These “psychosurgeons,” as they called themselves, occupied a gray zone between medical research and medical practice, and ended up subjecting untold numbers of people to the types of surgical experiments once limited to chimpanzees.The most important test subject to emerge from this largely untold chapter in American history was a twenty-seven-year-old factory worker named Henry Molaison. In 1953, Henry—who suffered from severe epilepsy—received a radical new version of the lobotomy, one that targeted the most mysterious structures in the brain. The operation failed to eliminate Henry’s seizures, but it did have an unintended effect: Henry left the operating room profoundly amnesic, unable to create new long-term memories. Over the next sixty years, Patient H.M., as Henry was known, became the most studied individual in the history of neuroscience, a human guinea pig who would teach us much of what we know about memory today.Luke Dittrich uses the case of Patient H.M. as a starting point for a kaleidoscopic journey, one that moves from the first recorded brain surgeries in ancient Egypt to the cutting-edge laboratories of MIT. He takes readers inside the old asylums and operating theaters where psychosurgeons conducted their human experiments, and behind the scenes of a bitter custody battle over the ownership of the most important brain in the world. Throughout, Dittrich delves into the enduring mysteries of the mind while exposing troubling stories of just how far we’ve gone in our pursuit of knowledge. It is also, at times, a deeply personal journey. Dittrich’s grandfather was the brilliant, morally complex surgeon who operated on Molaison—and thousands of other patients. The author’s investigation into the dark roots of modern memory science ultimately forces him to confront unsettling secrets in his own family history, and to reveal the tragedy that fueled his grandfather’s relentless experimentation—experimentation that would revolutionize our understanding of ourselves.Patient H.M. combines the best of biography, memoir, and science journalism to create a haunting, endlessly fascinating story, one that reveals the wondrous and devastating things that can happen when hubris, ambition, and human imperfection collide.

    Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's The Great Gatsby, with its larger-than-life characters, elusive desires, and haunting sorrows.In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- The Double Bind combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. Behind The Double BindWhile Bobbie Crocker, the photographer in The Double Bind, is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for The Double Bind. "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. "We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel.At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse.Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond.Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city.Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?

    She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.Then the Russells move into the house across the way: a father, a mother and their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble and its shocking secrets are laid bare.What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems.

    A joyous man who rereads the encyclopedia compulsively, he is unnerved by the sudden arrivals of a menacing new staffer and a disruptive, brain-injured roommate. His equilibrium is further worsened by Martine, a one-eyed new resident who has romantic intentions and convinces him to go off his meds to feel normal again. Undone by these pressures, Todd attempts an escape to return home to his younger brother and to a childhood that now inhabits only his dreams. Written astonishingly in the first-person voice of an autistic, adult man, Best Boy with its unforgettable portraits of Todd s beloved mother, whose sweet voice still sings from the grave, and a staffer named Raykene, who says that Todd reflects the beauty of His creation is a piercing, achingly funny, finally shattering novel no reader can ever forget."

    She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone.It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times.When Jaouad finally walked out of the cancer ward—after three and a half years of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live.How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history--from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.

    He has sold Jonah’s ship for what appears to be a mermaid.As gossip spreads through the docks, coffee shops, parlours and brothels, everyone wants to see Mr Hancock’s marvel. Its arrival spins him out of his ordinary existence and through the doors of high society, where he meets Angelica Neal, the most desirable woman he has ever laid eyes on... and a courtesan of great accomplishment. This meeting will steer both their lives onto a dangerous new course.What will be the cost of their ambitions? And will they be able to escape the legendary destructive power a mermaid is said to possess?

    With these words, Jim Harrison sends his sixty-something protagonist, divorced and robbed of his farm by a late-blooming real estate shark of an ex-wife, on a road trip across America, armed with a childhood puzzle of the United States and a mission to rename all the states and state birds to overcome the banal names men have given them. Cliff's adventures take him through a whirlwind affair with a former student from his high school-teacher days twenty-some years before, to a snake farm in Arizona owned by an old classmate; and to the high-octane existence of his son, a big-time movie producer in San Francisco.The English Major is the map of a man's journey into--and out of--himself, and it is vintage Harrison--reflective, big-picture American, and replete with wicked wit.

    A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.