The judge gave him a year in a group home—said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he actually did Miguel a favor. Ever since it happened, his mom can’t even look at him in the face. Any home besides his would be a better place to live.But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting to the border to where he could start over. Forget his mom. Forget his brother. Forget himself.Life usually doesn’t work out how you think it will, though. And most of the time, running away is the quickest path right back to what you’re running from.From the Hardcover edition.

    Now there’s just the cramped place he shares with his alcoholic grandpa, a new school, and the dreaded routine of school. But that’s before Travis meets Mr. McQueen, who doesn’t take "pass" for an answer—a rare teacher whose savvy persistence has Travis slowly unlocking a book on the natural world. And it’s before Travis is noticed by Velveeta, a girl whose wry banter and colorful scarves belie some hard secrets of her own. With sympathy, humor, and disarming honesty, Pat Schmatz brings to life a cast of utterly believable characters—and captures the moments of trust and connection that make all the difference.

    Daddy Long Stroke, is a womanizer. Arrogant and self-indulged, he is what every woman secretly craves in the bedroom—rough, rugged, and ravenous. And he is always happy to deliver. Alexander knows no boundaries when it comes to pleasing a woman, leaving no area untouched, not even her heart—or her wallet. But love is the last thing on his mind. Getting paid, and whetting his sexual appetite are the only things that motivate this salacious gigolo. And any woman trying to claim him finds herself on the receiving end of heartache, tears, and drama. Written in raw, graphic language, Daddy Long Stroke is a cautionary tale of one man’s insatiable thirst for sex and his quest to bed down as many women he possibly can—no matter the costs, and no matter who gets hurt in the process.

    The bad news is that they don't have a pool. The good news is that only one of them can swim anyway. A group of misfits brought together by T. J. Jones (the J is redundant), the Cutter All Night Mermen struggle to find their places in a school that has no place for them. T.J. is convinced that a varsity letter jacket exclusive, revered, the symbol (as far as T.J. is concerned) of all that is screwed up at Cutter High will also be an effective tool. He's right. He's also wrong. Still, it's always the quest that counts. And the bus on which the Mermen travel to swim meets soon becomes the space where they gradually allow themselves to talk, to fit, to grow. Together they'll fight for dignity in a world where tragedy and comedy dance side by side, where a moment's inattention can bring lifelong heartache, and where true acceptance is the only prescription for what ails us.

    Will life tear them apart? Devorah is a consummate good girl who has never challenged the ways of her strict Hasidic upbringing.Jaxon is a fun-loving, book-smart nerd who has never been comfortable around girls (unless you count his four younger sisters).  They've spent their entire lives in Brooklyn, on opposite sides of the same street. Their paths never crossed . . . until one day, they did. When a hurricane strikes the Northeast, the pair becomes stranded in an elevator together, where fate leaves them no choice but to make an otherwise risky connection.  Though their relation is strictly forbidden, Devorah and Jax arrange secret meetings and risk everything to be together. But how far can they go? Just how much are they willing to give up?

    He's exhausted by being at once too black and not black enough for his African American peers and worn down by the expectations of his own Liberian family and community. When his frustration finally spills into violence and his parents send him back to Monrovia to reform school, the story shifts. Like Kollie, readers travel back to Liberia, but also back in time, to the early twentieth-century and the point of view of Togar Somah, an eighteen-year-old indigenous Liberian on the run from government militias that would force him to work the plantations of the Congo people, descendants of the African-American slaves who colonized Liberia almost a century earlier. When Togar's section draws to a shocking close, the novel jumps again, back to America in 1827, to the children of Yasmine Wright, who leave a Virginia plantation with their mother for Liberia, where they're promised freedom and a chance at self-determination by the American Colonization Society. The Wrights begin their section by fleeing the whip and by its close, they are then ones who wield it. With each new section, the novel uncovers fresh hope and resonating heartbreak, all based on historical fact.In Dream Country, Shannon Gibney spins a riveting tale of the nightmarish spiral of death and exile connecting America and Africa, and of how one determined young dreamer tries to break free and gain control of her destiny.

    She’s never known an adult she can truly rely on. But the one constant in her life has been Dixie. Gem grew up taking care of her sister when no one else could: not their mother, whose issues make it hard for her to keep food on the table, and definitely not their father, whose intermittent presence is the only thing worse than his frequent absence. Even as Gem and Dixie have grown apart, they’ve always had each other.When their dad returns home for the first time in years and tries to insert himself back into their lives, Gem finds herself with an unexpected opportunity: three days with Dixie—on their own in Seattle and beyond. But this short trip soon becomes something more, as Gem discovers that that to save herself, she may have to sever the one bond she’s tried so hard to keep.

    NO I DON’T!!!!IT’S ALL YOUR FAULT, HELLER HARRIGAN!!!!

    But as the city is thrown into confusion, a different kind of electricity sparks…A first meeting. Long-time friends. Bitter exes. And maybe the beginning of something new.When the lights go out, people reveal hidden truths. Love blossoms, friendship transforms, and new possibilities take flight.Beloved authors—Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon—celebrate the beauty of six couples and the unforgettable magic that can be found on a sweltering starry night in the city.

    Fifteen-year-old Stephen Quinn and his family were among the few that survived and became salvagers, roaming the country in search of material to trade. But when Stephen’s grandfather dies and his father falls into a coma after an accident, Stephen finds his way to Settler’s Landing, a community that seems too good to be true. Then Stephen meets strong, defiant, mischievous Jenny, who refuses to accept things as they are. And when they play a prank that goes horribly wrong, chaos erupts, and they find themselves in the midst of a battle that will change Settler’s Landing--and their lives--forever.

    When she gets on the turntables, her gift for spinning and rhyming earn her admiration and respect. She's also talented academically, but her parents disapprove of their daughter's hobby, hoping it's a phase she's going through. Still, Jasmine finds it hard to deny the joy and freedom she feels when she's playing music that makes people smile and dance.After a local contest, Jasmine attracts the interest of some music-industry honchos. Then the attitudes of the people around her seem to change and she's forced to face some tough situations. Suddenly it becomes harder for her to tell who's really happy for her and who's totally a fake. But when the music is in your heart, and your talent shines bright, sometimes all you can do is…spin it like that.

    But sometimes things are just too good to be true. After football star Quincy Rawlins abruptly dumps her for a girl who is willing to put out, Indigo's popularity and self-esteem take a nosedive. When her perfect world falls apart, Indigo turns to the one person who seems to have his head on straight—her next-door neighbor, sixteen-year-old Marcus Carter. The problem is, now that Indigo realizes what a great guy Marcus really is, so does someone else.

    After 9/11, immigration regulations change, forcing the family to seek asylum.

    Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes.On April 18, a historic earthquake rocks San Francisco, destroying Mercy’s home and school. With martial law in effect, she is forced to wait with her classmates for their families in a temporary park encampment. Though fires might rage, and the city may be in shambles, Mercy can’t sit by while they wait for the army to bring help—she still has the “bossy” cheeks that mark her as someone who gets things done. But what can one teenage girl do to heal so many suffering in her broken city?

    She knows the exact number because she keeps a list. Like #95: Because her skin is so dark, people call her charcoal and eggplant—even her own family. And #61: Because her family is always being put out of their house, belongings laid out on the sidewalk for the world to see. When Genesis reaches #100 on the list of things she hates about herself, will she continue on, or can she find the strength to begin again?