A dystopian novel about the terrible oppressions of an American oligarchy at the beginning of the Twentieth Century, and the struggles of a socialist revolutionary movement.

    On the brink of twenty, Charles High-way preps desultorily for Oxford, cheerfully loathes his father, and meticulously plots the seduction of a girl named Rachel -- a girl who sorely tests the mettle of his cynicism when he finds himself falling in love with her.

    It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.

    It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

    Dick's weirdest and most accomplished novels. Jack Isidore is a crap artist -- a collector of crackpot ideas (among other things, he believes that the earth is hollow and that sunlight has weight) and worthless objects, a man so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But seen through Jack's murderously innocent gaze, Charlie and Juddy Hume prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack's, but a great deal uglier.

    James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an intentionally orchestrated car crash with Elizabeth Taylor. A classic work of cutting edge fiction, Crash explores the disturbing potentialities of contemporary society's increasing dependence on technology as intermediary in human relations.

    As they unlock the past, the women remember the things that tie them together.

    When he returns to that town he is shaken by the force of the outrage and hatred that greets him. Family and friends feel naked and exposed by the truths they have seen in his book, and their fury drives him from his home. He begins a search for his own identity that takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow. At last Webber returns to America and rediscovers it with love, sorrow, and hope.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    But in that dark Depression year, books were hard to sell, and the novel quickly dropped out of sight, as did its twenty-eight-year-old author. Only with its paperback publication in 1964 did the novel receive the recognition it deserves. Call It Sleep was the first paperback ever to be reviewed on the front page of The New York Times Book Review, and it proceeded to sell millions of copies both in the United States and around the world. Call It Sleep is the magnificent story of David Schearl, the “dangerously imaginative” child coming of age in the slums of New York.

    A perfect servant suddenly reveals himself to be the insidious Dr. Fu Manchu. Science-fantasy wars, racism, corporate capitalism, drug addiction, and various medical and psychiatric horrors all play their parts in this mosaiclike, experimental novel. Here is William S. Burroughs at his coruscating and hilarious best.

    Louis Holland arrives in Boston in a spring of strange happenings - earthquakes strike the city, and the first one kills his grandmother. During a bitter feud over the inheritance Louis falls in love with Renee Seitchek, a passionate and brilliant seismologist, whose discoveries about the origin of the earthquakes start to complicate everything. Potent and vivid, 'Strong Motion' is a complex story of change from the forceful imagination of Jonathan Franzen.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.

    Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy...Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty...Where three renegade law-enforcement officers—a former L.A. cop and two FBI agents—are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history....James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.Chosen by Time magazine as one of the ten best books of the year."Hard-bitten ... ingenious ... Ellroy segues into political intrigue without missing a beat." —The New York Times"Vastly entertaining." —Los Angeles Times"One hellishly exciting ride." —Detroit Free Press"A supremely controlled work of art." —The New York Times Book Review

    The story line follows the celebrated cinematic auteur Boris Adrian, "King B", who undertakes The Faces of Love, an episodic film with high budget production values that will explicitly depict the range of human sexual experience. The filmmaker is loosely based on Stanley Kubrick. Southern, who collaborated with Kubrick on Dr. Strangelove, dedicated the book "To the great Stanley K." It received only moderate reviews. Sales were hampered by the refusal of the NY Times to run ads for the book. A hilarious, wildly erotic & biting satire of Hollywood, Blue Movie tells the story of an Oscar-winning director who's determined to shoot the dirtiest & most expensive X-rated movie ever made; Sid Krassman, a producer who's made a fortune catering to the tastes of the American public, & Angela Sterling, a misunderstood sex symbol who'd give anything (& everything) for a chance to do something "serious." The set is fraught with monstrous egos & enormous libidos--the kind of situation that could only come from the imagination of the irrepressible Terry Southern. A film adaptation of Blue Movie is currently in production from director Michael Dowse & producer Marc Toberoff, to be released by Vertigo Films.