He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. But his life lacks passion, and his aching emptiness drives him to an all-consuming, and ultimately catastrophic, relationship with his son’s fiancée.Chilling and brilliant, Damage is a masterpiece—a daring look at the dangers of obsession and the depth of its shattering consequences.

    Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They are the best of friends.Ten years on, they are not where they hoped to be. Amidst flailing careers and faltering marriages, each hungers for what the others have. And each wrestles with the same question: what does it take to lead a meaningful life?The most razor-sharp and heartbreaking novel of the year, EXPECTATION is a novel about finding your way: as a mother, a daughter, a wife, a rebel.

    Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    At 24, she’s finally made it to England on a Rhodes Scholarship when she’s offered an unbelievable position in a rising political star’s presidential campaign. With the promise that she’ll work remotely and return to DC at the end of her Oxford year, she’s free to enjoy her Once in a Lifetime Experience. That is until a smart-mouthed local who is too quick with his tongue and his car ruins her shirt and her first day.When Ella discovers that her English literature course will be taught by none other than that same local, Jamie Davenport, she thinks for the first time that Oxford might not be all she’s envisioned. But a late-night drink reveals a connection she wasn’t anticipating finding and what begins as a casual fling soon develops into something much more when Ella learns Jamie has a life-changing secret.Immediately, Ella is faced with a seemingly impossible decision: turn her back on the man she’s falling in love with to follow her political dreams or be there for him during a trial neither are truly prepared for. As the end of her year in Oxford rapidly approaches, Ella must decide if the dreams she’s always wanted are the same ones she’s now yearning for.

    Squeezed into a coat closet with his classmates and teacher, first grader Zach Taylor can hear gunshots ringing through the halls of his school. A gunman has entered the building, taking nineteen lives and irrevocably changing the very fabric of this close-knit community. While Zach's mother pursues a quest for justice against the shooter's parents, holding them responsible for their son's actions, Zach retreats into his super-secret hideout and loses himself in a world of books and art. Armed with his newfound understanding, and with the optimism and stubbornness only a child could have, Zach sets out on a captivating journey towards healing and forgiveness, determined to help the adults in his life rediscover the universal truths of love and compassion needed to pull them through their darkest hours.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    Growing up in the north east she wanted more. When others were thinking about the Nissan factory or call centres she was thinking about Pete Doherty, poetry and the possibilities London seemed to offer. University was the way out, her ticket to the promised land – where she’d become a shinier version of herself, where her nights would be gigs and parties and long exciting conversations about Judith Butler.But once she gets there Lucy can’t help feeling that the big city isn’t for her, and once again she is striving, only this time it’s for the right words, the right clothes, the right foods. No matter what she tries she’s not right. Until she is. In that last year of her degree the city opens up to her, she is saying the right things, doing the right things. Until her parents visit for her graduation and events show her that her life has always been about pretending and now she’s lost all sense of who she is and what she’s supposed to be doing.And so Lucy packs up her things and leaves again, this time for her dead Irish grandfather’s stone cottage in a remote part of Donegal. There, alone, she sets about piecing together her history hoping that in confronting where she came from she will know where she should be going. Saltwater is a novel about growing up, about class, about how where we come from shapes who we become, and about the aimless periods we all go through. And it’s about the north east, mothers and daughters, history and pre-destiny.

    When its reclusive owner dies intestate the Spanish House is left to his city-dwelling niece. For the recently-widowed Isabel, the house is a potential lifeline. For her neighbour Matt McCarthy, the house is revenge.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Scrawled on the back of the picture are the words 'Forgive me'. Unable to resist the mystery behind it, she begins to unravel the story of two star-crossed lovers and one irrevocable betrayal.Take a moment to savour an evocative, bittersweet love story that echoes through the decades – perfect for fans of Kate Morton, Rachel Hore and Victoria Hislop.

    Florence is a talented musician who dreams of a career on the concert stage and of the perfect life she will create with Edward, an earnest young history student at University College of London, who unexpectedly wooed and won her heart. Newly married that morning, both virgins, Edward and Florence arrive at a hotel on the Dorset coast. At dinner in their rooms they struggle to suppress their worries about the wedding night to come. Edward, eager for rapture, frets over Florence’s response to his advances and nurses a private fear of failure, while Florence’s anxieties run deeper: she is overcome by sheer disgust at the idea of physical contact, but dreads disappointing her husband when they finally lie down together in the honeymoon suite. Ian McEwan has caught with understanding and compassion the innocence of Edward and Florence at a time when marriage was presumed to be the outward sign of maturity and independence. On Chesil Beach is another masterwork from McEwan—a story of lives transformed by a gesture not made or a word not spoken.

    Unfortunately, being the only girl on her high school baseball team, Charlie has always been just one of the guys.When her best friend, and secret love of her life, asks another girl to the prom, Charlie is devastated. She’s tired of being overlooked by boys because she’s not like other girls. Suffering a massive identity crisis, she decides to hang up her cleats and finally learn how to be a girl.But with only two weeks until the state championships, the Roosevelt High Ravens can’t afford to lose their star catcher. Team captain Jace King makes her a deal: Don’t quit the team, and he’ll help her become the girl she’s so desperate to be. After all, he’s got four sisters, one of whom happens to be a cheerleader. He knows a thing or two about girls. (And if he can win her heart in the process, all the better.)From the bestselling young adult author of Cinder & Ella, V is for Virgin, and the Avery Shaw Experiment comes a new sweet romance that's sure to leave you with all the feels! Girl at Heart is a clean and wholesome sports romance that will leave you with warm fuzzies and an itch to watch a baseball game.A sweet YA romance

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.