This exciting and contemporary collection contains stories that are as diverse as the LGBTQIA+ community from which they're drawn. From hilarious anecdotes of an awkward adolescence, to heartwarming stories of family acceptance and self-discovery, the LGBTQIA+ community has been sharing stories for centuries, creating their own histories, disrupting and reinventing conventional ideas about narrative, family, love and community.Curated from the hugely popular Queerstories storytelling event this important collection features stories from Benjamin Law, Jen Cloher, Nayuka Gorrie, Peter Polites, Candy Royalle, Rebecca Shaw, Simon 'Pauline Pantsdown' Hunt, Steven Lindsay Ross, Amy Coopes, Paul van Reyk, Mama Alto, Liz Duck-Chong, Maxine Kauter, David Cunningham, Peter Taggart, Ben McLeay, Jax Jacki Brown, Ginger Valentine, Candy Bowers, Simon Copland, Kelly Azizi, Nic Holas, Quinn Eades, Vicki Melson, Tim Bishop and Maeve Marsden.

    Her extraordinary story, sometimes humorous and sometimes heartbreaking, illustrates an Inuit woman’s movement between worlds and ways of understanding. It also provides a clear-eyed record of the changes that swept through Inuit communities in the 1940s and 1950s. Mini Aodla Freeman was born in 1936 on Cape Hope Island in James Bay. At the age of sixteen, she began nurse's training at Ste. Therese School in Fort George, Ontario, and in 1957 she moved to Ottawa to work as a translator for the then Department of Northern Affairs and National Resources. Her memoir, Life Among the Qallunaat, was published in 1978 and has been translated into French, German, and Greenlandic. This reissue of Mini Aodla Freeman’s path-breaking work includes new material, an interview with the author, and an afterword by Keavy Martin and Julie Rak.

    Hester has never seen the outside world. The story told by Hester is often dark and terrible, but the sheer blazing brilliance of her language and the imagery that illuminates the pages make this novel an exhilarating, enlightening and joyous act of faith.

    . . and Poppy lives at bird Creek Mission near Echuca. Poppy hates the Mission, especially now that her brother, Gus, has run away to pan for gold. What if Poppy escaped, too? Would she survive alone in the bush? And would she ever find Gus, whom she loves more than anything in the world?Meet Poppy and join her adventure in the first of four stories about a Gold Rush girl who dream of a better life.

    . . . When you read these poems, you will learn to hear deeply the sound a soul makes as it sings about the mystery of dreaming and becoming.” — Joy Harjo, Mvskoke Nation, U.S. Poet Laureate Pulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American tradition. “The poems in this book reflect my deep respect for and appreciation of words. . . . I believe that poetry is the highest form of verbal expression. Although I have written in other forms, I find that poems are what I want and need most to read and write. They give life to my mind.”One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing—most notably the Native American oral tradition—are the centerpiece of his work.This luminous collection demonstrates Momaday’s mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape.The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief. “I feel his presence close by in my blood and imagination,” Momaday writes, “and I sing him an honor song.” Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest.The Death of Sitting Bear evokes the essence of human experience and speaks to us all.

    It provides hope and new direction for those searching for the answers as to why "the problems" seems to persist in Aboriginal communities. It also offers insights for those who want a greater understanding of the issues involved in achieving true reconciliation. In Arnhem Land, as in Indigenous communities across Australia, the situation is dire; health is poor, unemployment is rife and life is short. Why Warriors lie down provides a fresh analysis of this crisis and offers examples of how the people can once again take control of their own lives. Finding the real cause of this crisis requires the reader to look at it from the other side of the cultural / language divide - the side where the Yolngu people live. The Book Why Warriors Lie Down and Die takes us to that side.

    The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.Reviews: "One of the 50 Essential Canadian Plays"-- Toronto Star

    Without the intervention of a mystery man she would have been killed. She has no idea what her protector looks like and though she wrote to him, he never responded. She can't blame him wanting to forget the past, she feels the same. To survive, she focuses on the healing work she does alongside her aunts at Healing Hills – working with horses to help people rebuild their shattered lives. But her home, her life and her business are under threat...Ronny Sinclair is finally free after eight years in prison. He regrets ending a life, but in the heat of the moment it was the only way to save another. The young woman he protected was worth every second he spent locked up, and her face and angelic voice are etched in his heart and mind forever. A bittersweet twist of fate gives him a new start in her hometown, Bluegrass Bend. Would she recognise him? Could she, after the terrible state she'd been left in?Fate intervenes, pushing Ronny and Ivy together at a fundraising event. When Ivy needs Ronny to help her save Healing Hills, he knows he should keep his past hidden, that he should stay away from her, but their love of the country, horses and music brings Ivy and Ronny closer – dangerously so. As feelings build their fragile trust is threatened by Ronny's secret. Will his determination to leave the past behind him cost them their chance at love?

    But it's 1967, and bigger things keep getting in the way. Digger is finding out who he is, what he believes, and what's worth fighting for.

    And when the reader comes to the artwork, it's like walking into an amazing room, and then throwing open a curtain to see a brilliant scene that makes you understand and appreciate everything you've encountered in a deeper way.

    “Dhaqan” means culture and “Celis” means return.’Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House- hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself again.Welcome to African Australia.Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Magan, this anthology brings together voices from the regions of Africa and the African diaspora, including the Caribbean and the Americas. Told with passion, power and poise, these are the stories of African-diaspora Australians.Contributors include Faustina Agolley, Santilla Chingaipe, Carly Findlay, Khalid Warsame, Nyadol Nyuon, Tariro Mavondo and many, many more.

    Reveling in form and sound, McKibbens's writing takes back control, undaunted by the idea of sinking its teeth into the ugliest moments of life, while still believing―and looking for―the good underneath all the bruising.

    Soon they're the parents of three young children.Initially, the kids keep them together until love turns to lies and the family implodes. As they become adults, each child faces love and loss in the shadow of their family legacy.You Belong Here is a book about trust and connection. About what keeps us going in spite of ourselves. About a place where we belong.

    A Finnish citizen, he lives in both Norway and Finland. Much of traditional Sami life was nomadic, involving herding reindeer and living in harmony with the landscapes, weather, and animals of the far north. The poems in The Sun, My Father serve as a link between past and present. According to one myth, the Sami are the children of the sun, and the poet honors that myth, reaching back into the Sami past from the point of view of a modern Sami.The Sami edition was originally published in 1988 and won the Nordic Council's Literature Award. The translation team includes Ralph Salisbury, a Native American poet, Lars Nordstrom, a Swedish translator, and Harald Gaski, a Sami scholar.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.