Rarer than Stradivarius violins, these musical works of art are built from near-extinct Brazilian Rosewood, Appalachian spruce, black ebony, and fine mother-of-pearl. With Henderson's keen ear for the vibrations of each piece of wood he uses, each note that comes out of them has the power of a cannon and the sweetness of maple syrup.In "Clapton's Guitar," Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson, master luthier and genius in blue jeans, will tell you that he simply puts penknife to wood and carves away "everything that isn't a guitar." This is the story of a master artist, set deep in the mountains of southwestern Virginia in a brick, one-story guitar shop, as busy and chaotic inside as it is simple outside. The space is well-lighted, cluttered with power tools, air hoses, and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth, including one very special instrument he built for Eric Clapton.Normally, there is a ten-year wait for a Henderson guitar, and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done, St. John jump-starts the process, and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man "The Washington Post" calls the "Mad Scientist of Mountain Music." Henderson, a small-town wise man, is not only the star ofthis book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player, equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians, who welcome you for an all-too-brief visit. By book's end, you too will want to be Wayne Henderson's friend.In a rich tapestry of folklore and folksiness, St. John tells the story of building the Clapton guitar in loving detail, from the centuries-old forests where great tonewood grows, to the auction floor of Christie's where one of Clapton's guitars commands over $700,000. It's also a loving look at Wayne's corner of the world, the Blue Ridge mountain hamlets where American traditional music was born, and of Wayne's hometown of Rugby, Virginia, population 7, where the winding roads have kept progress at bay.Whether you love old-time music, unplugged rock, traditional American craftsmanship, or simply gifted storytelling, Clapton's Guitar is an engaging work that you will want to savor and share with friends.

    Full of adventure, mishaps and audacious attempts at cheating, it was a race to be remembered. Cyclists of the time weren't enthusiastic about participating in this "heroic" race on roads more suited to hooves than wheels, with bikes weighing up to thirty-five pounds, on a single fixed gear, for three full weeks. Assembling enough riders for the race meant paying unemployed amateurs from the suburbs of Paris, including a butcher, a chimney sweep and a circus acrobat. From Maurice "The White Bulldog" Garin, an Italian-born Frenchman whose parents were said to have swapped him for a round of cheese in order to smuggle him into France as a fourteen-year-old, to Hippolyte Aucouturier, who looked like a villain from a Buster Keaton movie with his jersey of horizontal stripes and handlebar moustache, the cyclists were a remarkable bunch. Starting in the Parisian suburb of Montgeron, the route took the intrepid cyclists through Lyon, over the hills to Marseille, then on to Toulouse, Bordeaux, and Nantes, ending with great fanfare at the Parc des Princes in Paris. There was no indication that this ramshackle cycling pack would draw crowds to throng France's rutted roads and cheer the first Tour heroes. But they did; and all thanks to a marketing ruse, cycling would never be the same again.

    Now, republished in the twenty-first century, these tips can be used to spruce up your household and wardrobe on a dime. The book includes old-fashioned remedies for everything from washing silks to repelling the “moth menace,” as well as patterns and directions on how to patch holes in clothing with stylish fabric, and how to take scraps of wool to create new looks. The book also includes “grand ways to eke out dated or worn cloths” and provides ways of “re-making old garments which you have never considered.” References throughout to the scarcity of materials speaks to how valuable these tips and tricks were in wartime Britain. And in a section devoted to the corset, readers are reminded that “now that rubber is so scarce your corset is one of your most precious possessions.”       From the “too-tight blouse” to the “cure for bagginess”, Make Do and Mend is filled with the charm and wit of the 1940s and provides the time-tested, fail-safe solutions from generations past that will be a delight to nostalgia seekers and homemakers of today.

    No fewer than twenty players have or will eventually make it to the Hall of Fame; the best scorers were matched up against the best goalies; brilliant coaches could be found on both benches; and two of the league's smartest general managers ruthlessly tried to one-up each other at every NHL trade deadline. Blood Feud is a rollicking story of a fierce, and often violent, rivalry.

