I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

    Soon, they marry, and Meridia can finally escape to live with her charming husband’s family—unaware that they harbor dark mysteries of their own. As Meridia struggles to embrace her life as a young bride, she discovers long-kept secrets about her own past as well as shocking truths about her new family that push her love, courage, and sanity to the brink.Erick Setiawan’s astonishing debut is a richly atmospheric and tumultuous ride of hope and heartbreak that is altogether touching, truthful, and memorable.

    Addie, desperate for answers, must look into her heart -- and into Jack's lies and shadowy secrets -- for evidence that will condemn or redeem the man she has come to love.When Jack St. Bride arrives by chance in the sleepy New England town of Salem Falls, he decides to reinvent himself. Tall, blond, and handsome, Jack was once a beloved teacher and soccer coach at a girls' prep school -- until a student's crush sparked a powder keg of accusation and robbed him of his reputation. Now, working for minimum wage washing dishes for Addie Peabody at the Do-Or-Diner, Jack buries his past, content to become the mysterious stranger who has appeared out of the blue. With ghosts of her own haunting her, Addie Peabody is as cautious around men as Jack St. Bride is around women. But as this unassuming stranger steps smoothly into the diner's daily routine, she finds him fitting just as comfortably inside her heart -- and slowly, a gentle, healing love takes hold between them. Yet planting roots in Salem Falls may prove fateful for Jack. Amid the white-painted centuries-old churches, a quartet of bored, privileged teenage girls have formed a coven that is crossing the line between amusement and malicious intent. Quick to notice the attractive new employee at Addie's diner, the girls turn Jack's world upside down with a shattering allegation that causes history to repeat itself -- and forces Jack to proclaim his innocence once again. Suddenly nothing in Salem Falls is as it seems: a safe haven turns dangerous, an innocent girl meets evil face-to-face, a dishwasher with a Ph.D. is revealed to be an ex-con. As Jack's hidden past catches up with him, the seams of this tiny town begin to tear, and the emerging truth becomes a slippery concept written in shades of gray. Now Addie, desperate for answers, must look into her heart -- and into Jack's lies and shadowy secrets -- for evidence that will condemn or redeem the man she has come to love.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    He saved lives, tamed giants. Animals loved him. People loved him. Women loved him (and he loved them back). And he knew more jokes than any man alive.Now, as he lies dying, Edward Bloom can't seem to stop telling jokes -or the tall tales that have made him, in his son's eyes, an extraordinary man. Big Fish is the story of this man's life, told as a series of legends and myths inspired by the few facts his son, William, knows. Through these tales -hilarious and wrenching, tender and outrageous- William begins to understand his elusive father's great feats, and his great failings.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    In the wake of a wildly disastrous affair with her married archeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town. As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

    Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes--each its own universe, with its own laws, its own dangers, its own hard lessons to be learned--becomes a redeeming and surprising journey of self-discovery.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    When the eyes begin to fill with tears and the patience is long exhausted, there will appear a glimpse of something not quite seen... In this moment, an image will begin to form... in the space between what is real and what is only imagined. Can you read your future in a piece of lace? All of the Whitney women can. But the last time Towner read, it killed her sister and nearly robbed Towner of her own sanity. Vowing never to read lace again, her resolve is tested when faced with the mysterious, unsolvable disappearance of her beloved Great Aunt Eva, Salem s original Lace Reader. Told from opposing and often unreliable perspectives, the story engages the reader s own beliefs. Should we listen to Towner, who may be losing her mind for the second time? Or should we believe John Rafferty, a no nonsense New York detective, who ran away from the city to a simpler place only to find himself inextricably involved in a psychic tug of war with all three generations of Whitney women? Does either have the whole story? Or does the truth lie somewhere in the swirling pattern of the lace?(back cover)

    Hauda’s Land. Magical winged creatures flit around the icy bogland, albino animals hide themselves in the snow-glazed woods, and Ida Maclaird is slowly turning into glass. Ida is an outsider in these parts who has only visited the islands once before. Yet during that one fateful visit the glass transformation began to take hold, and now she has returned in search of a cure.

    When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.

    In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    Coming from a family with a literal skeleton in their closet, she's developed this talent all her life, whether helping her willful mother to smooth over the reality of her family's ugly past, or elevating humble scraps of unwanted fabric into nationally acclaimed art quilts. Her sister Thalia, an impoverished "Actress" with a capital A, is her opposite, and prides herself in exposing the lurid truth lurking behind life's everyday niceties. And while Laurel's life was neatly on track, a passionate marriage, a treasured daughter, and a lovely home in lovely suburban Victorianna, everything she holds dear is thrown into question the night she is visited by an apparition in her bedroom. The ghost appears to be her 14-year-old neighbor Molly Dufresne, and when Laurel follows this ghost , she finds the real Molly floating lifeless in her swimming pool. While the community writes the tragedy off as a suicide, Laurel can't. Reluctantly enlisting Thalia's aid, Laurel sets out on a life-altering investigation that triggers startling revelations about her own guarded past, the truth about her marriage, and the girl who stopped swimming.Richer and more rewarding than any story from Joshilyn Jackson, THE GIRL WHO STOPPED SWIMMING is destined both to delight Jackson's loyal fans and capture a whole new audience.