of-force that he’s been covering up for Newark PD.Now, the young black man who filmed this video is dead and the more questions Russell asks, the less his cop buddies like him. For the first time in his life, Russell finds himself on the wrong side of the guys with the badges and guns. When details of the shooting become public―and a city with race riots in its DNA flirts with the idea of letting history repeat itself―Russell finds himself allying with street activists and gang members as he races to put together the biggest story of his life… before the city he needs to tell it to burns down around him.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.It’s been twelve years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.In the modern vein of Girl on the Train and The Bone Collector, The One That Got Away is a dark, psychological thriller, featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.