Readers of The Girl on the Train and Gone Girl will love Shalini Boland.’ Red Adept ‘Don’t take my baby.’ Kirstie Rawlings is jolted awake by a child crying. Racing upstairs to check on her new-born, she is plunged into every parents’ worst nightmare. She hears an unknown voice in the baby monitor, saying: ‘Let’s take the child – and go.’ Is someone trying to steal her little girl? In the bedroom, her daughter is safe asleep in her cot. Is the voice coming from a nearby house? But there aren’t any other babies living on her quiet country road… The police don't believe her. And neither does her husband. Kirstie knows something isn’t right. She thought she could trust her neighbours, now she isn’t sure. As she unravels the secrets of the people living on her street, Kirstie’s perfect life begins to fall apart. Because someone is hiding a terrible lie. And they will do anything to stop Kirstie uncovering the truth. But is the danger closer to home than she thinks?

    They share happy lives with their children and their close friends Craig and Jenny. They’re lucky. But beneath the surface, no relationship is simple: can another woman’s husband and another man’s wife ever just be good friends?Little by little, Carly’s question sends her life spiralling out of control, as she begins to doubt everything she thought was true. Who can she trust? The man she has promised to stick by forever, or the best friend she has known for years? And is Carly being entirely honest with either of them?

    Now, she's returned home to confront her past and the unsolved murder that altered the course of her life. In her mother’s shuttered house, an old fear that has haunted Sienna for years rears its ugly head —that it was she who had been the killer’s target that night. And now, with it, a new fear—that the killer not only intended to remedy his past mistake—he’s already begun. But are these fears any different from the ones that torment her mother?As the walls close in, the line between truth and lie, reality and delusion disintegrate. Has Sienna’s worst nightmare come true? Or will she unmask a killer and finally prove she may be her mother’s look-alike, but she’s not her clone?

    The future, in which they plan to get married and start a family, is bright. The other residents of their building seem friendly too, including the Newtons, a married couple who welcome them to the building with open arms.But then strange things start to happen. Dead rats are left on their doorstep. They hear disturbing noises, and much worse, in the night. After Jamie's best friend is injured in a horrific accident, Jamie and Kirsty find themselves targeted by a campaign of terror.As they are driven to the edge of despair, Jamie vows to fight back—but he has no idea what he is really up against . . .The Magpies is a gripping psychological thriller in which the monsters are not vampires or demons but the people who live next door. It is a nightmare that could happen to anyone.

    With two beautiful daughters, a brilliantly intelligent son, a tech-guru of a husband and a historical landmark home, her life is picture perfect. She has everything she wants; all she has to do is keep it that way. But living in this matriarch’s determinedly cheerful, yet subtly controlling domain hasn’t been easy for her family, and when her oldest daughter, Rose, runs off with a mysterious boyfriend, Josephine tightens her grip, gradually turning her flawless home into a darker sort of prison. Resentful of her sister’s newfound freedom, Violet turns to eastern philosophy, hallucinogenic drugs, and extreme fasting, eventually landing herself in the psych ward. Meanwhile, her brother Will shrinks further into a world of self-doubt. Recently diagnosed with Aspergers and epilepsy, he’s separated from the other kids around town and is homeschooled to ensure his safety. Their father, Douglas, finds resolve in the bottom of the bottle—an addict craving his own chance to escape. Josephine struggles to maintain the family’s impeccable façade, but when a violent incident leads to a visit from child protective services, the truth about the Hursts might finally be revealed.

    People said her mother, Winnie, was never quite right, but with one single, irreparable act, life as Hadley knew it was shattered. The aftershocks of that moonlit night left her reeling, but the secrets and lies had started long before.When a widowed and pregnant Hadley returns years later, it’s not the safe harbor she expects. The mysteries surrounding a local boy’s disappearance remain, and the townspeople still whisper about Hadley’s strange and reclusive Uncle Eli—whispers about a monster in their midst.But Hadley’s father and grandmother, the cornerstones of everything safe in her world, avoid her questions. If Hadley stays here, will she be giving her children the family they need or putting their lives in danger?The hunt for answers takes a determined Hadley deep into the pine forests, in search of sunlight that will break through the canopy of lies long enough to reveal the truth.

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

    A picture is worth a thousand. A dark psychological thriller about the secrets that destroy us, perfect for fans of THE GIRL ON THE TRAIN and BEHIND CLOSED DOORS. Photography student Joanna Lacey has always been close to her mother. But when Rachel Arnold turns up on their doorstep telling them that a man's body has been found in the canal, Joanna's world falls apart. The father she never knew was a married man - and now he's dead. At the funeral, Joanna meets Oliver Molloy, the man who found the body. She's convinced her mother is still keeping things from her and turns to him for help. Never one to say no to a pretty face, Oliver is happy to oblige. But Oliver is concealing a dark secret of his own, and Joanna soon starts to suspect that something isn't right. Can she uncover the truth before the past destroys them both?

    They love each other. But they aren’t happy. Sal cannot leave, no matter what Charlie does – no matter how much it hurts.

    . . wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.

    It's because everything she desires is next door: The husband, the child, and the life that belongs to someone else.

    Eager to prove herself grown up, she goes to a dark, secluded park. She’s supposed to meet the boy of her dreams who she met online. But the cute fifteen year old was a fantasy, his pictures fake. She finds herself face to face with Chester Woodran, a man capable of murder.Distraught over his own missing daughter, Chester insists that Macy replace his lost girl. He withholds food, locks Macy up, and roughs her up, demanding that she call him dad. Under duress from his constant threats and mind games, her hold on reality starts to slip. Clinging to her memories is the only way of holding onto her true identity, not believing that she is Chester’s daughter. Otherwise she may never see her family again.

    He never comes back.Months later, an unexpected phone call puts you and your daughter in unimaginable danger. Even if he were still alive, your husband can't save you now. He told you way too many lies for that.

    Nadine Lavoie is in her element. She has the tools to help people, and she has the desire—healing broken families is what she lives for. But Nadine doesn’t want to look too closely at her own past because there are whole chunks of her life that are black holes. It takes all her willpower to tamp down her recurrent claustrophobia, and her daughter, Lisa, is a runaway who has been on the streets for seven years.When a distraught woman, Heather Simeon, is brought into the Psychiatric Intensive Care Unit after a suicide attempt, Nadine gently coaxes her story out of her—and learns of some troubling parallels with her own life. Digging deeper, Nadine is forced to confront her traumatic childhood, and the damage that began when she and her brother were brought by their mother to a remote commune on Vancouver Island. What happened to Nadine? Why was their family destroyed? And why does the name Aaron Quinn, the group’s leader, bring complex feelings of terror to Nadine even today? And then, the unthinkable happens, and Nadine realizes that danger is closer to home than she ever imagined. She has no choice but to face what terrifies her the most…and fight back. Sometimes you can leave the past, but you can never escape.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.