He wasn't wearing his seatbelt, they said. But when fourteen-year-old Alex finds his uncle's windshield riddled with bullet holes, he knows it was no accident. What he doesn't know yet is that his uncle was killed while on a top-secret mission. But he is about to, and once he does, there is no turning back. Finding himself in the middle of terrorists, Alex must outsmart the people who want him dead. The government has given him the technology, but only he can provide the courage. Should he fail, every child in England will be murdered in cold blood.

    Airships ply the skies and Queen Victoria presides over three-quarters of the known world—including the East Coast of America, following the failed revolution of 1775.London might as well be a world away from Sandsend, a tiny village on the Yorkshire coast. Gideon Smith dreams of the adventure promised him by the lurid tales of Captain Lucian Trigger, the Hero of the Empire, told in Gideon’s favorite “penny dreadful.” When Gideon’s father is lost at sea in highly mysterious circumstances Gideon is convinced that supernatural forces are at work. Deciding only Captain Lucian Trigger himself can aid him, Gideon sets off for London. On the way he rescues the mysterious mechanical girl Maria from a tumbledown house of shadows and iniquities. Together they make for London, where Gideon finally meets Captain Trigger.But Trigger is little more than an aging fraud, providing cover for the covert activities of his lover, Dr. John Reed, a privateer and sometime agent of the British Crown. Looking for heroes but finding only frauds and crooks, it falls to Gideon to step up to the plate and attempt to save the day...but can a humble fisherman really become the true Hero of the Empire?David Barnett's Gideon Smith and the Mechanical Girl is a fantastical steampunk fable set against an alternate historical backdrop: the ultimate Victoriana/steampunk mash-up!

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    So when she's offered a lucrative weekend gig translating at a business conference in a remote chateau, she jumps at the chance to shake things up.Then by chance Chloe discovers her employers are anything but the entrepreneurs they appear, and suddenly she knows far too much. Her clients are illegal arms dealers, and one of them is ordered to kill her. But instead, Bastien Toussaint drags Chloe away, and the next thing she knows she's on the run with the most terrifying and seductive man she's ever met. What were his motives--and would she live long enough to find out?

    Created to prepare soldiers for the nightmarish reality of urban warfare, it is a virtual world locked in eternal civil war. Its thirty million digital inhabitants are ruled by duplicates of some of history's cruellest tyrants: Reinhard Heydrich, the architect of the Holocaust; Beria, Stalin's arch executioner; Torquemada, the pitiless Inquisitor General; Robespierre, the face of the Reign of Terror. But something has gone badly wrong inside the Demi-Monde, and the US President's daughter has become trapped in this terrible world. It falls to eighteen-year-old Ella Thomas to rescue her, yet once Ella has entered the Demi-Monde she finds that everything is not as it seems, that its cyber-walls are struggling to contain the evil within and that the Real World is in more danger than anyone realises.

    Normally her job is stimulating, challenging and only a little bit dangerous. But every once in a while...Case in point: A cornerstone containing a spell is stolen and there's a magical complication. (Isn't there always?) Wren's unique abilities aren't enough to lay this particular case to rest, so she turns to some friends: a demon (minor), a mage who has lost his mind, and a few others, including Sergei, her business partner (and maybe a bit more?).Sometimes what a woman has to do to get the job done is enough to give even Wren nightmares....

    Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

    They can’t really be the city’s only hope?When Rory discovers Longinus’s blood phobia, she makes him a deal. Train her, and she won’t ruin his reputation as a lethal assassin. What she doesn’t expect is that her new master has more eccentricities than a stray dog has fleas. And that in aligning herself with him, she now finds herself in the crosshairs of another, far more dangerous assassin. Now, not only does Rory have to keep herself and Longinus alive, she has to stop a conspiracy that threatens to bring the city to its knees.An impossible task? It's even harder with Longinus under the delusion that he’s the hero of the story. That would be funny, if it didn't make Rory want to throttle him.Warning: this book will make you have fun. Lots of fun.

    A lifetime of avoiding any physical contact with others has made her isolated and painfully lonely in her small rural town.Then she meets the one boy she can touch. Jenny feels herself falling for Seth...but if she's going to be with him, Jenny must learn to use the deadly pox inside her to confront his ruthless and manipulative girlfriend Ashleigh, who secretly wields the most dangerous power of all.* * *Not recommended for readers under eighteen.BONUS: Includes an excerpt of Glimpse by Stacey Wallace Benefiel.

    The first volume of Alexandre Dumas' two-part interpretation of the story of Robin Hood, popularized for Nineteenth Century audiences by Sir Walter Scott's Ivanhoe, set in England in 1162-66.In this book, Dumas tells the story of Robin Hood's youth: how he is delivered by an unknown man to be raised by poor but honest foresters, his great skill as an archer, how he comes into conflict with the Baron [sic] of Nottingham, how he meets Friar Tuck, the Maid Marian, Little John, Will Scarlett, and others, how he is declared an outlaw by the King, and decamps, with his followers, into Sherwood Forest to wage war against the Baron.

    An all-powerful amulet.This could only mean trouble. My name is Raine Benares. I’m a seeker. The people who hire me are usually happy when I find things. But some things are better left unfound…Raine is a sorceress of moderate powers, from an extended family of smugglers and thieves. With a mix of street smarts and magic spells, she can usually take care of herself. But when her friend Quentin, a not-quite-reformed thief, steals an amulet from the home of a powerful necromancer, Raine finds herself wrapped up in more trouble than she cares for. She likes attention as much as the next girl, but having an army of militant goblins hunting her down is not her idea of a good time. The amulet they’re after holds limitless power, derived from an ancient, soul-stealing stone. And when Raine takes possession of the item, it takes possession of her.Now her moderate powers are increasing beyond anything she could imagine—but is the resumé enhancement worth her soul?

    We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will get out, even if it kills them.

    This is James Patterson's best book ever.TotalFor 36 years, James Patterson has written unputdownable, pulse-racing novels. Now, he has written a book that surpasses all of them. ZOO is the thriller he was born to write.WorldAll over the world, brutal attacks are crippling entire cities. Jackson Oz, a young biologist, watches the escalating events with an increasing sense of dread. When he witnesses a coordinated lion ambush in Africa, the enormity of the violence to come becomes terrifyingly clear.DestructionWith the help of ecologist Chloe Tousignant, Oz races to warn world leaders before it's too late. The attacks are growing in ferocity, cunning, and planning, and soon there will be no place left for humans to hide.

    It's 318 BC in the deserts of Libya, and Alexander the Great is buried as only a God should be, placed in a Crystal Sarcophagus in a catacomb of chambers, each packed with diamonds, rubies and gold. This was how he should have remained, but time waits for no-one. It's 2007 and underwater archaeologist Daniel Knox has been on the trail of Alexander's Gold ever since he can remember. When a tomb is uncovered on the construction site of a new hotel, Daniel believes he has found the clue to what he has been working towards for years. But the discovery has alerted two of the most dangerous men in the world, and Daniel is now a marked man.

    Seriously stressed-out from a nasty incident in an alien tomb, she is obliged to work part-time in Shrimpton’s House of Ancient Horrors, a very low-budget museum. She has a plan to get her career back on track, but it isn’t going well. Stuff keeps happening.Take the dead body that she discovered in one of the sarcophagus exhibits. Who needed that? Finding out that her new client, Emmett London, is one of the most dangerous men in the city isn’t helping matters either. And that’s just today’s list of setbacks. Here in the shadows of the Dead City of Old Cadence, things don’t really heat up until After Dark.