Scattered recollections - of childhood, adolescence, motherhood, old age - come together in this transformative narrative, stitched into a vibrant whole by McDermott's deft, lyrical voice. Our first glimpse of Marie is as a child: a girl in glasses waiting on a Brooklyn stoop for her beloved father to come home from work. A seemingly innocuous encounter with a young woman named Pegeen sets the bittersweet tone of this remarkable novel. Pegeen describes herself as an "amadan," a fool; indeed, soon after her chat with Marie, Pegeen tumbles down her own basement stairs. The magic of McDermott's novel lies in how it reveals us all as fools for this or that, in one way or another. Marie's first heartbreak and her eventual marriage; her brother's brief stint as a Catholic priest, subsequent loss of faith, and eventual breakdown; the Second World War; her parents' deaths; the births and lives of Marie's children; the changing world of her Irish-American enclave in Brooklyn - McDermott sketches all of it with sympathy and insight. This is a novel that speaks of life as it is daily lived; a crowning achievement by one of the finest American writers at work today.Membership

    No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

    Gin Mitchell knows a better life awaits her when she marries hometown hero Mason McPhee. Raised in a two-room shack by her Oklahoma grandfather, a strict Methodist minister, Gin never believed that someone like Mason, a handsome college boy, the pride of Shawnee, would look her way. And nothing can prepare her for the world she and Mason step into when he takes a job with the Arabian American Oil company in Saudi Arabia. In the gated compound of Abqaiq, Gin and Mason are given a home with marble floors, a houseboy to cook their meals, and a gardener to tend the sandy patch out back. Even among the veiled women and strict laws of shariah, Gin’s life has become the stuff of fairy tales. She buys her first swimsuit, she pierces her ears, and Mason gives her a glittering diamond ring. But when a young Bedouin woman is found dead, washed up on the shores of the Persian Gulf, Gin’s world closes in around her, and the one person she trusts is nowhere to be found.    Set against the gorgeously etched landscape of a country on the cusp of enormous change, In the Kingdom of Men abounds with sandstorms and locust swarms, shrimp peddlers, pearl divers, and Bedouin caravans—a luminous portrait of life in the desert. Award-winning author Kim Barnes weaves a mesmerizing, richly imagined tale of Americans out of their depth in Saudi Arabia, a marriage in peril, and one woman’s quest for the truth, no matter what it might cost her.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    First among them is Wilhelmina—Billy—Gertz, as small as a child, fiercely independent, powerfully committed to her work as a playwright. The story itself centers on The Lake Shore Limited—a play Billy has written about an imagined terrorist bombing of that train as it pulls into Union Station in Chicago, and about a man waiting to hear the fate of his estranged wife, who is traveling on it. Billy had waited in just such a way on 9/11 to hear whether her lover, Gus, was on one of the planes used in the attack.The novel moves from the snow-filled woods of Vermont to the rainy brick sidewalks of Boston as the lives of the other characters intersect and interweave with Billy’s: Leslie, Gus’s sister, still driven by grief years after her brother’s death; Rafe, the actor who rises to greatness in a performance inspired by a night of incandescent lovemaking; and Sam, a man irresistibly drawn to Billy after he sees the play that so clearly displays the terrible conflicts and ambivalence of her situation.How Billy has come to create the play out of these emotions, how it is then created anew on the stage, how the performance itself touches and changes the other characters’ lives—these form the thread that binds them all together and drives the novel compulsively forward.A powerful love story; a mesmerizing tale of entanglements, connections, and inconsolable losses; a marvelous reflection on the meaning of grace and the uses of sorrow, in life and in art: The Lake Shore Limited is Sue Miller at her dazzling best.

    Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation ever created.Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly. Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.

    Now, six years later, Pen is the single mother of a five-year-old girl, living with her older brother in Philadelphia and trying to make peace with the sudden death of her father. Even though she feels deserted by Will and Cat, she has never stopped wanting them back in her life, so when she receives an email from a desperate-sounding Cat asking her to meet her at their upcoming college reunion, Pen goes. What happens there sends past and present colliding and sends Pen and her friends on a journey across the world, a journey that will change everything.

    A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    For her and her brother, Nik, now in their forties, no relationship is more significant. They grew up in Los Angeles in the late seventies and early eighties. Nik was always the artist, always wrote music, always had a band. Now he makes his art in private, obsessively documenting the work, but never testing it in the world. Denise remains Nik’s most passionate and acute audience, sometimes his only audience. She is also her family’s first defense against the world’s fragility. Friends die, their mother’s memory and mind unravel, and the news of global catastrophe and individual tragedy haunts Denise. When her daughter, Ada, decides to make a film about Nik, everyone’s vulnerabilities seem to escalate.Dana Spiotta has established herself as a “singularly powerful and provocative writer” (The Boston Globe) whose work is fiercely original. Stone Arabia—riveting, unnerving, and strangely beautiful—reexamines what it means to be an artist and redefines the ties that bind.

    This funny, touching, and surprising novel follows Bess on her cross-country odyssey to learn about her oft-wed fiancé from the eight ex-spouses who came before.Stolls, an acclaimed author of Young Adult novels and winner of the Parents’ Choice Gold Award brilliantly explores the very grown-up world of male-female relationships and family dynamics in the delightful, unforgettable new masterwork of contemporary women’s fiction.

    But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family.Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice.Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

    First, she is kissed by Daniel, the boy of her dreams. Then, she is bitten by a blacktip shark. Eighteen years later, Maeve has thrown herself into her work as a world-travelling marine biologist discovering more about the minds of misunderstood sharks. But when Maeve returns home to the legendarily charming and eccentric Hotel of the Muses where she was raised by her grandmother, she finds more than just the blood orange sunsets and key lime pies she’s missed waiting for her. While Maeve has always been fearless in the water, on land she is indecisive. A chance meeting on the beach with a plucky, irresistible little girl who is just as fascinated by the ocean as Maeve was growing up leaves her at a crossroads: Should she rekindle her romance with Daniel, the first love she left behind when she dove into her work? Or indulge in a new romance with her colleague, Nicholas, who turns up in her hometown to investigate an illegal shark-finning operation?

    His girlfriend is sleeping with another man, his brother has left their South American country and moved to the United States, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos.

    At the thirtieth anniversary of Minnesota's Darton Hall College class of 1969, ten old friends reassemble for a July weekend of dancing, drinking, flirting, reminiscing, and regretting. The three decades since their graduation have seen marriage and divorce, children and careers, dreams deferred and disappointed-many memories and many ghosts. Together their individual stories create a portrait of a generation launched into adulthood at the moment when their country, too, lost its innocence. Imbued with his signature themes of passion, memory, and yearning, "July, July" is Tim O'Brien's most fully realized work.

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.