Patrick Barron, carrying a woman’s lifeless body into the woods, he was terrified. When Dr. Barron admitted to it and started explaining why it was necessary, Jason’s life would never be the same. Dr. Barron recounts the brutal murder of his wife and the secret world he uncovered trying to bring her killer to justice—a world filled with monsters wearing human faces, cults, and even stranger things… The Outsiders: Book One tells the story of Dr. Barron and his grandson, but it also contains a number of other interconnected stories spanning decades and worlds beyond this one. This is the definitive entry point into The Outsiders universe—a place where nothing is what it seems and depending on who you ask, the heroes may be the biggest monsters of them all.

    Then he does.

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Supernatural detective Jack Nightingale is called in to investigate a young girl who appears to be possessed by an evil spirit.

    Their magic appears unstoppable and their hunger for conquest is insatiable. To protect the country of Nia, Duchess Nadea and Scholar Paug make a desperate journey to find a human legend: A man known to have destroyed these Ancient foes with a powerful army. But legends can lie. When Paug and Nadea revive their hero from sleep, his virtue is far from clear. Is he really their Savior or their Destroyer?

    Using nothing beyond gravity and inertia one could now travel from the eastern to the western hemisphere in less than an hour. The future of travel was not the sky, it was deep below the earth. It all came crashing down when its inventor was accused of crimes against humanity. With its creator a monster in the eyes of the world the tunnel has fallen into disuse, but now it will be used once more ...

    Absorbing, resonant, emotionally satisfying and quite magical' - Stephen Volk 'Eloquent, shimmering writing unfurls a haunting story of childhood, grief and obsession' – Simon Clark'I adored every line. I can’t recommend it highly enough... Book of the Year!' - The Eloquent Page ‘The Electric is an impressive first novel. Andrew David Barker’s style is whimsical and nostalgic, and the work reads like the haziest recollections of a childhood long since gone.’- Starburst Magazine‘The Electric is more than a book – just as its namesake is more than a cinema – it’s an experience to dive into and wallow in. It’s a link to the past and a way to think about what’s really important about life. Its heart beats beautiful pulses of nostalgia and grief, but it is full of affirmation too: the joy of discovery; the value of insight; the depths of friendship, love and family ties, and the powerful cement of a shared experience.’- Geek SyndicateIn the summer of 1985, fifteen-year-old Sam Crowhurst discovers an old abandoned cinema that screens movies made by ghosts, for ghosts. Sam, along with his friends, Emma and David, find themselves drawn into a world where the likes of Humphrey Bogart, Lon Chaney and Theda Bara are still making pictures; where Harold Lloyd and John Belushi team up for roustabout comedies, and Karloff and Lugosi appear in films scripted by Edgar Allan Poe. Sam comes to learn the mysteries of the Electric cinema and his part to play in its long and strange history. With shades of Ray Bradbury, the more nostalgic work of Stephen King, and the early films of Steven Spielberg, THE ELECTRIC is about movies, ghosts, and that ephemeral moment in all of our lives, childhood.