During the Vietnam war, Hung, a well-known composer, becomes enchanted by the voice and beauty of a young peasant girl named Suong. He invites her to join his troupe; she becomes his wife and his star performer. But after the war, Hung loses his job, setting off a series of events that drive him and Suong into a destructive spiral. One of Vietnam's most popular writers, Duong Thu Huong draws on her own experiences to describe life at the battlefront, the conditions of a "re-education" camp, and the texture and rhythm, scents and sounds, of a provincial Vietnamese city. Most of all, she tells a haunting, universal story of failed love.

    Though twelve-year-old Li Jing's name is a different character entirely from the Huli Jing, the sound is close enough to provide constant teasing-but maybe is also a source of greater destiny and power. Jing's life isn't easy. Her father is a poor tea farmer, and her family has come to the conclusion that in order for everyone to survive, Jing must be sacrificed for the common good. She is sold as a bride to the Koh family, where she will be the wife and nursemaid to their three-year-old son, Ju'nan. It's not fair, and Jing feels this bitterly, especially when she is treated poorly by the Koh's, and sold yet again into a worse situation that leads Jing to believe her only option is to run away, and find home again. With the help of a spider who weaves Jing a means to escape, and a nightingale who helps her find her way, Jing embarks on a quest back to Huanan--and to herself.

    When a dead body comes through her portal at a time of growing rebellion, Xin is drawn deep into a station-wide conspiracy along with Ouyang Suqing, one of the station’s mysterious, high-ranking starmages.

    A stunning collection of the best in Chinese Science Fiction, from Award-Winning legends to up-and-coming talent, all translated here into English for the first time. This celebration of Chinese Science Fiction — thirteen stories, all translated for the first time into English — represents a unique exploration of the nation’s speculative fiction from the late 20th Century onwards, curated and translated by critically acclaimed writer and essayist Xueting Christine Ni.From the renowned Jiang Bo’s ‘Starship: Library' to Regina Kanyu Wang’s ‘The Tide of Moon City, and Anna Wu’s ‘Meisje met de Parel', this is a collection for all fans of great fiction.Award winners, bestsellers, screenwriters, playwrights, philosophers, university lecturers and computer programmers, these thirteen writers represent the breadth of Chinese SF, from new to old: Gu Shi, Han Song, Hao Jingfang, Nian Yu, Wang Jinkang, Zhao Haihong, Tang Fei, Ma Boyong, Anna Wu, A Que, Bao Shu, Regina Kanyu Wang and Jiang Bo.

    But, in East Berlin, as she is preparing to present her paper in Russian on “Vietnam as a Victim of American Imperialism,” she is abruptly kidnapped and taken to a small town in West Germany. After a strange spell of domestic-sexual boredom with her lover-abductor—and though “the Berlin Wall was said to be more difficult to break through than the Great Wall of China” — she escapes on a train to Moscow . . . but mistakenly arrives in Paris. Alone, broke, and in a completely foreign land, Anh (her false name) loses herself in the films of Catherine Deneuve as her real adventures begin.Dreamy, meditative, and filled with the gritty everyday perils of a person living somewhere without papers (at one point Anh is subjected to some vampire-like skin experiments), The Naked Eye is a novel that is as surprising as it is delightful—each of the thirteen chapters titled after and framed by one of Deneuve’s films. “As far as I was concerned,” the narrator says while watching Deneuve on the screen, “the only woman in the world was you, and so I did not exist.” By the time 1989 comes along and the Iron Curtain falls, story and viewer have morphed into the dislocating beauty of both dancer and dance.

    This century has witnessed a multiplicity of both domestic and external factors that have resulted either in tendentious history or in emphasis badly skewed toward such dramatic events as the Korean War or South Korea's remarkable economic successes. Korea Old and New presents a more balanced survey. Its coverage of traditional Korea emphasizes cultural developments not merely as isolated expressions of the creative spirit of the people but as integrally related to Korea's political, social, and economic history. The book's preponderant concern is with the tumultuous modern era, and six academic specialists provide a wide-angle view of each distinct period. The authors succeed in elucidating the past while providing new understanding of the vast changes that have taken place in this ancient nation.

