Whilst this is not a story about the artistic personality, it is rather the story of talent and youth falling victim to the obstacles, the unpredictability and the accidents of life. The novel charms the reader with its gentle description of teenage Levon, passionate about the opera, theatre and music. Possessed of a tender sensibility and creativity he is however trapped into circumstances inimical to his ambitions. In Levon's mother, a rather weak, perhaps broken woman, Shirvanzade encapsulates well some of the plebeian hostility to the artistic character often seen as good for nothings incapable of putting bread on the table

    Here two worlds stand face to face, love for a woman and the longing for God. Both of them do not cease, for the inner conflict of feeling and thought is continuos.A drama of inner dreams and desires, lofty stubborn idealism and stormy, soul-searching upheaval.

    One of the most beautiful and inspiring stories penned by Nar-Dos.

    His work was mostly written in tragic, sometimes humorous form, as in this title, often centering on the harsh lives of villagers in the Lori region. Tumanyan's inspiration for his writing came considerably from his parents. He was born in the village of Dsegh in the Province of Lori, Armenia. With his father was an offspring of an Armenian princely family of Tumanian (branch of the Mamikonians) and the village's priest and his mother an avid storyteller with a particular interest in fables, Tumanyan had incorporated many of the themes from his mother's stories and his father's preachings into his writings. Tumanyan is usually regarded in Armenian circles as "All-Armenian poet." He earned this title when the Catholicos of Armenia had ordered that Armenian refugees from the west not enter certain areas of his church and house, since he is considered to be "The Catholicos of all Armenians." Tumanyan in response decried that decision claiming that the refugees could seek relief in the Catholicos' quarters under order of "The Poet of all Armenians."

    The Vardanank novel is based on real historical events of the 5th century- the Armenian Liberation War, historically known as the "war of Vardanians".It is written by a bright, juicy language, includes historically colorful images of St Vardan's associates, the real picture of the life of Persian and Byzantine ruling circles.

    He was an Armenian from that part of Armenia which was under the Mohammedan rule of the Shah of Persia. In the Diary of a con artist he proposes the civic duties and responsibilities of individuals. He vividly depicts the dark side of the human being but proposes the nurture as opposed to the nature theory. He suggests the society as responsible for creating fertile grounds for individuals' actions. Hence, he proposes the responsibility of the society to its individual in parallel with civic duties of the individuals to the society.

    Based on historical events this novel tells an unforgettable story of Armenian King Pap (370-374 AD), the last king of the Arsacid Dynasty of Armenia.

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    - First comprehensive account: From 1915 to 1923, the Ottoman Turks drove two million Armenians from their ancestral homeland, slaughtering 1.5 million of them in the process. After an immediate groundswell of support for the "starving Armenians" led by President Woodrow Wilson, the atrocities were wiped from public consciousness. Why has Turkey never been held accountable? This, the first account of the post-Genocide era, explains how and why the event disappeared from the world's memory and reveals for the first time the full story of the events that conspired to conceal the truth. - Powerful narrative: Children of Armenia blends characterdriven narrative with historical analysis, tracking three central figures--a terrorist seeking revenge, a lawyer seeking reparations, and a lobbyist seeking recognition--to deliver a powerful true story in the tradition of Iris Chang, Peter Balakian, Samantha Power, and Philip Gourevitch. - Timely: From rwanda to Darfur to Bosnia, there has been much discussion of twentieth-century genocides, the proper u.S. response, and the tragic aftermaths. Bobelian's pioneering account of the post-Genocide generation's struggle for justice demonstrates just how critical the establishment of truth is for peaceful reconciliation.

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    But I am more thankful for the hours of absorbing interest spent in the study of his portraiture as given in the Gospels. I know of nothing that makes so pleasant a respite from the pressure of life's fret and strain, as to bathe mind and spirit in the translucent waters of Scripture biography. As the clasp between the Old Testament and the New - the close of the one and the beginning of the other; as among the greatest of those born of women; as the porter who opened the door to the True Shepherd; as the fearless rebuker of royal and shameless sin - the Baptist must ever compel the homage and admiration of mankind. In many respects, such a life cannot be repeated. But the spirit of humility and courage; of devotion to God, and uncompromising loyalty to truth, which was so conspicuous in him, may animate us. We, also, may be filled with the spirit and power of Elijah, as he was; and may point, with lip and life, to the Saviour of the world, crying, "Behold the Lamb of God."

    One of the original Beat poets (the coinage "beatnik" is his), Kaufman’s work has always been essentially improvisational, often done to jazz accompaniment. And he became something of a legendary figure at the poetry readings in the early days of the San Francisco renaissance of the 1950s. With his extemporaneous technique, akin in many ways to Surrealist automatic writing, he has produced a body of work ranging from a visionary lyricism infused with satirical, almost Dadaistic elements to a prophetic poetry of political and social protest. Born in New Orleans of mixed Black and Jewish parentage, Kaufman was one of fourteen children. During twenty years in the Merchant Marine, he cultivated an intense taste for literature on his long sea voyages. Settling in California, in the ’50s, he became active in the burgeoning West Coast literary scene. Disappointment, drugs, and imprisonment led him to take a ten-year vow of complete silence that lasted until 1973. The present volume includes previously uncollected poems written prior to his pledge and newer work composed in the years 1973-1978, before the poet once again lapsed into silence.

    His peaceful routine is disrupted by Madam Jeanne and Lise. In love with the former and loved by the latter, Bedros must reconcile his Armenian background with his Parisian lifestyle.

    Annie is training to be an Anglican priest but as her mind wanders during theological discussions and doubts emerge about her choice of career, she plots and writes a highly sexed novel about a minister and his flighty girlfriend...

    By the end of the First World War, the number of Armenians in what would become Turkey had been reduced by 90 percent--more than a million people. A century later, the Armenian Genocide remains controversial but relatively unknown, overshadowed by later slaughters and the chasm separating Turkish and Armenian interpretations of events. In this definitive narrative history, Ronald Suny cuts through nationalist myths, propaganda, and denial to provide an unmatched account of when, how, and why the atrocities of 1915-16 were committed. Drawing on archival documents and eyewitness accounts, this is an unforgettable chronicle of a cataclysm that set a tragic pattern for a century of genocide and crimes against humanity.