Only three letters long, and it begins with an exhortation to silence. Shhh. There’s no authority in it, no control. It’s a blushing, hunching word; a nervous, knock-kneed, wallflower word. A word for children, not grown-ups, because surely grown-ups grow out of shyness. Don’t they?SIAN PRIOR has maintained a career in the public eye for more than twenty years. For far longer than that she has suffered from excruciating shyness, only partly alleviated by the security she finds with her famous partner Tom. Eventually, after bolting from a party in a state of near-panic, she decides to learn about the science of social anxiety. But soon other questions intrude. About grief, intimacy, self-perception and fear; loss and longing and the consequences of love.Then Tom says he is leaving.Frank, provocative, remarkable in its clarity and beautifully written—Shy is a book you will be thinking and talking about long after you read the final page.

    Wildfires are burning in the hills outside, but inside the theater it is time for the performance to take over.Margot is a successful, flinty professor on the cusp of retirement, distracted by her fraught relationship with her adult son and her ailing husband. After a traumatic past, Ivy is is now a philanthropist with a seemingly perfect life. Summer is a young drama student, an usher at the theater, and frantically worried for her girlfriend whose parents live in the fire zone.While the performance unfolds on stage, so does the compelling trajectory that will bring these three women together, changing them all. Deliciously intimate and yet emotionally wide-ranging, The Performance is a novel that both explores the inner lives of women as it underscores the power of art and memory to transform us.

    Love, politics and other things you shouldn't talk about at dinnerCharlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it's Christmas. Second of all, she's in love.The thing is, her fiance, Francis Smith, is not what her family expected - he's unemployed, he's an experimental composer ... and he's white! Bringing him and his conservative parents to meet her family on their ancestral land is a bold move. Will he stand up to the scrutiny? Or will this romance descend into farce?Love is never just black and white. It's complicated by class, politics, ambition, and too much wine over dinner. But for Charlotte and Francis, it's mostly complicated by family. Secrets are revealed, prejudices outed and old rivalries get sorted through. What can't be solved through diplomacy can surely be solved by a good old-fashioned dance-off. They're just that kind of family.

    There is only grey ash and melted metal, the blackened husks of cars.And the lost people: in temporary accommodation on the outskirts of the city, on the TV news in borrowed clothes, or remembered in flyers on a cafe wall.A Constant Hum grapples with the aftermath of disaster with an eye for telling detail. Some of these stories cut to the bone; others are empathetic stories of survival, even hope.All are gripping and beautifully written, heralding the arrival of an important new voice in literary fiction.

    'I ... I want to know that I'm using my powers for good and -' 'You want to make a dead man proud.' 'Whoa!''You want to put bandages over severed arteries that really need to be sewn shut. You want the moral high ground.'Holly Yarkov has a boyfriend who is a gift from the universe. She has a job that fulfils her even as it wears her down. She has a core group of friends from high school. And she has a layer of steel around her heart that is beginning to tarnish. Just as she is reaching for a future she can't quite see, Holly is borne back into the past by memories of her beloved father, and of the boy-who-might-have-been...

    438 refugees sit in a boat called Tampa off the shoreline of Australia, while the TV and radio scream out that the country is being flooded, inundated, overrun by migrants. Antonio Martone, once a migrant himself, has been forced to retire, his wife has moved in with the woman next door, his daughter runs off with strange men, his deadbeat son is hiding in the garden smoking marijuana. Amid his growing paranoia, the ghost of his dead friend shows up and commands him to paint ‘No More Boats’ in giant letters across his front yard. The Prime Minister of Australia keeps telling Antonio that ‘we will decide who comes to this country and the circumstances in which they come’. Antonio’s not sure he wants to think about all the things that led him to get on a boat and come to Australia in the first place. A man and a nation unravel together.

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    1994. Nate is a student, dealing weed on the side. A girl called Maya Kibby is dead. No one knows who killed her. Nate needs to refresh his supply, but Jesse, his friend and dealer, is missing. Nate is high. He is alone. Being hunted for the suitcase he’s found and haunted by its contents. And as things turn from bad to worse, Nate uncovers far more than he bargained for.The Student is high-paced, hardboiled regional noir: fresh, gritty, unnerving, with a stark and lonely beauty.‘A terrific neo-noir from an exciting new voice in Australian crime fiction’ – Adrian McKinty'The Student takes the campus novel and mines within it a dark seam of violence, deception and suspense in prose that burns with a fierce propulsion' – David Whish-Wilson

    With two young children, a business in a town struggling under an unexpected crime wave, and her husband more interested in his cricket team than their marriage, life is a juggling act. Then, when new neighbours arrive and they are exactly the sort of people the town doesn't want or need, things get worse.Life has taught Helen Demetriou two things: being homeless is terrifying and survival means keeping your cards close to your chest. Having clawed back some stability through her involvement in the community garden, she dares to relax. But as she uncovers some shady goings-on in the council, that stability turns to quicksand.For teenage mother Jade Innes, life can be lonely among the judgement of the town and the frequent absences of her boyfriend. A chance encounter draws her into the endangered community garden where she makes friends for the first time. Glimpsing a different way of life is enticing but its demands are terrifying. Does she even deserve to try?Can such disparate women unite to save the garden and ultimately stop the town from tearing itself apart?A timely novel exploring prejudice and privilege, from bestselling Australian author Fiona Lowe.PRAISE FOR FIONA LOWE: 'The undisputed queen...' Canberra Weekly'Fiona's insight into the fickle nature of life ... and how best intentions can so easily come undone makes it simple to identify with her characters and lends an authentic resonance to this roller-coaster story.' - Australian Country'Fiona Lowe weaves an extraordinary story of loss, love, and forgiveness.' - GLAM Adelaide'If you loved Big Little Lies, you'll want to devour Fiona Lowe's Just an Ordinary Family next.' - Mamamia

     From celebrated author Elliot Perlman, Three Dollars is the deft, passionate portrait of a man coming to terms with his place in an increasingly hostile and corporate world, while struggling to retain his humanity, his heart, and his sense of humor.

    The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.