Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.It opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.

    And that's not the craziest part of the story. A.L. Haskett opens a can of worms by asking the age-old question: Where does a sensitive cowboy artist go to escape the clutches of his mother's wealth so he can pursue his art in peace? Well, not Los Angeles, but Duncan Delaney doesn't know this. Haunted by his father's unfortunate death, Duncan is spurred to action by love and a lunatic Indian pal. Like so many who come to La La Land searching for a brighter future, Duncan finds himself on the seedy side of Hollywood trying in vain to dodge the Cadillac of Doom. A finely told cautionary tale for anyone fond of strippers, bikers, and art dealers.

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    It ends with a promise. On her deathbed Frances extracts it from her three daughters—the utterly capable homemaker Alice; the recalcitrant Allegra, a recovering alcoholic; and bohemian Edie, who shrinks in the face of any commitment: their promise to “look after Libba.” As if the formidable, tough-minded Libba Charles, author of ten books, a literary celebrity, needed looking after. Yet when they are summoned by Libba to Creek Cabin, their mother’s summer hideaway in the Blue Ridge Mountains of North Carolina, they go. None of them is prepared, though, for what they will discover there—about their mother, about Libba, about themselves—in this poignant, adroit rendering of reunions and farewells.

    But as she plans her escape to New York City, turmoil erupts and the demands of family stand between her and her suitcase. Darla must, for the first time in her life, cast an unflinching eye on the hard-to-accept truths regarding love, responsibility, and survival. The Bingo Queens of Paradise lyrically blends a powerful comic voice with a poignant tale of a woman who longs to pursue her dreams.

    A bright, but slightly absent-minded anthropology teacher at a small Michigan college, Candace is all set to leave for Los Angeles to conduct research on 1960s TV star Pamela Parrish—America’s Sitcom Sweetheart—for her Master’s thesis on television and female gender roles. But after discovering that Ruth Fenton is a long lost relative, she’s first off to San Francisco for her memorial service where she meets a crazy(?) old lady who claims Pamela Parrish didn’t commit suicide like everybody says—she was murdered. Now Candace has to get to the bottom of it, all while fighting the nagging feeling that her long-time professor boyfriend back home is getting a little too close to one of his students, and at the same time wondering if new-found friend Brandon, a newspaper reporter and budding painter who lives on a hidden stairway street in the hills of San Francisco, is really the guy for her. It’s a funny, but moving, uphill climb for Candace who finds that things are rarely what they seem in the ups and downs of love or in discovering a surprising secret about her not-so-perfect mother, or unearthing the truth behind the death of America’s Sitcom Sweetheart.

    Two readers. A world of mystery, menace, and desire.A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.THE BOOK: Ship of Theseus, the final novel by a prolific but enigmatic writer named V. M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.THE WRITER: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumours that swirl around him.THE READERS: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears. S. , conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand. It is also Abrams and Dorst’s love letter to the written word.

    When the prime suspect is released without charge, Richard’s suspicions are aroused. Investigating the mystery, Richard uncovers at the Metro-Centre mall a neo-fascist world whose charismatic spokesperson is whipping up the masses into a state of unsustainable frenzy. Riots regularly terrorize the complex, immigrant communities are attacked by hooligans, and sports events mushroom into jingoistic political rallies. In this gripping, dystopian tour de force, J.G. Ballard holds up a mirror to suburban mind rot, revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.

    Whether this is your first trip to Chancey, or you're an old friend - Welcome! This is one meeting you don't want to miss. Christmas is just around the corner and there's a crisis so a meeting has been called. And you never want to miss a meeting in a small town because you just might end up in charge of the Christmas Parade. Memories surface, tempers flare, and new suggestions get shot down because it's never been done that way before. This novella is a perfect way to sip a cup of hot cocoa and take a quick trip to a small Southern town for the holidays.

