An amazing first novel, a beautifully written work of historical fiction ( Lambda Book Review), American Studies tells the story of 62-year-old Reeve who, as he recovers from a brutal beating, recalls the troubled and closeted world of his former mentor, a once-famous professor who was driven to suicide during the McCarthy era.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    1 BrooklynIn 1996, the unnamed narrator of Teddy Wayne’s Apartment is attending the MFA writing program at Columbia on his father’s dime and living in an illegal sublet of a rent-stabilized apartment. Feeling guilty about his good fortune, he offers his spare bedroom--rent-free--to Billy, a talented, charismatic classmate from the Midwest eking out a hand-to-mouth existence in Manhattan.The narrator’s rapport with Billy develops into the friendship he’s never had due to a lifetime of holding people at arm’s length, hovering at the periphery, feeling “fundamentally defective.” But their living arrangement, not to mention their radically different upbringings, breeds tensions neither man could predict. Interrogating the origins of our contemporary political divide and its ties to masculinity and class, Apartment is a gutting portrait of one of New York’s many lost, disconnected souls by a writer with an uncommon aptitude for embodying them.

    The unusual bond between a world-famous children's author and his assistant sets the stage for a richly plotted novel of friendship and love, artistic ambition, and the power of an unexpected legacy.When the revered children's author Mort Lear dies accidentally at the Connecticut home he shares with Tomasina Daulair, his trusted assistant, she is stunned to be left the house and all its contents, as well as being named his literary executor. Though not quite his daughter or his wife, Tommy was nearly everything to the increasingly reclusive Lear, whom she knew for over forty years since meeting him as a child in a city playground where Lear was making sketches for Colorquake, a book that would become an instant classic. Overwhelmed by the responsibility for Lear's bequest, she must face the demands of all those affected by the sudden loss, including the lonely, outraged museum curator to whom Lear once promised his artistic estate; the beguiling British actor recently cast to play Lear in a movie; and her own estranged brother. She must also face the demons of Morty's painful past the subject of that movie and a future that will no longer include him. A visit from the actor leads to revelations and confrontations that challenge much of what Tommy believed she knew about her boss's life and work and, ultimately, about her own."

    A small-town girl with big-time dreams and a quirk to match--hitchhiking her way into your heart, your hopes, and your sleeping bags...Featuring Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch. Chink, lascivious guru of yams and yang. Julian, Mohawk by birth; asthmatic esthete and husband by disposition. Dr. Robbins, preventive psychiatrist and reality instructor...Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax..."This is one of those special novels--a piece of working magic, warm, funny, and san--that you just want to ride off into the sunset with."--Thomas Pynchon"The best fiction, so far, to come out of the American counterculture."-- "Chicago Tribune Book World"

    Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building.While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them.Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.

    Torn between his loyalty to his family, his faith in God, and his terror of this vicious disease, Jacob Hansen struggles to preserve his sanity amid the chaos and violence around him.

    Alwyn Tower, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in—with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner’s The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

    The man accused of shooting a black girl, a storekeeper named Paris Trout, has no great feeling of guilt, nor fear that the system will fail to work his way. Trout becomes an embarrassment to the polite white society that prefers to hold itself high above such primitive prejudice. But the trial does not allow any hiding from the stark reality of social and racial tensions. Dexter, a former newspaper columnist, is also the author of "Deadwood" and "God's Pocket". Paris Trout won the 1988 National Book Award.

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

    The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.

    When she was three years old, her parents moved from Manhattan to tiny Crab Island off the coast of Maine so he could work on his translation of Ovid's Metamorphoses. Not long after, her mother took the boat out one day, disappeared into the fog, and never came back. Miranda grew up quickly and quietly in the lonely house, caring for her brilliant but troubled father and sustaining herself with fantasies that grew out of the ill-fated stories of lustful nymphs and vengeful gods that he read to her from his manuscript. Aside from a halfhearted friendship with one of the girls at her school, her only true friend was Mr. Blackwell-a fisherman who had helped her father adjust to life on the island all those years ago and whose relationship with her father is-like so much else about her father-complicated and shrouded in mystery. But when Miranda graduates from high school, her father announces that he has arranged for her to travel to New York to stay with friends from his old life, and Miranda embarks on a journey that will finally reveal the truth about her father's past and open up her world in ways she cannot begin to imagine. Sweeney's spare, essential writing brings the contrasts of stark, sea-misted Maine and the chaotic blur of Manhattan into striking relief. Hers is a haunting story about loneliness, about the isolation of island life, whether it's a deserted island off Maine or the overcrowded noisy island of Manhattan. Sweeney's remarkable ability to capture the peculiarities of a place and its inhabitants is astonishing, and her delicate rendering of Miranda's own metamorphosis elevates this novel from a typical coming-of-age story to a work of lasting literary value.

    . .

    In Portland, Oregon, Julie moves through her days in a series of negatives: the skaters she doesn’t think are cute, the trinkets she doesn’t buy at the craft fair, the umbrella she refuses to carry despite the incessant rain. Her family life is routine and restrained, and no one talks about Julie’s older brother, a one-time Olympic-hopeful swimmer who now lives in self-imposed exile in Berlin. Julie has never considered swimming herself, until Alexis, the girls’ swim team captain, tries to recruit her. It’s a dare, and a flirtation—and a chance for Julie to find her brother, or to finally let him go. Anything could happen when her body hits water.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.