But to save his own life, he can't tell the police what he knows. Still, Jude is determined to clear his name and win the approval of his mother -- the district attorney he has not seen since he was an infant. At the urging of his mother's longtime companion, Jude agrees to a crazy scheme to protect her political future. But what Jude doesn't know is that there are buried secrets that will require him to sacrifice more than he ever dreamed. And his search for approval will turn into one for revenge.

    After Pete's mother abandoned him, Wayne's family took him in and treated him as their own son. Through adolescence, college, medical school, and in their shared orthopedics practice, Pete and Wayne have lived their entire lives as best friends -- as brothers. And as brothers, they have always been rivals when it came to women.The fateful night when Carla walks into the bar where Pete and Wayne are having drinks brings Wayne his customary, more fortunate, luck with the ladies. Even though Pete spotted her first, it is Wayne who seals the deal, and soon enough, Wayne and Carla are engaged. But Wayne's need for one last conquest tempts him into bed with another woman, and the ensuing guilt leads him to confide in his best friend -- a mistake that will haunt the three of them forever.Jealous of his friend's relationship, Pete tells Carla of Wayne's infidelity and provides more than just a friendly shoulder to cry on. As a result, Carla leaves Wayne and further breaks his heart by accepting Pete's marriage proposal only one year later.Just when old friends seem to be finally settling down with their choices, old feelings surreptitiously sneak to the surface, and a rift between husband and wife leads Pete astray and drives Carla into the most familiar arms she can find. In the ensuing days, tensions erupt, and relationships, already tenuous, begin to break down. Finally, guilt, lust, and redemption come together in a heartbreaking and tragic love triangle, and Pete, Wayne, and Carla are forced to face the consequences of decisions that may end up being their last."Do You Take This Woman?" is a sexy blend of friendship and romance that will take you on a startlingly real and emotional roller-coaster ride of betrayal, sex, lies, and, ultimately, love.

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    In his first book for young adults, Mosley deftly weaves historical and speculative fiction into a powerful narrative about the nature of freedom. 47 is a young slave boy living under the watchful eye of a brutal slave master. His life seems doomed until he meets a mysterious run-away slave, Tall John. Then 47 finds himself swept up in a struggle for his own liberation.

    They were a continuation of the visions I had experienced in Dorchester, only here, they were much more violent."Set in a wealthy community in northern Michigan, Rising tells the story of nine-year-old Symone, who is adopted by the Hustons—"a shameless family with a house at the top of the hill"--after her mother dies of a drug overdose. And though Symone is all too happy to leave the Dorchester projects behind, she can't help but wonder why this rich white couple has come to the ghetto to adopt "a black girl who looked white." Soon Symone discovers that the Hustons aren't saviors but instead demons who have delivered her into another kind of hell. She escapes only to return again years later, realizing that she must face the demons of her past if she has any hope of surviving the future.Rising is an evocative, undeniably potent, and completely unforgettable novel.

     "Style, insight, fun and a twist...entertaining, hip, and charming." (Publishers Weekly)

    Just when she's resigned herself to her fate, she sees a movie that will change her life--Sixteen Candles. But in her case, life doesn't imitate art. Tormented in school and hopelessly in unrequited love with a handsome football player, Davie finds it bittersweet to dream of Molly Ringwald endings. When a cruel school prank goes too far, Davie leaves the life she knows and reinvents herself in the glittery world of Hollywood as a beautiful and successful lounge singer. Just as she's about to ride off into the L.A. sunset, the past comes back with a vengeance, threatening to crush Davie's dreams--and break her heart again.With wholly original characters and a cinematic storyline, 32 Candles introduces Ernessa T. Carter, a new voice in fiction with smarts, attitude, and sassiness to spare.

    She's grown up in the spotlight, both idolized and despised for her family's fire-and-brimstone brand of faith. When Essie's mother, Celia, discovers that Essie is pregnant, she arranges an emergency meeting with the show's producers: Do they sneak Essie out of the country for an abortion? Do they pass the child off as Celia's? Or do they try to arrange a marriage—and a ratings-blockbuster wedding? Meanwhile, Essie is quietly pairing herself up with Roarke Richards, a senior at her school with a secret of his own to protect. As the newly formed couple attempt to sell their fabricated love story to the media—through exclusive interviews with an infamously conservative reporter named Liberty Bell—Essie finds she has questions of her own: What was the real reason for her older sister leaving home? Who can she trust with the truth about her family? And how much is she willing to sacrifice to win her own freedom?

    A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt, while brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart—motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce—pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, "Salvage the Bones" is muscled with poetry, revelatory, and real.

