This 1991 paperback includes stories from Eightball #1-6, along with strips Clowes created for alternative comics anthologies Blab!, Young Lust, and Weirdo. It includes several of the cartoonist’s one-page collaborations with The Duplex Planet creator David Greenberger and two of his most well-known comic-strip rants: “I Hate You Deeply” and “I Love You Tenderly.”

    Times Book Prizes Finalist (Graphic Novel/Comics) 2016A collection of two new stories from cartoonist and Adventure Time contributor Sam Alden. In "Household," a brother and sister deal with divergent memories of their father and grow closer than ever. In "Backyard," vegans and anarchists share a house, small dramas and bizarre transformations (featuring a new, never before published ending). Designed as a companion volume for the critically acclaimed It Never Happened Again, New Construction cements Sam Alden's reputation as one of the best cartoonists of his generation.Sam Alden Sam Alden is the author of It Never Happened Again, Wicked Chicken Queen, and Lydian, among others. He is a two-time Ignatz winner and four-time nominee, and works full-time as a writer and storyboarder on Cartoon Network's Adventure Time.Praise for Sam Alden's It Never Happened Again:"Alden's natural sense of framing and pace, his willingness to use silent panels to tell stories, and his beautiful (yes, beautiful) pencil images combined to open my eyes to a new idea of what a great comic can be. It helps that he's also an excellent writer—both stories sketch out lonely, lost characters efficiently, and put them each through very different quests for meaning."—Dan Kois, Slate"Two thematically divergent, but devastatingly human portraits from an emerging cartoonist displaying the sort of storytelling and artistic restraint that often only comes after years of toiling away at the drawing board. Alden is a talent to watch."—Publishers Weekly

    Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    In a small park near the river, Alex sleeps on a bench. When he awakens, we can see that he's a mess. He is coming off a colossal bender. As he stirs, a book falls out of his coat: a high school yearbook. He flips through the pages and finds himself. "Alex Kalienka: Alex likes watching T.V., drawing cartoons, and doing nothing. Future places: Sunny California and Mickey Walt Cartoon Studios." Alex closes the book and vomits in the river.Alex is the story of failed dreams and the consequences faced by a man who discovers that accomplishing his career goals are no route to inner peace. It is a story about the redemptive power of art, and about how fleeting those chances for redemption can be in a society that emphasizes different values.This existential, 250-page exploration of depression and the healing power of art was originally published over ten years ago as a six-issue comic book series and is collected here as one book for the first time. Kalesniko is a former Disney animator with credits including The Prince and the Pauper, Mulan, The Lion King and The Little Mermaid. He has also created the graphic novels Why Did Pete Duel Kill Himself? and Mail Order Bride.

    Lone Racer is the story of a down-and-out racecar driver whose days of success are long gone. After a misguided attempt at bank robbery, where he is supposed to drive the getaway car, Lone Racer decides that the days of going downhill are over. Will Lone Racer get back on track?

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    . . obsessively detailed [comics] feel like [they've] been shot straight from his brain onto the page." - Village Voice Puke Force is social satire written dark and dense across Brian Chippendale's deconstructed multiverse of walking, talking M&Ms, hamsters, and cycloptic-yet-glamorous trivia hosts. In scathingly funny single-page strips that build and build, he takes on social media narcissism, governmental propaganda, racism, and a culture of violence, skewering the malice of the right and the hypocrisies of the left. A bomb explodes in a coffee shop: the incident is played out over and over again from the perspective of each table in the shop, revisiting moments from ten and twenty years before. We see the inevitable as the characters bicker or celebrate, unaware of what's coming. Throughout this dystopic graphic novel, Chippendale uses humor and a frantic drawing style to show how the insidious nature of corporate greed and the commodification of everything have warped society into a killing machine. Sardonic and self-aware, Puke Force asks all the right questions, providing a startling and on-point take on contemporary social issues. Chippendale's artwork makes each panel a masterpiece of thrumming linework and lo-fi magic, as his storytelling wends and winds its way to a fascinating conclusion.

    Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    Abandoned Cars is Tim Lane's first collection of graphic short stories, noir-ish narratives that are united by their exploration of the great American mythological drama by way of the desperate and haunted characters that populate its pages. Lane's characters exist on the margins of society--alienated, floating in the void between hope and despair, confused but introspective. Some of them are experiencing the aftermath of an existential car crash--those surreal moments after a car accident, when time slows down and you're trying to determine what just happened and how badly you're hurt. Others have gone off the deep end, or were never anywhere but the deep end. Some are ridiculous, others dignified in their efforts to struggle to make sense of, and cope with, the absurdities, outrages, ghosts, and poisons in their lives.

    Youth Is Wasted collects several of Noah Van Sciver's most outstanding short stories from his critically acclaimed, award-nominated comic book series, Blammo, as well as various anthology submissions.

    Amongst the unusual flora and fauna, they discover within themselves something more strange and terrible than any sight their safari has to offer. Safari Honeymoon is a tale of jungle love and jungle madness.

    Now, away from home for the first time, all three want to reinvent themselves. But in the face of handwringing boys, “personal experimentation,” influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of “academia,” they may be lucky just to make it to spring alive. Going off to university is always a time of change and growth, but for Esther, Susan, and Daisy, things are about to get a little weird.Collects issues #1-4.

    Events take a peculiar turn as Palmer befriends an iconoclastic co-worker, Billy Boy, and plunges head-long into the mysterious and sinister world of sorcery, psychological operations, subterranean organizations and wild-goose chases.

    With this strong entry in the autobiographical comic genre, Roberts is unafraid to show herself looking bad, such as when she's frustrated when her daughter, Xia, calls her-only to find out it's to say "I love you." In the comic's best pages, Roberts and Xia struggle with toilet training ("That already happened," Xia beams when she is warned to keep her butt out of the bowl), and Xia abuses her swearing privileges. The linework on the characters is detailed while retaining a sketchiness for backgrounds that makes the figures feel raw, rather than polished. The simple, direct art makes for an intimate, personal journey through Roberts's life as a mother and creator." Alex Hoffman, Sequential State, 5 June, 2015 - "Roberts' comics primarily explore her relationship with her daughter Xia and husband Scott, as well as her interactions with friends and extended family. These are classic slice-of-life comics, and Roberts uses sometimes panels, sometimes full pages to capture the essence of certain moments. Xia is growing up and learning about the world around her, and the strange internal logic of toddlers gives Miseryland much of its charm. Slice-of-life comics can often be cute or endearing, but Miseryland is funny, laugh out loud funny, mostly due to the inanities and bad behaviors of its youngest cast member and Roberts' deadpan reactions. Importantly, Roberts isn't writing a "kids say the darndest things" comic; as panels and pages fall into place throughout Miseryland, these small stories paint a picture of Roberts as a melancholy, anxious mother living with bipolar disorder and trying to find the best way to raise her daughter. Xia is oftentimes the access point to these feelings, pointing out the hidden in ways that make it seem obvious. Miseryland isn't a tell all, either - even when things like Roberts miscarriage come up, the stories told are more a remembering than an exposure. We find Roberts at high and low points throughout the book, and while these moments coalesce into a larger vision, Miseryland has time to explore the way creative processes and personal time are changed after you have children. Some of these comics are certainly a part of the book because Xia wasn't napping when Roberts was drawing, just as some are there to illustrate Roberts fears and frustrations." printed with the assistance of Koyama Press

    DeForge's singular vision reveals the menace in the mundane, the humor in the horrific. He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.