Choi comes a funny and emotional story about two estranged sisters switching places and committing insurance fraud to save one of their lives.Jayne Baek is barely getting by. She shuffles through fashion school, saddled with a deadbeat boyfriend, clout-chasing friends, and a wretched eating disorder that she’s not fully ready to confront. But that’s New York City, right? At least she isn’t in Texas anymore, and is finally living in a city that feels right for her.On the other hand, her sister June is dazzlingly rich with a high-flying finance job and a massive apartment. Unlike Jayne, June has never struggled a day in her life. Until she’s diagnosed with uterine cancer.Suddenly, these estranged sisters who have nothing in common are living together. Because sisterly obligations are kind of important when one of you is dying.

    Though she lived through the accident that killed her boyfriend Patrick, the girl she used to be didn’t survive. Instead of heading off to college as planned, Wren retreats to her father’s studio in the far-north woods of Maine. Somewhere she can be alone.Then she meets Cal Owen. Dealing with his own troubles, Cal’s hiding out too. When the chemistry between them threatens to pull Wren from her hard-won isolation, Wren has to choose: risk opening her broken heart to the world again, or join the ghosts who haunt her.

    These are the memories that will never fade.Join nineteen fantastic authors as they pull back the curtain and give you a peek inside that one intense moment in their characters' lives when everything changes and nothing will ever be the same again.Featuring stories from some of the hottest names in New Adult, Young Adult, and Romance including New York Times Bestselling authors J.Lynn/Jennifer Armentrout, Molly McAdams, Sophie Jordan, and Carrie Ryan.NOTE: These stories are works of fiction. If you want to know about our first times, you'll have to buy us a pet monkey first.

    Haunted by the wails of fantastical Bean Sidhes and labeled a demon by the villagers of Dòchas, Liam has accepted that things will never get better for him—until a wealthy heiress named Annabel Leighton arrives on the island and Liam’s fate is changed forever.With Anna, Liam finally finds the happiness he has always been denied; but, the violent, mythical Otherworlders, who inhabit the island and the sea around it, have other plans. They make awager on the couple’s love, testing its strength through a series of cruel obstacles. But the tragedies draw Liam and Anna even closer. Frustrated, the creatures put the couple through one last trial—and this time it’s not only their love that’s in danger of being destroyed.Based on Edgar Allan Poe’s chilling poem, "Annabel Lee," Mary Lindsey creates a frighteningly beautiful gothic novel that glorifies the power of true love.

    Long before iTunes or MP3s, you said "I love you" with a mixtape. Meche, awkward and fifteen, discovers how to cast spells using music, and with her friends Sebastian and Daniela will piece together their broken families, and even find love... Two decades after abandoning the metropolis, Meche returns for her estranged father's funeral, reviving memories from her childhood she thought she buried a long time ago. What really happened back then? Is there any magic left?

    Were it not for Zelda, a protective coworker, and Giles, her loving neighbor, she doesn’t know how she’d make it through the day.Then, one fateful night, she sees something she was never meant to see, the Center’s most sensitive asset ever: an amphibious man, captured in the Amazon, to be studied for Cold War advancements. The creature is terrifying but also magnificent, capable of language and of understanding emotions…and Elisa can’t keep away. Using sign language, the two learn to communicate. Soon, affection turns into love, and the creature becomes Elisa’s sole reason to live.But outside forces are pressing in. Richard Strickland, the obsessed soldier who tracked the asset through the Amazon, wants nothing more than to dissect it before the Russians get a chance to steal it. Elisa has no choice but to risk everything to save her beloved. With the help of Zelda and Giles, Elisa hatches a plan to break out the creature. But Strickland is on to them. And the Russians are, indeed, coming.

    Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.

     In The Gap Year, told with perfect pitch from both points of view, we meet Cam Lightsey, lactation consultant extraordinaire, a divorcée still secretly carrying a torch for the ex who dumped her, a suburban misfit who’s given up her rebel dreams so her only child can get a good education. We also learn the secrets of Aubrey Lightsey, tired of being the dutiful, grade-grubbing band geek, ready to explode from wanting her “real” life to begin, trying to figure out love with boys weaned on Internet porn.When Aubrey meets Tyler Moldenhauer, football idol–sex god with a dangerous past, the fuse is lit. Late-bloomer Aubrey metastasizes into Cam’s worst silent, sullen teen nightmare, a girl with zero interest in college. Worse, on the sly Aubrey’s in touch with her father, who left when she was two to join a celebrity-ridden nutball cult.As the novel unfolds—with humor, edge-of-your-seat suspense, and penetrating insights about love in the twenty-first century—the dreams of daughter, mother, and father chart an inevitable, but perhaps not fatal, collision . . .

    But in Japan, as she soon discovers, you can never really throw away your past . . . or anything else, for that matter.If You Follow Me is at once a fish-out-of-water tale, a dark comedy of manners, and a strange kind of love story. Alive with vibrant and unforgettable characters-from an ambitious town matchmaker to a high school student-cum-rap artist wannabe with an addiction to self-tanning lotion-it guides readers over cultural bridges even as it celebrates the awkward, unlikely triumph of the human spirit.

    New Year's Eve. A tragic accident after the party of the year. Cara survives. Her best friend, G, doesn't.Nine months later, Cara is still struggling, consumed by guilt and grief. In the hopes of giving Cara a fresh start, her mother sends her to boarding school in Switzerland, a place where no one knows what happened--and where they never will, if Cara can help it.But her new classmates Ren and Hector won't let her close herself off. They are determined to break down the walls she has so carefully built up. And maybe Cara wants them to . . . especially Hector, who seems to understand her like no one else does.The problem is that the closer Cara gets to Hector, the more G slips away. If moving on means letting go of the past--and admitting what she did that night--Cara's not sure she can.She's not sure she deserves a second chance.

    No one sees them. No one notices them. They live their lives under the radar, forgotten as soon as you turn away. That’s why they make the perfect assassins.The Institute finds these people when they’re young and takes them away for training. But an untrained Nobody is a threat to their organization. And threats must be eliminated.Sixteen-year-old Claire has been invisible her whole life, missed by the Institute’s monitoring. But now they’ve ID’ed her and send seventeen-year-old Nix to remove her. Yet the moment he lays eyes on her, he can’t make the hit. It’s as if Claire and Nix are the only people in the world for each other. And they are—because no one else ever notices them.

    Even within their large, disorderly family—all descendants of a famous actress—their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together.This stunning short novel, winner of the World Fantasy Award, is the perfect introduction to Elizabeth Hand’s singular voice. Her many novels offer a window into what it means to create art, to experience it, to feel passionately about the world. Illyria throws her talent into high relief—it is magic on paper.

    their doctors."It was the dog who found me."Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.But is it real? Or is Emilie truly as mad as she is constantly told she is?The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.Welcome to the Asylum. Are you committed?

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    The exits are sealed shut. Their phones are gone. And their captors are on a killing spree.Riley and Max know that if they can’t get out, they’ll be next—but they’re about to discover that even escape doesn’t equal freedom.