His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too, are reunited.In The Gap of Time, Jeanette Winterson’s cover version of The Winter’s Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand, and redemption and the enduring love of a lost child on the other.

    Fourteen-year-old Ashley is the undisputed “It” girl in her class, but her grades stink. Their worlds are about to collide when Stewart and his dad move in with Ashley and her mom. Stewart is trying to be 89.9 percent happy about it, but Ashley is 110 percent horrified. She already has to hide the real reason her dad moved out; “Spewart” could further threaten her position at the top of the social ladder. They are complete opposites. And yet, they have one thing in common: they—like everyone else—are made of molecules.

    In 2001, the mesmerizing film adaptation was released to equally glowing reviews. Brilliantly innovative and oddly endearing, Hedwig and the Angry Inch—inspired by Plato’s Symposium—is the story of “internationally ignored song stylist” Hedwig Schmidt, the victim of a gruesomely botched sex-change operation, as dazzlingly recounted by Hedwig (née Hansel) herself in the form of a lounge act, backed by the rock band The Angry Inch.

    The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom ('Moth' from The Virgin Cure) has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and "gardien de sorts" (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions--and in guarding the secrets of their clients. All is well until one bright September afternoon, when an enchanting young woman named Beatrice Dunn arrives at their door seeking employment. Beatrice soon becomes indispensable as Eleanor's apprentice, but her new life with the witches is marred by strange occurrences. She sees things no one else can see. She hears voices no one else can hear. Objects appear out of thin air, as if gifts from the dead. Has she been touched by magic or is she simply losing her mind? Eleanor wants to tread lightly and respect the magic manifest in the girl, but Adelaide sees a business opportunity. Working with Dr. Quinn Brody, a talented alienist, she submits Beatrice to a series of tests to see if she truly can talk to spirits. Amidst the witches' tug-of-war over what's best for her, Beatrice disappears, leaving them to wonder whether it was by choice or by force. As Adelaide and Eleanor begin the desperate search for Beatrice, they're confronted by accusations and spectres from their own pasts. In a time when women were corseted, confined and committed for merely speaking their minds, were any of them safe?

    The play ushered in a new social era and "exploded like a bomb into contemporary life".  The Student Edition contains these exclusive features: ·         A chronology of the playwright's life and work ·         An introduction giving the background of the play ·         Commentary on themes, characters. language and style ·         Notes on individual words and phrases in the text ·         Questions for further study ·         Bibliography for further reading.

    A bit of a loner, he struggles to make friends, and his busy parents often make him feel invisible.Luckily for Sam, his older brother, Jason, has always been there for him. Sam idolises Jason, who seems to have life sorted - he's kind, popular, amazing at football, and girls are falling over themselves to date him.But then one evening Jason calls his family together to tell them that he's been struggling with a secret for a long time. A secret which quickly threatens to tear them all apart. His parents don't want to know and Sam simply doesn't understand.Because what do you do when your brother says he's not your brother at all? That he's actually your sister?

    At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, offers a firsthand account of the complexities and joys of (queer) family-making.Writing in the spirit of public intellectuals such as Susan Sontag and Roland Barthes, Nelson binds her personal experience to a rigorous exploration of what iconic theorists have said about sexuality, gender, and the vexed institutions of marriage and child-rearing. Nelson's insistence on radical individual freedom and the value of caretaking becomes the rallying cry of this thoughtful, unabashed, uncompromising book.

    Sorrows are all pain otherwise, pain without sense or meaning. But joys, too, it seems to me, need their context. And sometimes their coexistence needs to be borne. The coexistence or possibility of the opposite can be what gives an experience its meaning. At its simplest, that is a story." --Camilla Gibb, This Is HappyIn this profoundly moving memoir, Camilla Gibb, the award-winning, bestselling author of Sweetness in the Belly and The Beauty of Humanity Movement, reveals the intensity of the grief that besieged her as the happiness of a longed for family shattered. Grief that lived in a potent mix with the solace that arose with the creation of another, most unexpected family. A family constituted by a small cast of resilient souls, adults broken in the way many of us are, united in love for a child. Reflecting on tangled moments of past sadness and joy, alienation and belonging, Gibb revisits her stories now in relation to the happy daughter who will inherit them, and she finds there new meaning and beauty. Raw and unflinching, intelligent and humane, This Is Happy asks the big questions and finds answers in the tender moments of the everyday.

    Told through delicate and masterful narration, Jane Urquhart's new novel, Sanctuary Line, seamlessly weaves together fragments of present day farm life on the shores of Lake Erie with harrowing snapshots of deep family turmoil marred by stains of death and regret.

    And it is—at first. But Chance, the charismatic and adventurous boy who made their summers epic, is harboring deep secrets. Secrets that are quickly spiraling into something else entirely.The reason they've never met Chance’s parents or seen his home is becoming clearer. And what the siblings used to think of as Chance's quirks—the outrageous stories, his clinginess, his dangerous impulsiveness—are now warning signs that something is seriously off. Then Chance's mom turns up with a bullet to the head, and all eyes shift to Chance and his dad. Hunter and Ashlin know Chance is innocent...they just have to prove it. But how can they protect the boy they both love when they can’t trust a word Chance says?

    Born in 1905, Daisy Stone Goodwill drifts through the roles of child, wife, widow, and mother, and finally into her old age. Bewildered by her inability to understand her place in her own life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography. Her life is vivid with incident, and yet she feels a sense of powerlessness. She listens, she observes, and through sheer force of imagination she becomes a witness of her own life: her birth, her death, and the troubling missed connections she discovers between. Daisy's struggle to find a place for herself in her own life is a paradigm of the unsettled decades of our era. A witty and compassionate anatomist of the human heart, Carol Shields has made distinctively her own that place where the domestic collides with the elemental. With irony and humor she weaves the strands of The Stone Diaries together in this, her richest and most poignant novel to date.

    But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.With unflinching honesty and lyrical prose, spanning from 1960s Hawai'i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It's a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

    When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.   Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.  Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.  As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.