    And, as practical as she is, Ruth doesn't know what to do. Or how to feel. Because knowing and loving Clio Campbell was never straightforward.To Neil, she was his great unrequited love. He'd known it since their days on picket lines as teenagers. Now she's a sentence in his email inbox: Remember me well.The media had loved her as a sexy young starlet, but laughed her off as a ranting spinster as she aged. But with news of her suicide, Clio Campbell is transformed into a posthumous heroine for politically chaotic times.Stretching over five decades, taking in the miners' strikes to Brexit and beyond; hopping between a tiny Scottish island, a Brixton anarchist squat, the bloody Genoa G8 protests, the poll tax riots and Top of the Pops, Scabby Queen is a portrait of a woman who refuses to compromise, told by her friends and lovers, enemies and fans.As word spreads of what Clio has done, half a century of memories, of pain and of joy are wrenched to the surface. Those who loved her, those who hated her, and those that felt both ways at once, are forced to ask one question: Who was Clio Campbell?

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    Yet when terrorist attack her entourage, a perilous pollitican plot is revealed. Al Qaeda henchman Aboud is hunting the statue to fulfill an ancient prophecy that would grant the extremists ultimate power over Islam. The CIA has gone undercover in Zeugma to prevent this coup. The safety of the free now hinges on the cooperation of Americans and Turks. With the help of native guide Asena. Dulcey navigates the power struggles and cultural clashes that arise as the dig progresses. But as tensions mount outside and inside the excavation camp, she struggles to distinguish friends from enemies. In a pulse-pounding race to secure the goddess, Dulcey learns the value of honor, family, and heritage as she risk her life to preserve her most precious treasures.

    But these houses aren’t normal, and nor is what’s inside them! With her old wounds recently reopened, Jenna is in desperate need of a new start, and her friend Tiff thinks she’s found just the thing when her company needs someone to watch over a trio of houses. Set in an idyllic location in the Shropshire Hills, the houses lie empty, tied up in a legal battle, but from the outset Jenna knows there’s something wrong with them – and it’s not just down to the vicious wrangling between the owners, either! Why does it feel like the houses are talking to her? And who is the mysterious ex-soldier in the only other house on the hill? Why does he hate the owners so badly, and does he know more of what’s going on than Jenna has been told? Join Jenna as she unravels the secret of the houses while she struggles to heal her own inner scars, and in the process finds unexpected friends and inner reserves she didn’t know she had. If you love paranormal mysteries by authors such as Barbara Erskine and Phil Rickman; the magical realism of J S Donovan, Diane Setterfield and Melissa Payne; or the magical elements of Diana Gabaldon’s Lord John Grey novels, then this is a book for you! Grab a copy today and join Jenna on the mysterious Welsh Borders!

    Now married, her happiness is threatened when beautiful and emotionally unstable Simone, suffering from crippling postpartum depression, commits an unforgivable crime for which Roxanne comes to believe she is partially responsible. In the glare of national media attention brought on her sister, Roxanne fights to hold her marriage together as she is drawn back into the pain of her troubled past and relives the fraught relationship she and Simone shared with their narcissistic mother. At the same time, only she can help Simone's nine year old daughter, Merell, make sense of the family's tragedy. Cathartic, lyrical, and unflinchingly honest, The Good Sister is a novel of four generations of women struggling to overcome a legacy of violence, lies and secrecy, ultimately finding strength and courage in their love for each other.

    Their enigmatic lodger, Zamani, seems to be their last, best hope for finding him. Since Bukhosi's disappearance, Zamani has been preternaturally helpful: hanging missing posters in downtown Bulawayo, handing out fliers to passersby, and joining in family prayer vigils with the flamboyant Reverend Pastor from Agnes's Blessed Anointings church. It's almost like Zamani is part of the family....But almost isn't nearly enough for Zamani. He ingratiates himself with Agnes and feeds alcoholic Abednego's addiction, desperate to extract their life stories and steep himself in borrowed family history, as keenly aware as any colonialist or power-mad despot that the one who controls the narrative inherits the future. As Abednego wrestles with the ghosts of his past and Agnes seeks solace in a deep-rooted love, their histories converge and each must confront the past to find their place in a new Zimbabwe. Pulsing with wit, seduction, and dark humor, House of Stone is a sweeping epic that spans the fall of Rhodesia through Zimbabwe's turbulent beginnings, exploring the persistence of the oppressed in a young nation seeking an identity, but built on forgetting.