A woman drowns herself in a past affair, a tourist chases another guest into an unforeseen past, and a nonbinary academic researches postcolonial cartography. Imagining diverse futures and rewriting old mythologies, these comics delve into strange architectures, fetishism, and heartbreak.Painted in rich, sepia-toned watercolors, Apsara Engine is trans illustrator Bishakh Som's highly anticipated debut work of fiction. Showcasing a series of fraught, darkly humorous, and seemingly alien worlds—which ring all too familiar—Som captures the weight of twenty-first-century life as we hurl ourselves forward into the unknown.

    Part personal narrative, part documentary, part travelogue, part chapbook, and all Kalman, these brilliant, whimsical paintings, ideas, and images - which initially appear random - ultimately form an intricately interconnected worldview, an idiosyncratic inner monologue.

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    But it's not all breaking hearts and purloining masterpieces when a rival thief discovers that an international criminal organization wants Bandette dead! This beautiful hardcover includes the first arc, tales of Bandette's street urchin helpers by guest artists, an original illustrated story, and more!

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    This collection examines every aspect of Batman with startling new approaches--detective, crimefighter, avenger, hero, creature of the night, and more. 200 pp. BATMAN BLACK AND WHITE The Title is Simple. The Talent is Spectacular.Winner of the 1997 Will Eisner Comic Industry Award for Best Anthology and Best Short Story ("Heroes" by Archie Goodwin and Gary Gianni), and the winner of the 1998 Harvey Award for Best Graphic Album of Previously Published Work.

    So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren’t alone. Julia’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be

    Three hundred black-and-white and forty-four color strips bring fans up to date on current affairs in Bloom County: Opus dances in an all-female nightclub and discovers the social penalties for penguin lust and more.

    When six brilliant but troubled new students arrive, they find themselves trapped and desperately seeking answers...and escape from a place where nothing is what it seems to be!

    Patriarchy beware...this scifi kidney punch can't be stopped...! 100% Grade A satire. Accept no substitutes.Featuring writers CHERYL LYNN EATON, ANDREW AYDIN, CONLEY LYONS, CHE GRAYSON, DANIELLE HENDERSON, JORDAN CLARK, ALISSA SALLAH, DYLAN MECONIS, KIT COX, MARC DESCHAMPS, SARA WOOLLEY, VITA AYALA, JON TSUEI & MORE!With art by creators MARIA FROHLICH, JOANNA ESTEP, CRAIG YEUNG, SHARON DE LA CRUZ, TED BRANDT, RO STEIN, NAOMI FRANQUIZ, ALEC VALERIUS, DYLAN MECONIS, VANESA R. DEL REY, MINDY LEE, SARA WOOLLEY, ROSSI GIFFORD & MORE!Collects issues 1-5.

    From ghost ponies to strange plants, these Lumberjanes are ready to take on anything that comes their way as long as they have each other. With stories written by Eisner Award-winner Faith Erin Hicks, and New York Times bestselling author Holly Black, these adventures are definitely something you don’t want to miss. Collecting all the Lumberjanes one-shots for the first time, Lumberjanes: Bonus Tracks has a star studded cast of talent that is just too good to pass up! Featuring Faith Erin Hicks (Nameless City, Friends with Boys), Rosemary Valero-O'Connell (Lumberjanes/Gotham Academy, Laura Dean Keeps Breaking Up with Me), Jen Wang (In Real Life, Adventure Time with Fionna and Cake: Card Wars), Christine Norrie (Hopeless Savages), Kelly Thompson (Jem & The Holograms, Hawkeye), and Holly Black (The Spiderwick Chronicles).

    Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

    The taste of cherries, the cool shade, the smell of the river... That was how we lived, in a vale among the hills—sheltered from storms, ignorant of the world, as though on an island, peaceful and untroubled.And then...And then everything changed.Can you ever escape your fate?Three shadows stand outside the house—and Louis and Lise know why the spectral figures are there. The shadows have come for Louis and Lise’s son, and nothing anyone can do will stop them. Louis cannot let his son die without trying to prevent it, so the family embarks on a journey to the ends of the earth, fleeing death.Poignant and suspenseful, Three Shadows is a haunting story of love and grief, told in moving text and sweeping black and white artwork by Cyril Pedrosa.

    Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man. Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.

    Follow the ups and downs of internet fame, from IP theft to book deals, and all the trials of becoming an overnight sensation after gaining 10,000 reblogs in a single night. Learn about the origins behind the hit comic strips "This is Fine", "All Houses Matter", "No Take, Only Throw", and frequently-viral webcomics such as Owlturd, Cyanide and Happiness, False Knees, and Poorly Drawn Lines. Each of the twenty artists featured includes a biographical intro by award-winning comic artist Megan Kearney (Disney Princess, The Secret Loves of Geek Girls). Hit Reblog includes comics by webcomic superstars: Anelien, Joshua Barkman, Rob Denbleyker, Adam Ellis, Reza Farazmand, Nick Franco, Craig Froehle, KC Green, Ryan Harby, Maya Kern, Fran Krause, Dami Lee, David Malki!, Dave Mcelfatrick, Alex Norris, Branson Reese, Nick Seluk, Katie Shanahan, Brandon Sheffield, Shen, Kris Straub, and Zach Weinersmith, Kris Wilson. Edited by Hope Nicholson of the multi Eisner-award nominated publisher Bedside Press. Part of the comiXology Originals line of exclusive digital content only available on comiXology and Kindle. This title is available as part of comiXology Unlimited, Kindle Unlimited, and Prime Reading with a print version available exclusively through Amazon.com.