    Alternating between the present and the past, Yamanaka depicts Sonia's difficult childhood, her addictions to drugs and alcohol, and her string of bad lovers. As she tries to gain control of her life, she is haunted by the ghosts of three children she never had. A work of raw energy and searing honesty, Father of the Four Passages is an extraordinary testament to the redemptive power of love.

    

    They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    And after sixteen years of being a mother, she still ventures through motherhood as if it is a foreign landscape. In this lyrical memoir, Lan explores these two defining experiences of her life with the help of her fierce, independently-minded daughter, Harlan Margaret Van Cao.In chapters that both reflect and refract her mother's narrative, Harlan describes the rites of passage of childhood and adolescence, as they are filtered through the aftereffects of her family's history of war, tragedy, and migration. Lan responds in turn, trying to understand her American daughter through the lens of her own battles with culture clash and bullying. In this unique format of alternating storytelling, their complicated mother-daughter relationship begins to crystallize. Lan's struggles with the traumatic aftermath of war--punctuated by emotional, detailed flashbacks to her childhood--become operatic and fantastical interludes as told by her daughter. Harlan's struggle to make friends in high school challenges her mother to step back and let her daughter find her own way.Family in Six Tones is at once special and universal, speaking to the unique struggles of refugees as well as the universal tug-of-war between mothers and daughters. The journey of a refugee--away from war and loss towards peace and a new life--and the journey of a mother raising a child--to be secure and happy--are both steep paths filled with detours and stumbling blocks. Through explosive fights and painful setbacks, mother and daughter search for a way to accept the past and face the future together.

    As rain falls for days on end and Hodaka struggles to adjust, he meets a girl named Hina who holds a mysterious power: With a single prayer, she can part the clouds and bring back the sun. But her power comes at a price, and as the weather spirals further and further out of control, they must choose what future they truly want for themselves. Written concurrently with production of the 2019 film Weathering With You, this novel comes straight from director Makoto Shinkai, the mind behind 2016's hit your name.!

    A text that makes use—and deliberate misuse—of both British and Indian literary conventions, Six Acres and a Third provides a unique "view from below" of Indian village life under colonial rule. Set in Orissa in the 1830s, the novel focuses on a small plot of land, tracing the lives and fortunes of people who are affected by the way this property is sold and resold, as new legal arrangements emerge and new types of people come to populate and transform the social landscape. This graceful translation faithfully conveys the rare and compelling account of how the more unsavory aspects of colonialism affected life in rural India.

    

    She is also unpredictable, enigmatic, funny and tragic. And then one day, she vanishes, leaving behind a heartbroken husband and desolate daughter. Irenie refuses to accept that Yasmeen is gone; she haunts the house with the scents and sounds of her dazzling mother in an effort to maintain the illusion of her presence. Five years after her mother's disappearance, Irenie discovers a box of letters, beautiful, intimate love letters, which reveal a different Yasmeen, a woman who, all her life, was in love with a man named Ahmed. Why did the two never get together? What really happened to Yasmeen? On a quest for answers she suspects her father, James, has long suppressed, she travels to Islamabad, where she uncovers a trove of secrets for which she may not be ready. Over the course of a summer, father and daughter find that they must help each other move out of Yasmeen's shadow and forge their own stories. Simultaneously intricate and expansive, shattering and uplifting, this is a sophisticated debut about obsessive love, family ties and a desperate search for closure.

    When Nadine learns that the Indian woman she thought her nanny is, in fact, her mother, she rebels against her English father and he arranges for her to be wed to an Australian merchant many years older. She is whisked off to her new husband's plantation in Malaya but as the Second World War rages throughout the East, Nadine is taken captive by the Japanese. She is held at a camp in Sumatra with other women and forced to entertain the soldiers and satisfy their desires. In the most unlikely circumstances, Nadine finds an ally and protector in a Japanese—American major caught up in the war. The two bond over their conflicted identities and gradually fall in love. But can Nadine survive long enough to find happiness? Don't miss this emotional and powerful saga about a woman's determination to beat the odds, perfect for fans of Renita D'Silva, Dinah Jefferies and Julia Gregson.