In the Daily Mail Angela Huth called "Good Evening, Mrs Craven" 'my especial find' and Ruth Gorb in the "Ham & High" contrasted the humour of some of the stories with the desolation of others: 'The mistress, unlike the wife, has to worry and mourn in secret for her man; a middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over ...'

    Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.

    With Joyce and Eliot she has shaped a literary century' Jeanette WintersonVirginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of 'Solid Objects' through the fragile impressionism of 'Kew Gardens' to the abstract exploration of consciousness in 'The Mark on the Wall'.Edited with an Introduction and Notes by Sandra Kemp

    The books penned by him are well known all over the world, although they were not so popular during Lovecraft's life. The main theme of his creativity is the Cthulhu Mythos. Lovecraft created an entire fictional world; his tales are even classified into a subgenre known as Lovecraftian horror. The tales The Call of Cthulhu, The Color Out of Space, Dagon and others are among the most famous works of Howard Lovecraft.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    In this haunting novel, distinctions are eroded between oppressor and oppressed, perpetrator and victim, narcissism and anonymity. Kosinski portrays men and women both aroused and desensitized by an environment that disdains the individual and seeks control over the imagination in his unforgettable and immensely provocative work.

    Each of the thirty-one stories contained in this volume embody some of the best virtues and values to be found in contemporary fiction, demonstrating why the author is acclaimed as one of America's master storytellers.The traveler --Buglesong --Beyond the glass mountain --The berry patch --The women on the wall --Balance his, swing yours --Saw gang --Goin' to town --The view from the balcony --Volcano --Two rivers --Hostage --In the twilight --Butcher bird --The double corner --The colt --The Chink --Chip off the old block --The sweetness of the twisted apples --The blue-winged teal --Pop goes the alley cat --Maiden in a tower --Impasse --The volunteer --A field guide to the western birds --Something spurious from the Mindanao Deep --Genesis --The wolfer --Carrion spring --He who spits at the sky --The city of the living.

    In Saul Bellow’s masterly translation, the title story follows the exploits of Gimpel, an ingenuous baker who is universally deceived but who declines to retaliate against his tormentors. Gimpel and the protagonists of the other stories in this volume all inhabit the distinctive pre–World War II ghettos of Poland and, beyond that, the larger world created by Singer’s unforgettable prose.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    Sandpiper is a collection of stories which provide insight into Egyptian and Western life and the links between them, looking at relationships within and across continents.People from many places - England, Alexandria, Istanbul - pass through defining crises in their relations with others. Most of them are women, and most find themselves in countries other than their own, where language, culture and prescribed emotions such as 'love' create confusion. New understandings are registered in intensely recalled moments and sensations.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Short Stories 2012 includesThe last speaker of the language / Carol Anshaw --Pilgrim life / Taylor Antrim --What we talk about when we talk about Anne Frank / Nathan Englander --The other place / Mary Gaitskill --North Country / Roxane Gay --Paramour / Jennifer Haigh --Navigators / Mike Meginnis --Miracle polish / Steven Millhauser --Axis / Alice Munro --Volcano / Lawrence Osborne --Diem Perdidi / Julie Otsuka --Honeydew / Edith Pearlman --Occupational hazard / Angela Pneuman --Beautiful monsters / Eric Puchner --Tenth of December / George Saunders --The sex lives of African girls / Taiye Selasi --Alive / Sharon Solwitz --M&M world / Kate Walbert --Anything helps / Jess Walter --What's important is feeling / Adam Wilson

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    In 1962, 'The Fine White Mist of Winter, ' composed when the author was 19 years old, appeared in The Literary Review and was selected for both the O. Henry Awards and Best American Short Stories of that year.By the north gate: Edge of the world ; The fine white mist of winter --Upon the sweeping flood, 1966: First views of the enemy ; At the seminary ; What death with love should have to do ; Upon the sweeping flood --The wheel of love: In the region of ice ; Where are you going, where have you been? ; Unmailed, unwritten letters ; Accomplished desires ; How I contemplated the world from the Detroit House of Correction and began my life over again ; Four summers --Marriages and infidelities: Love and death ; By the river ; Did you ever slip on red blood? ; The lady with the pet dog ; The turn of the screw ; The dead --The goddess and other women: Concerning the case of Bobby T. ; In the warehouse ; Small avalanches --Night-side: The widows ; The translation ; Bloodstains ; Daisy --Uncollected: The molesters ; Silkie.

    But, before you do...She's just turned one hundred. She doesn't want a birthday party. Or a TV interview. She's too busy practising for her driving test. And hoodwinking church visitors with magic tricks. She's Miss Ona Vitkus. And she's one in a million.Warm, funny and heartbreaking, this short-story prequel to THE ONE IN A MILLION BOY - the book destined to be on everyone's lips this summer - will make you laugh and cry with the turn of a page.

    Here, brought together in one volume for the first time, in a masterly new translation by the award-winning translators Richard Pevear and Larissa Volokhonsky.The Steppe—the most lyrical of the five—is an account of a nine-year-old boy’s frightening journey by wagon train across the steppe of southern Russia. The Duel sets two decadent figures—a fanatical rationalist and a man of literary sensibility—on a collision course that ends in a series of surprising reversals. In The Story of an Unknown Man, a political radical spying on an important official by serving as valet to his son gradually discovers that his own terminal illness has changed his long-held priorities in startling ways. Three Years recounts a complex series of ironies in the personal life of a rich but passive Moscow merchant. In My Life, a man renounces wealth and social position for a life of manual labor.The resulting conflict between the moral simplicity of his ideals and the complex realities of human nature culminates in a brief apocalyptic vision that is unique in Chekhov’s work.(Book Jacket Status: Jacketed) From the Hardcover edition.