    First identified as valuable in the 1930s, when the whole notion of card collecting was still young, the T206 Wagner has remained the big score for collectors who have scoured card shows, flea markets, estate sales, and auctions for the portrait of baseball's greatest shortstop.Only a few dozen T206 Wagners are known to still exist. Most, with their creases, stains, and dog-eared corners, look worn and tattered, like they've been around for almost a century. But one—The Card—appears to have defied the travails of time. Thanks to its sharp corners and its crisp portrait of Honus Wagner, The Card has become the most famous and desired baseball card in the world.Over the decades, as The Card has changed hands, its value has skyrocketed. It was initially sold for $25,000 by a small card shop in a nondescript strip mall. Years later, hockey great Wayne Gretzky bought it at the venerable Sotheby's auction house for $451,000. Then, more recently, it sold for $1.27 million on eBay. Today worth over $2 million, it has transformed a sleepy hobby into a billion-dollar industry that is at times as lawless as the Wild West. The Card has made men wealthy, certainly, but it has also poisoned lifelong friendships and is fraught with controversy—from its uncertain origins and the persistent questions about its provenance to the possibility that it is not exactly as it seems.Now for the first time, award-winning investigative reporters Michael O'Keeffe and Teri Thompson follow the trail of The Card from a Florida flea market to the hands of the world's most prominent collectors. They delve into a world of counterfeiters and con men and look at the people who profit from what used to be a kids' pastime, as they bring to light ongoing investigations into sports collectibles. O'Keeffe and Thompson also examine the life of the great Honus Wagner, a ballplayer whose accomplishments have been eclipsed by his trading card, and the strange and fascinating subculture of sports memorabilia and its astonishing decline.Intriguing and eye-opening, The Card is a ground-breaking look at a uniquely American hobby.

    Drawing on materials from Polish, Jewish, and German sources created during and after the war, Grabowski documents the involvement of the local Polish population in the process of detecting and killing the Jews who sought their aid. Through detailed reconstruction of events, this close-up account of the fates of individual Jews casts a bright light on a little-known aspect of the Holocaust in Poland.

    Maxim de Winter remembered the chilling events that led her down the turning drive past ther beeches, white and naked, to the isolated gray stone manse on the windswept Cornish coast. With a husband she barely knew, the young bride arrived at this immense estate, only to be inexorably drawn into the life of the first Mrs. de Winter, the beautiful Rebecca, dead but never forgotten...her suite of rooms never touched, her clothes ready to be worn, her servant -- the sinister Mrs. Danvers -- still loyal. And as an eerie presentiment of evil tightened around her heart, the second Mrs. de Winter began her search for the real fate of Rebecca...for the secrets of Manderley.

    The Big Show is the only book ever to offer an unguarded, behind-the-scenes glimpse of this singular event, along with remarkable insight into how the Oscars reflect the high-stakes politics of Hollywood, our obsession with celebrities (not to mention celebrities’ obsession with themselves), and the cinematic state of the union.

    And then there’s the demented son who returns home to live with his mother and stepfather, and one night in their beautiful mansion sitting atop a high bluff overlooking the Ohio River, slaughters them. Each case will keep you on the edge of your seat. From The Author:As I began my research into past Kentucky killers and their victims, I was well aware there were a good number of very unusual homicides from the Bluegrass State, as I’d read about them over the years in newspapers accounts, heard the strange tales from relatives and friends, or watched the occasional newscasts on TV. But these sources were never in-depth studies of the cases in question; and worse still, very often, erroneous information came forth, and it wasn’t until I began the research, using the original case files, that I’d find out what really happened. And it would be in these moments of discovery, that an accurate picture of each individual tragedy would rise and take shape from the seemingly innumerable police reports and interviews of those involved. Indeed, many of these ten stories I’ve “unearthed” would have been lost forever had I not sought them out from the dusty archives and storage facilities scattered throughout the state; stories that would, ultimately, be destined for obscurity and eventual disposal as the decades dragged on. Recently, one radio interviewer, contemplating their bizarre aspects, quite rightly stated how all of these Kentucky murders resembled something out of The Twilight Zone, and I quickly had to agree with his assessment. That’s the nature of these cases, and frankly, it was what I was looking for in my quest to uncover true crime in Kentucky. From The Story "Blood In The Moonlight": “As Bauer led the officer to the side door where they entered the house through the kitchen, Kendrick asked if he knew who’d done this, and Bauer said, “No.” Just before stepping inside the home, Kendrick radioed the Emergency Medical Services unit, telling them to continue on to this address – code 3 – and that homicide units should be sent as well. Having notified dispatch, Kendrick then drew his weapon and entered a nightmare."

    His profound moral vision and unique ability to bring to the surface the turbulent undercurrents of South African politics and society have been hailed by reviewers of his much acclaimed novels such as A Dry White Season and A Chain of Voices. "No one writes of Africa with more visual power than Andre Brink," wrote the Chicago Tribune in its review of his most recent work, An Act of Terror. Now, in a provocative fable, Brink probes the fateful beginnings of his country's complex cultural situation, the arrival of the first Europeans, and the tormented love affair between a young African tribal leader and a white woman left behind by the sailors. This is a journey through landscapes that are rich in magic and allusion, and emotions that are powerful, primal, and eternal. Brink's novella has its origins in an act of rescue: What, he wondered, lay behind the fragments of myth that had been handed down about the mountains of the cape? Adamastor, the Titan whose body, legend has it, formed the rocks of the Peninsula, first appears in Western literature in the sixteenth century - much about the same time as the first known contact between the seagoing European explorers and the natives of southern Africa. How, Brink asks, would that meeting have looked from the landward side? What role would the visitors take in the mythology of an utterly different culture, with its own deities, its own accumulated story? In a startlingly fresh yet familiar form, Brink takes us to the heart of the ambivalent relationships that define South Africa's modern history. Cape of Storms is a work of ribald charm, mesmerizing beauty, and resounding importance. Brink has unearthed from the sun-carved land itself the missing meaning of a myth that has waited four centuries to be invented.

