In 1998, his ex-wife Patrizia Reggiani Martinelli--nicknamed "The Black Widow" by the press--was sentenced to 29 years in prison, for arranging his murder. Did Patrizia murder her ex-husband because his spending was wildly out of control? Did she do it because her glamorous ex was preparing to marry his mistress, Paola Franchi? Or is there a possibility she didn't do it at all?The Gucci story is one of glitz, glamour, intrigue, the rise, near fall and subsequent resurgence of a fashion dynasty. Beautifully written, impeccably researched, and widely acclaimed, The House of Gucci will captivate readers with its page-turning account of high fashion, high finance, and heart-rending personal tragedy.

    This is the story of the infamous Dreyfus affair told as a chillingly dark, hard-edged novel of conspiracy and espionage. Paris in 1895. Alfred Dreyfus, a young Jewish officer, has just been convicted of treason, sentenced to life imprisonment at Devil’s Island, and stripped of his rank in front of a baying crowd of twenty-thousand. Among the witnesses to his humiliation is Georges Picquart, the ambitious, intellectual, recently promoted head of the counterespionage agency that “proved” Dreyfus had passed secrets to the Germans. At first, Picquart firmly believes in Dreyfus’s guilt. But it is not long after Dreyfus is delivered to his desolate prison that Picquart stumbles on information that leads him to suspect that there is still a spy at large in the French military. As evidence of the most malignant deceit mounts and spirals inexorably toward the uppermost levels of government, Picquart is compelled to question not only the case against Dreyfus but also his most deeply held beliefs about his country, and about himself. Bringing to life the scandal that mesmerized the world at the turn of the twentieth century, Robert Harris tells a tale of uncanny timeliness––a witch hunt, secret tribunals, out-of-control intelligence agencies, the fate of a whistle-blower--richly dramatized with the singular storytelling mastery that has marked all of his internationally best-selling novels.

    So get ready for another deliciously dark sampling of some of the most fascinating true murder cases of the first half of the 20th Century. These stories, the SECOND of three short collections, are unified by a single theme: they all involve physicians. And not for the autopsy, but as perpetrators or accused perpetrators. You may never see your family care giver again in the same light. Told in the characteristic wry, anecdotal reportorial style that made Alan Hynd famous in his day (two wartime best sellers in 1943, contributions to The Reader's Digest, Colliers, Coronet, The Saturday Evening Post, True, Liberty, The American Mercury and almost every true detective magazine in print) these tales will have you cringing one minute, laughing the next, and gasping in shock a moment later. Truly, no one could make up classics like these. Take for example, the case of the man who used rattlesnakes to speed the demise of a fading relationship, a case where non-barking dogs pointed out a killer, and the Great Swope poison case, where a man's in-laws just couldn't wait for their inheritance. As a bonus, consider "Pretty: Louie Amberg, the Brooklyn, N.Y., psychopath of the 1920s and '30s, as well as an unusual couple in Southern California kept the neighbors up at night --- and gossiping. Pulp non-fiction? Maybe. True crime is always more macabre than any novelist could imagine. So sit back and enjoy these forays into some of the darkest aspects of human nature. (With illustrations)

    Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence.The popular fascination with the Borden murders and its central, enigmatic character has endured for more than a hundred years, but the legend often outstrips the story. Based on transcripts of the Borden legal proceedings, contemporary newspaper articles, previously withheld lawyer's journals, unpublished local reports, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is a definitive account of the Borden murder case and offers a window into America in the Gilded Age, showcasing its most deeply held convictions and its most troubling social anxieties.

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

    Headstrong, accomplished journalist Martha Gellhorn is confident with words but less so with men when she meets disheveled literary titan Ernest Hemingway in a dive bar. Their friendship—forged over writing, talk, and family dinners—flourishes into something undeniable in Madrid while they’re covering the Spanish Civil War.Martha reveres him. The very married Hemingway is taken with Martha—her beauty, her ambition, and her fearless spirit. And as Hemingway tells her, the most powerful love stories are always set against the fury of war. The risks are so much greater. They’re made for each other.With their romance unfolding as they travel the globe, Martha establishes herself as one of the world’s foremost war correspondents, and Hemingway begins the novel that will win him the Nobel Prize for Literature. Beautiful Exiles is a stirring story of lovers and rivals, of the breathless attraction to power and fame, and of one woman—ahead of her time—claiming her own identity from the wreckage of love.

    Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

    But when John Cross’s son racks up an unfathomable gambling debt to Kent’s Gents, Cross must pay it back himself. All he has to do is use his inside knowledge of high society mansions and museums to craft a robbery even the smartest detectives won’t solve. The take better include some cash too —the bigger the payout, the faster this will be over.With a newfound talent for sniffing out vulnerable and lucrative targets, Cross becomes invaluable to the gang. But Cross’s entire life has become a balancing act, and it will only take one mistake for it all to come crashing down —and for his family to go down too.

    Her crime—the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries.In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

    A sexual sadist who taunted police with anonymous notes. A madman who was never apprehended. This is the first, complete account of Zodiac's reign of terror. Is he still out there?

    A housewife out for a walk with her baby notices a cloud of black flies buzzing ominously in Leimert Park. An "unsightly object" is identified as the mutilated body of Elizabeth Short, an aspiring starlet from Massachusetts who had been lured west by the siren call of Hollywood. Her killer would never be found, but Short’s death would bring her the fame she had always sought. Her murder investigation transformed into a real-life film noir, featuring corrupt cops, femmes fatales, gun-slinging gangsters, and hungry reporters, replete with an irresistible, legendary moniker adapted from a recent film—The Black Dahlia.For over half a century this crime has maintained an almost mythic place in American lore as one of our most inscrutable cold cases. With the recently unredacted FBI file, newly released sections of the LAPD file, and exclusive interviews with the suspect’s family, relentless legal sleuth Piu Eatwell has gained unprecedented access to evidence and persuasively identified the culprit. Black Dahlia, Red Rose layers these findings into a gritty, cinematic retelling of the haunting tale.As Eatwell chronicles, among the first to arrive at the grisly crime scene was Aggie Underwood, the "tough-as-nails" city editor for the Los Angeles Evening Herald Express; meanwhile, the chain-smoking city editor for the Los Angeles Examiner, Jimmy Richardson, sent out his own reporters. Eatwell reveals how, through a cutthroat race to break news and sell papers, the public image of Elizabeth Short was distorted from a violated beauty to a "man crazy delinquent." As rumors of various boyfriends circulated, the true story of the complex young woman ricocheting between jobs, lovers, and homes was lost. Instead, kitschy headlines tapped into a wider social anxiety about the city’s "girl problem," and Short’s black chiffon and smoldering gaze become a warning for "loose" women coming of age in postwar America.Applying her own background as a lawyer to the surprising new evidence, Eatwell ultimately exposes many startling clues to the case that have never surfaced in public. From the discovery of Elizabeth’s notebook, inscribed with the name of the city’s most notorious and corrupt businessman, to a valid suspect plucked from the hundreds of "confessing Sams" by a brilliant, well-meaning doctor, Eatwell compellingly captures every "big break" in the police investigation to reveal a truly viable resolution to the case. In rich, atmospheric prose, Eatwell separates fact from fantasy to expose the truth behind the sinewy networks of a noir-tinged Hollywood. Black Dahlia, Red Rose at long last accords the Elizabeth Short case its due resolution, providing a reliable and enduring account of one of the most notorious unsolved murders in American history.

    Applying modern science and forensic techniques to a century-old crime, Cornwell’s research led to the publication of Portrait of a Killer, in which she identified the renowned British painter Walter Sickert as the Ripper. The book became a #1 bestseller but also embroiled Cornwell in controversy as Ripperologists dismissed her claims and her credibility. But for Cornwell, the book was only the beginning. For more than a decade, Cornwell has devoted countless hours and invested millions in her pursuit of new evidence against Sickert. Now, twelve years later, Cornwell revisits the most notorious unsolved crime in history—determined to solve the mystery once and for all.In this exclusive Kindle Single, Cornwell restates her case against Sickert, unveils new evidence, clarifies his motivations, and makes him human—and, along the way, explains how such a prominent cultural figure could be a notorious killer. She also directly faces down her critics with withering skill and, in doing so, is likely to re-ignite the debate over history’s most heinous unsolved crime.Chasing the Ripper offers a surprisingly personal and revealing look into what it has been like for Cornwell to pursue the most sensational murder case in criminal history—even as she continues to thrill her fans with a steady diet of new Scarpetta novels, including Flesh and Blood, her latest New York Times bestseller.

    Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask...When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.In a city drowned in darkness, death could be the most powerful magic of all.

    Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line.As the twisted truth emerges, Ariel Lawhon’s wickedly entertaining debut mystery transports us into the smoky jazz clubs, the seedy backstage dressing rooms, and the shadowy streets beneath the Art Deco skyline.