    Paris, Milan, London—Shannon has been everywhere, but somewhere along the way, she realizes she’s really…nowhere.Having graduated from high school and about to board yet another flight for yet another destination, Shannon is offered an alternative: stay in Portland, Oregon, with her parents’ close friend and help his law firm investigate a group of strangers living near the local university. A will with a substantial inheritance is being contested, and Shannon’s task is to gather information on the unlikely recipients of the money.Using an assumed name and working as a waitress in a diner, Shannon finds herself entirely on her own for the first time in her life; and as the long summer days go by, she tries to sort out who she really is and what her future holds.Originally published in 1968 and newly released as part of Nancy Pearl’s Book Crush Rediscoveries, Greensleeves is a smart and timeless tale of how far people must go to find themselves.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    Please come right away.We have to finish."Frances Robinson is in high school now. She lives a quiet, suburban life, far from her horrifying past. When she was a child, her birthmother smothered her three sisters. Through pure luck, Frances survived. Now her mother has just been released from prison . . . and she wants to see Frances.A new boy at school called Nix charms Frances. Together, Nix and Frances embark on a clandestine journey to visit Frances' mother: to confront the monster in its lair. This trip will help Frances at last find peace or die trying. But no matter what, Frances will discover just what it means to finish.

    With a compelling, off-beat protagonist evocative of Holden Caulfield and Quentin Coldwater, and a narrative voice that masterfully and naturally captures the nuances of a modern vernacular, Banks’s haunting and powerful novel is an indisputable—and unforgettable—modern classic.

    Evoking a world of casual prejudice and commonplace poverty, Jackson tells the haunting story of Anna Anderson Thomas, whose life in the rural South has edged slowly toward loneliness. Married in her youth to her beloved J.T., she has devoted her days to raising their five boys, all while stepping softly around her husband’s vast silences. But now, with their sixth child on the way—a girl this time, she is sure—Anna faces a challenge that threatens to destroy the family she’s fought so hard to preserve. Pulsing with raw emotional power and earthy humor, and narrated in part by the omniscient voice of Anna’s unborn child, The View from Here builds to a conclusion that both shocks and heals—and lays bare the universal truths that bind all families.

    Set in Pyke County, Mississippi, Eden is a raw, heartbreaking, and enlightening novel that marks the emergence of a stunning and original talent. Narrated by fourteen-year-old Maddy Dangerfield, Eden opens in the moments after Maddy has impulsively drawn a naked woman on the pages of Genesis in bright red lipstick during Sunday service. The community is scandalized, and her devout, long-suffering mother’s response to her transgression is to force her to spend weekends nursing her dying Aunt Pip, an outcast who lives on the edge of town.From then on, Maddy must negotiate her two worlds: at the house where she lives with her hard-working, Bible-reading mother, Faye, and her father, Chevrolet—a one-armed drunk, gambler and womanizer—she is both a reluctant participant in and astute observer of the strange and confounding dynamics of her sometimes violent, sometimes tender family. (Years before, Maddy’s grandmother—her mother’s mother—chopped of Chevrolet’s arm and fed it to the pigs after he and Pip were found together in the back room as Faye entertained friends from the church—and ever since, he has been am emasculated, desperate man—drinking and gambling his wife’s money away, leaving her to clean up his mess time and again.) And then out on Commitment Road, she is caretaker to her Aunt Pip, whose only friend is her eccentric neighbor, Fat. Maddy’s time with Pip and Fat opens her eyes to the exhilaration of speaking your own mind, living your life on your own terms and without apology, and also to the cost extracted by both. She learns that there are strengths that belong to women alone, and also that there is a kind of ravaging vulnerability that is terrifying and inescapable, and uniquely female.The world Maddy inherits is one of injustice and hypocrisy, one that requires black people work for the whites for little to no pay; that sent her Uncle Sugar to jail for raping a white woman—no questions asked—when Maddy was just a baby; that preaches Christian love and forgiveness even as its actions reflect the very opposite. But Maddy soon learns that there is something that can work to oppose those truths, and that is knowledge; having the will and the ability to look beneath the surface, to question what others take as a given. By the end of the novel, newly acquainted with mortality and her own fierce strength, Maddy comes to bear both the burden and the blessing of that knowledge.In lush, vivid brushstrokes, Olympia Vernon conjures a world that is both intoxicating and cruel, and illuminates the bittersweet transformation of the young girl who must bear the burden and blessing of its secrets too soon. Eden is a haunting, memorable novel propelled by the poetry and power of a voice that is complex, lyrical, and utterly true.