He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    This best-selling novel, first published in 1953 to wide acclaim by author Grubb, (who like Powers lived in Clarksburg, West Virginia), served as the basis for Charles Laughton's noir classic . Renamed "Harry Powell," the lead character in this book, with LOVE and HATE tattooed on his fingers, is remembered as one of the creepiest men in book and cinema history.

    Graham is the greatest profiler the FBI ever had, but the physical and mental scars of capturing Hannibal Lecter have caused Graham to go into early retirement. Now, Graham must turn to Lecter for help.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    Just as he is beginning to adjust to his new life, his uncle is involved in a late-night accident while driving his taxicab. A young coed is dead and Uncle Taiko is charged with manslaughter, even though the circumstances seem suspect.Struggling to help his uncle, Mamoru discovers that the victim had been involved in a cruel scam with three other young women. Two of the four have also recently died in similarly violent incidents.Several days after the accident, a powerful businessman comes forward as a witness. But instead of making things clearer, the mans testimony only adds more confusing lies and deceptions to an already puzzling case, as Mamoru races to save the last of the four women targeted by the real killer.

    A man’s body was found beside the picnic tables in a local park. He has abrasions on his knuckles and several cuts on his palms and forearms. The victim defended himself, but his opponent brought a gun to a fistfight. At first, it looks like a simple case, but as Joe quickly discovers, it’s not.The victim lives almost a thousand miles away. His wife says he’s in town to fish and camp, but he didn’t bring fishing tackle or a tent. He came for an altogether different purpose. As Joe investigates, she finds herself drawn into a dangerous world steeped in lies and deception. With every insight she gains and every clue she finds, she comes closer to solving her case. But with every second that passes, the people she’s hunting draw closer to their prey.It’s a race with innocent victims as the prize. If Joe wins, she saves the day. If she loses, many will die…including her.The Man in the Park is a gripping thriller with twists and turns galore. If you like Michael Connelly, James Patterson, or Lisa Gardener, you’re going to love Chris Culver’s Joe Court series. Check it out!

    Almost immediately, crooked-bodied Eddie Kreezer, a roving obsessive with a violent streak, and a fading but lovely grifter named Glenda begin to do battle for Luli's head and heart. On their perilous journey westward, Luli is introduced to drifters, lowlifes, strippers, speed freaks, gold-diggers, and a Libertarian with a dog named Karl. Along the way, she learns the truth of American rootlessness and discovers both the power and the peril of her own sexual curiosity. Part coming-of-age story and part raggedy picaresque, Hick leads us at a blinding pace down broken roads through a world that seems to this extraordinary and indomitable young girl dangerously uncharted.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power as the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

    That something turns about to be a highly valuable meteorite. With euro signs lighting up the eyes of the locals, the unexpected treasure is temporarily placed in a neighbourhood museum, under the watchful eye of a priest named Joel.But Joel has a lot more on his mind than simply protecting the riches that have apparently rained down from heaven. His wife has just revealed that she is pregnant. Unfortunately Joel has strong reason to think the baby isn’t his. As Joel tries to fend off repeated and bungled attempts to steal the meteorite, he must also come to terms with his own situation, and discover who the father of the baby really is.

    The death of a new born child. Every day for her is a living battle. She is recovering slowly, but the brutal murder of a woman close to her home rocks her peaceful world. Another woman is killed in the same way. Kirsty now makes a terrifying discovery – the murders of both these women point to her husband, Jake. He is the local doctor and knew both women well. Piece by piece, the jigsaw falls into place, and Kirsty is spellbound as she realises what her husband is capable of. Then she finds the evidence that could utterly destroy her: Did Jake kill her baby son? As her life unravels, Jake becomes more suspicious. Soon, Kirsty knows her life is in danger, and she has to act fast to make the police believe her. But by then, it might be too late…

    A master hunter, his ability to poach game in-season or out is the only thing that stands between him and the soup kitchen line. Until Moon trespasses on the wrong land, hears a rustle in the brush, and fires a single fateful shot. Following the bloody trail, he comes upon a shocking scene: an illegal, deep woods campground filled with drugs, bundles of cash and the body of a dead young woman, killed by Moon's stray bullet. Faced with an ultimate dilemma, Moon has to make a choice: does he take the money and ignore his responsibility for the girl's death? Or confess? But before he has a chance to decide, Moon finds himself on the run, pursued by those who think the money is theirs. Men who don't care about right and wrong and who want only one thing from John Moon: his body, face down in a ditch. Matthew F. Jones' A Single Shot is a rare, visionary thriller reminiscent of the work of Tom Franklin, Ron Rash, Daniel Woodrell, and Cormac McCarthy.

    Wall Street speculators, the Manhattan downtown club scene, Russian gangsters, immigrant neighborhoods - all the elements in the urban turf of this finely crafted contemporary crime novel wed danger with excitement and possibility. They're the rewards that Monty Brogan, who stands at the center of the moral glare in this tale, has already lost, just as he's lost his Corvette, and the "sway" that opened the doors of exclusive night spots and guaranteed him courtside seats at Madison Square Garden. Tomorrow Monty's traveling by bus, to the federal prison in Otisville, for seven years. He's afraid, and all he'd ever really wanted when he grew up was to be a fireman. With the pulse of the city in its prose, this debut novel follows Monty through the twenty-four hours of his last day out. At the same time, it illuminates the worlds, and souls, of his two best friends: Frank Slattery, an edgy bond trader who gambles daily with financial ruin, and Jakob Elinsky, an English teacher who clings to illusions as he compromises his ideals. Friends since their high school days, the three of them nostalgically share a past, but warily they confront a future that can no longer accommodate their adolescent dreams. They meet. They drink, and talk, go clubbing, dance, drink, and remember. What neither Slattery nor Jakob know, however, is that Monty has a plan. It's a shocker.Originally published: New York: Carroll & Graf Pub., 2000.

    The baby she had out of wedlock with the pastor’s son, and how the baby died, but not the grief and guilt that consume her. At a motel bar, Rayelle meets Couper Gale, a freelance detective on a mission to investigate a rash of missing girls, and she tags along as an excuse to cross the state line. But when Couper’s investigation leads them to the mystery surrounding Rayelle’s runaway cousin Khaki, she finds she is heading straight back into everything she was hoping to leave behind.As fates become entwined, Rayelle must follow a haunted and twisted path—leading her toward a collision where loyalties will be betrayed, memories uncovered, and family bonds shattered. Unflinchingly dark and compelling, THE SCAMP confronts head-on the issues of family origins and the bonds between mothers, daughters, and sisters. It delves deep into the cycle of abuse and poverty, questioning, in the end, the value of any one life, child or adult.In Pashley’s hands, the lost girls of rural and industrial America, trapped in the unforgiving systems of government assistance and single parenthood, are portrayed with depth and nuance. She exposes the ingrained poverty and atmosphere of disillusionment that damns them before they have a chance and she gives them a ray of hope for a better life ahead.

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)