Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. “netlets”—the WB and UPN—Buffy helped usher in the “post-network” era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks

    She must keep her darkest self at bay while she battles demons—the scaly and horned type as well as her own! Collects the five-issue miniseries.

    In his ongoing search for redemption, Angel firmly believes he's found a way to make amends - by reviving the dead! Cue Faith - rebel Slayer charged with helping Angel recover in the aftermath of his biggest misdeed. Out of fierce loyalty she supports his ridiculous scheme, if only to prevent him from going too far to attain his goal. Past, present, and potential future threats emerge as this unlikely duo struggles against real and personal demons while hitting the dark streets of London.Comic scribe Christos Gage (Avengers Academy) and series artist Rebekah Isaacs (DVS) launch readers into the heart of Angel & Faith, the newest addition to Joss Whedon's world of Buffy the Vampire Slayer! This collection also features a one-shot starring vampire Harmony, with art by Phil Noto.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    It’s easy to see why. Whedon, who got his start writing for Roseanne, dreamed of writing movie screenplays. He got his shot when he sold his script for Buffy the Vampire Slayer, but the movie fell far short of his hopes for it. After a few years of working as a script doctor, Whedon got the chance to doBuffy again, this time as a TV show.Few expected it to succeed, but Whedon’s humor and intelligence shone through in the scripts, and viewers quickly became attached to the engaging, witty characters. Buffy kept getting better: each season of the show featured a complex story arc possessed of a real sense of danger and further developed the characters. The last few years have brought the Buffy spin-off Angel, the lamentably canceled Firefly (a space western), and the comic book Fray. Engaging and filled with fun quotes, this is a must-read for Whedon’s many fans.

    One girl in all the world, to find the vampires where they gather, and to stop the spread of their evil and the swell of their numbers. In our time, that girl is Buffy Summers. But Buffy is merely one Slayer in an eternal continuum of warriors for the Powers That Be.We've known of others; The Primal Slayer, who stalked the earth and the forces of darkness in fierce solitude... Nikki, the funky hipster whose demise at Spike's hands lent an urban edge to his wardrobe and a bigger bounce to his swagger. Slayers by nature have a limited life expectancy; for each one who falls, another rises to take her place.Tales of the Slayer, Vol. 1, chronicles Slayers past who have influenced -- and are influenced by -- the traditions and mythologies of yore. From ancient Greece, to aristocratic Slayers holding court in revolution-era France, to the legend of the Bloody Countess Elizabeth Bathory, to 1920's Munich, each girl has a personal history, a shared moral code, and a commitment to conquer evil, regardless of the cost...Contents:A Good Run, Greece, 490 B.C.E. / Greg RuckaThe White Doe, London, 1586 / Christie GoldenDie Blutgrafin [The Blood Countess], Hungary, 1609 / Yvonne NavarroUnholy Madness, France, 1789 / Nancy HolderMornglom Dreaming, Kentucky, 1886 / Doranna Durgin>Silent Screams, Germany, 1923 / Mel OdomAnd White Splits the Night, Florida, 1956 / Yvonne Navarro

    These scripts are the shooting drafts, and contain production notes, cut dialogue and different scenes.

    Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can’t Read contends that Barbarella is good for you, that monster movies are just romantic comedies with commitment issues, that Dracula and Sherlock Holmes are total hipsters, and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate. Romp through time and space, from the circus sideshows of 100 years ago to the Comic Cons of today, from darkest corners of the Galaxy to the comfort of your couch. For anyone who pretended their flashlight was a lightsaber, stood in line for a movie at midnight, or dreamed they were abducted by aliens, Luke Skywalker Can't Read is full of answers to questions you haven't thought to ask, and perfect for readers of Chuck Klosterman, Rob Sheffield, and Ernest Cline.

    But when you're Buffy Summers, a vampire slayer--the Chosen One (with all that entails)--building a new life can be overwhelming. A group of nerdy vampires, shunned by their cooler brethren, decide to climb the vampire social ladder by taking out the Slayer. They play on Buffy's insecurities, wearing her down until she is full-on distracted by the mental warfare. But in addition to her Watcher, Giles, this Slayer has a couple of new friends, Willow and Xander, to cheer her on . . . except, of course, when they're not getting along.Award-winning author Faith Erin Hicks (The Adventures of Superhero Girl) brings the angst, the action, and the cool to Buffy the Vampire Slayer!

