More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

    If Parvin can get Matty to ask her to homecoming, she's positive it will erase all the awful and embarrassing feelings He Who Will Not Be Named left her with after the summer. The only problem is Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself has not worked for her in the past (see aforementioned relationship), she decides that to be the girl who finally gets the guy, she should start acting like the women in her favorite rom-coms. Those girls aren't loud, they certainly don't cackle when they laugh, and they smile much more than they talk. Easy enough, right?But as Parvin struggles through her parent-mandated Farsi lessons on the weekends, a budding friendship with a boy she can't help but be her unfiltered self with, and dealing with the ramifications of the Muslim Ban on her family in Iran, she realizes that being herself might just be the perfect thing after all.

    is a sweeping saga that tells the story of the Soleymans, an Iranian Jewish family tormented for decades by Raphael's Son, a crafty and unscrupulous financier who has futilely claimed to be an heir to the family's fortune. Forty years later in contemporary Los Angeles, Raphael's Son has nearly achieved his goal--until he suddenly disappears, presumed by many to have been murdered. The possible suspects are legion: his long-suffering wife; numerous members of the Soleyman clan exacting revenge; the scores of investors he bankrupted in a Ponzi scheme; or perhaps even his disgruntled bookkeeper and longtime confidant.Award-winning novelist Gina B. Nahai pulls back the curtain on a close-knit community that survived centuries of persecution in Iran before settling and thriving in the United States, but now finds itself divided to the core by one of its own members. By turns hilarious and affecting, The Luminous Heart of Jonah S. examines the eternal bonds of family and community, and the lasting scars of exile.

    When Youngwolfe recants his confession, saying he was forced to confess by the authorities, his city condemns him, except for one man—public defender and Creek Indian Elliott Howe. Recognizing in Youngwolfe the life that could have been his if not for a few lucky breaks, Howe risks his career to defend Youngwolfe against the powerful county attorney’s office. Forgotten today, the sensational story of the murder, investigation, and trial made headlines nationwide.Oklahoma’s Atticus is a tale of two cities—oil-rich downtown Tulsa and the dirt-poor slums of north Tulsa; of two newspapers—each taking different sides in the trial; and of two men both born poor Native Americans, but whose lives took drastically different paths. Hunter Howe Cates explores his grandfather’s story, both a true-crime murder mystery and a legal thriller. Oklahoma’s Atticus is full of colorful characters, from the seventy-two-year-old mystic who correctly predicted where the body was buried, to the Kansas City police sergeant who founded one of America’s most advanced forensics labs and pioneered the use of lie detector evidence, to the ambitious assistant county attorney who would rise to become the future governor of Oklahoma. At the same time, it is a story that explores issues that still divide our nation: police brutality and corruption; the effects of poverty, inequality, and racism in criminal justice; the power of the media to drive and shape public opinion; and the primacy of the presumption of innocence. Oklahoma’s Atticus is an inspiring true underdog story of unity, courage, and justice that invites readers to confront their own preconceived notions of guilt and innocence.

    With his strange habits and shrouded past, she can't fathom how he ended up marrying her prim American mother.But lately love in general feels just as incomprehensible. After a disastrous romance sends her into a tailspin, causing her to fail out of college just shy of graduation, a conflicted Jasmine returns home without any idea where her life is headed.Her father has at least one idea—he has big plans for a hastegar, an arranged marriage. Confused, furious, but intrigued, Jasmine searches for her match, meeting suitor after suitor with increasingly disastrous (and humorous) results. As she begins to open herself up to the mysteries of familial and romantic love, Jasmine discovers the truth about her father, and an even more evasive figure—herself—in this highly original and striking debut novel.