    From P.T. Barnum's albinos and "Siamese" twins, to the traveling oddity museums linked to circuses and carnivals, to a whole new generation of "carny kids," Carny Folk reveals the strange, fantastic, and misunderstood world of the side show attraction. This captivating anthology pulls back the curtain on fifty of the most famous side show celebrities of all time, revealing the astounding, the curious, and the little-known facts behind such subjects as: - Joseph Carey Merrick: "The Elephant Man" claimed that his deformities were caused by the shock his pregnant mother experienced when she was crushed under the feet of an elephant.- Melvin Burkhart: The "father" of "human blockhead" acts, he could actually drive a spike or an ice pick into his head without flinching.- Bettie Lou Williams: Born with two bodies--one head, four legs, and three arms--she made her debut in Robert Ripley's first "Believe-It-Or-Not" Odditorium at the 1934 World's Fair in Chicago.- Tom Thumb: Discovered by P.T. Barnum in 1842, the singing, dancing sensation stood 25 inches tall and weighed a mere 15 pounds.

    Touching the Wild is the enchanting story about one man who has lived with a herd of mule deer in the Wind River mountains of Wyoming for almost seven years. Why, you may ask, would a person choose to do such a thing? His response: how could you not? For Joe Hutto, close proximity to wild things is irresistible. In Illumination in the Flatwoods he unveiled the secret lives of the wild turkey to great critical acclaim. In Touching the Wild he turns his acute sense of wonder and affinity to one of the West's quintessential big game animals: the mule deer, a species in peril due to environmental factors. Wily, thoughtful creatures, mule deer are not inclined to make foolish friendships with their primary predator-man. But due to the intense curiosity of one small doe, and the resulting introduction to an entire herd, Joe Hutto has been allowed unprecedented access and insight into the minds and behavior of this special animal.Spending every day among the herd, he develops uncanny connections with the deer, learning individual and group dynamics as well, unveiling just how much we have in common with these delicate beings. Each season brings new joy as fawns are born and heartache as matriarchs pass away, or hunting takes its toll, or a fawn is orphaned. But what overwhelmingly emerges from Touching the Wild is the enormous respect Hutto has for all wild things and the recognition that we have so much to learn from them about their world, ourselves, and the fragile planet we share. Throughout the book are gorgeous full-color photos.

    That day--chosen completely at random--turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing.That Sunday between Christmas and New Year's turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling.One Day asks and answers the question of whether there is even such a thing as "ordinary" when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.

    Dozens about lions and tigers and bears. But how many non-scholarly books have been written about giraffes-one of nature's most intriguing and unique animals? None. Until now.You know Lynn Sherr as a veteran journalist and as a leading correspondent for the ABC news magazine 20/20, but you probably didn't know that she has been an avid giraffophile since a visit to the African wilderness nearly twenty-five years ago.The days of the giraffe being overlooked and under-appreciated are over with the publishing of Tall Blondes,a one-of-a-kind book about a one-of-a-kind animal. The giraffe's unusually long neck and legs make it one of the most recognizable creatures on our planet. But it also possesses a wide range of other fascinating and endearing traits and features. And while most giraffes are blondes, they come in beautiful arrays of red, brown, and even white.Sherr traces the cultural history of the giraffe, from it's first appearance in Europe in 46 B.C. (thanks to Julius Caesar) through medieval bestiaries and up to the modern giraffe star of a TV movie. The book is not just about giraffes in the wild: it's about how they have impacted on humans (and visa versa), stirring the imaginations of artists, writers and thinkers. Taking a whimsical approach to her very serious subject, Sherr has filled it with little-known tidbits, awe-inspiring photographs and drawings, and intriguing tales about the world's tallest land animal.Read it, and you'll not only learn about why Sherr (a tall blond herself) has fallen head over heals for this gawky but graceful animal-you'll fall in love too.

    Black eyes, and blue eyes. A friendly smile, a laugh, a look of love... But this is North America in 1607, and love is not easy. The girl is the daughter of King Powhatan, and the Englishman is a white man. And the Indians of Virginia do not want the white men in their beautiful country. This is the famous story of Pocahontas, and her love for the Englishman John Smith.