    Nearly every year since, the rich thematic material of good vs. evil, Slayer vs. vampire, friendship vs. isolation, and black vs. the new black has been explored at Dark Horse in over a hundred different issues - and by the biggest luminaries in the business. The stunning visuals unachievable on a small-screen budget have come to life, realized by Chris Bachalo, J. Scott Campbell, Jeff Matsuda, Mike Mignola, Terry Moore, Eric Powell, Tim Sale and Ryan Sook, among others. Take a look back at the most dynamic and memorable line art and paintings from the first ten years of the Slayer in comics - the best visions of Buffy that comics have to offer is finally given the deluxe coffee-table treatment, in a tradition started by our popular Star Wars: Panel to Panel series.

    Set during seasons one and two of the Angel television series, favorite characters appear - Cordelia, Doyle, Wes, Gunn - as the investigations of LA's vampire detective agency delve into all that is dark, grotesque, strange, and unexplainable. Angel faces demonic rats, bizarre deaths from spontaneous combustion, Hollywood demons encountered courtesy of Cordelia, angry spirits, zombies, and more Before you take a look at the upcoming new Dark Horse Angel comic series and the aftermath of Buffy Season Eight, take a step back and remember Angel's LA saga

    A natural heir to The X-Files and Buffy the Vampire Slayer, Supernatural has developed a strong cult following as it evolved past its monster-of-the-week origins and into a global battle between Heaven and Hell, as Dean and Sam attempt to avert the Apocalypse. Amidst the action and horror, the brothers enjoy the pleasures of the road, listening to hard rock, drinking beer and eating fast food, while driving their iconic Impala.TV Goes to Hell is the first book to give a full and fascinating examination of the series under the creative control of creator/producer Eric Kripke. This collection of essays, written by leading scholars, situates the series within debates surrounding folklore, religion, comedy, gender, and sexuality, and considers the impact of the show's genre-bending hybridity and its signature use of hard rock. The book aslo examines the show's innovative approach to storytelling and its unique relationship with its critics and its fans. Designed for fans of the show, as well as scholars and students, TV Goes to Hell unravels the wonders and horrors of Supernatural.(Includes a comprehensive episode guide through season six.)

    The show is so snarky, so smart, and so savvy, that the detective show’s biggest mystery is why more people aren’t watching.This collection of essays on the show’s first two seasons explores the noir roots of Veronica’s blond locks, and the sharp writing and killer plot twists that have catapulted Veronica Mars to the top of smart viewers’ must-watch lists.

    We've gotten glimpses of these other women over the years on T.V., in comics, and in books. Now for the first time, the writers from the television series, including the show's creator, Joss Whedon, and one of its stars, Amber "Tara" Benson, present the tales of these girls, with the help of comics' greatest artists. Gene Colan, co-creator of Marvel's Blade and Tomb of Dracula, returns to Dark Horse for the story of a young girl in 1970s New York, battling vampires. Tim Sale, artist of recent epics Batman: The Long Halloween and Superman for All Seasons teams with Joss Whedon for a grim tale of a medieval slayer. American comics legend P. Craig Russell (Dr. Strange, The Ring of the Nibelung) and international rising star Mira Friedmann (Actus Tragicus) also join the stellar lineup.

    Anyone can do that. Trying to figure out the why or what is a different story. Paranormal investigator Zak Bagans, host of the popular Travel Channel series Ghost Adventures, pulls from his years of experience with paranormal activities and unexplained phenomena to provide an evenhanded look at a divisive subject. In Dark World, regardless of whether you believe in the afterlife or not, Zak does his best to find and share answers to the phenomena that people encounter. He wants you to experience a haunting through his eyes: to feel what it's like to be scared, freaked out, pushed, cold, sluggish, whispered-at and touched by an ethereal being or attacked by a demonic spirit. But beyond simply experiencing these events, Zak is looking for the reasons behind them, searching for answers to the unanswered questions. Addressing all the major issues and theories of the field in an impartial way, Dark World is a must read for paranormal enthusiasts, those who don't believe and anyone who's ever wondered about things that go bump in the night.