     Negin Farsad is an Iranian-American-Muslim female stand-up comedian who believes she can change the world through jokes. And yes, sometimes that includes fart jokes. In this candid and uproarious book, Farsad shares her personal experiences growing up as the "other" in an American culture that has no time for nuance. In fact, she longed to be black and/or Mexican at various points of her youth, you know, like normal kids. Right? RIGHT? Writing bluntly and hilariously about the elements of race we are often too politically correct to discuss, Farsad takes a long hard look at the iconography that still shapes our concepts of "black," "white," and "Muslim" today-and what it means when white culture defines the culture. Farsad asks the important questions like, What does it mean to have a hyphenated identity? How can we actually combat racism, stereotyping, and exclusion? Do Iranians get bunions at a higher rate than other ethnic groups? (She's asking for a friend.) How to Make White People Laugh tackles these questions with wit, humor, and incisive intellect. And along the way, you might just learn a thing or two about tetherball, Duck Dynasty, and wine slushies.

    Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming an assimilated American. Porochista rebels—she bleaches her hair and flees to the East Coast, where she finds her community: other people writing and thinking at the fringes. But, 9/11 happens and with horror, Porochista watches from her apartment window as the towers fall. Extremism and fear of the Middle East rises in the aftermath and then again with the election of Donald Trump. Porochista is forced to finally grapple with what it means to be Middle-Eastern and Iranian, an immigrant, and a refugee in our country today. Brown Album is a stirring collection of essays, at times humorous and at times profound, drawn from more than a decade of Porochista's work and with new material included. Altogether, it reveals the tolls that immigrant life in this country can take on a person and the joys that life can give.

    But that's the easy part. The hard part is trying to raise her two teenage sons, Tyrell and Yusuf. She loves to read-- they'd rather play video games. She likes to eat healthy -- they'd rather eat junk food. She loves ol' school music -- they listen to hip hop. But it would all be worth it if they ever came to realize that all she wants to do is to keep them happy and safe. Based on the popular Mama's Boyz syndicated comic strip.

    But none of his attempts at assimilation made a difference to casting directors, who only auditioned him for the role of kebab-eating, bomb-toting, extremist psychopath. In this laugh-out-loud memoir, Maz shares his struggle to build an acting career in post-9/11 Hollywood - from playing a terrorist on 24 to playing a terrorist opposite Chuck Norris to his mother asking, "Vhy you alvays terrorist?!" (Followed by, "Vhy you couldn't be doctor?!") But finally, through patience, determination, and only the occasional unequivocal compromising of his principles, he found a path to stardom. And he also learned the proper way to die like a bad guy on TV.

    

    Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent. Part of our 'Banned Nations Showcase'.

    In this elegantly rendered and wide-ranging collection of new and previously published essays, Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world.Movement is a constant here. In the title piece, "The Window Seat," she reveals the unexpected enchantments of commercial air travel. In "Obama and the Renaissance Generation," she documents how, despite the narrative of Obama's exceptionalism, his father, like her own, was one of a generation of gifted young Africans who came to the United Kingdom and the United States for education and were expected to build their home countries anew after colonialism. In "The Last Vet," time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society's treatment of animals tells us about its principles. In "Crossroads," she examines race in America from an African perspective, and in "Power Walking" she describes what it means to walk in the world in a Black woman's body and in "The Watch" she explores the raptures of sleep and sleeplessness the world over.Deeply meditative and written with a wry humor, The Window Seat confirms that Forna is a vital voice in international letters.

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora's box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally. Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman's lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.

    In this innovative book—now brought up-to-date to include 9/11 and the Iraq war—Melani McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This remarkable and pathbreaking book skillfully weaves lively and accessible readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history. The new chapter, titled "9/11 and After: Snapshots on the Road to Empire," considers and brilliantly analyzes five images that have become iconic: (1) New York City firemen raising the American flag out of the rubble of the World Trade Center, (2) the televised image of Osama bin-Laden, (3) Afghani women in burqas, (4) the statue of Saddam Hussein being toppled in Baghdad, and (5) the hooded and wired prisoner in Abu Ghraib. McAlister's singular achievement is to illuminate the contexts of these five images both at the time they were taken and as they relate to current events, an accomplishment all the more remarkable since—to paraphrase her new preface—we are today struggling to look backward at something that is still rushing ahead.