A thrilling story of endurance and survival.

    Under his arbitration, unimaginable atrocities are coolly dissected; invisible and ancient lines, grown taut and frayed with conflict, redrawn.In his latest post, Edvard has been sent a nondescript resort hotel in the Tyrol. High up on this mountain, the air is bright and clear. When he isn't working, Edvard reads, walks, listens to music. He confides in no one – no one but his wife Anna. Anna, who he loves with all his heart; Anna, always present and yet forever absent.Honest, honourable, tragic, witty, wise, an unforgettable novel of love, loss, and the human longing for peace, Peace Talks maps the darkest and most tender territories of the human heart.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    Thanks to his horrifying physiognomy, which conceals the softest of hearts, he wins a job as manager of a movie house. It is a flea pit, a vile retreat for predatory children, a place where thugs relax between felonies. Its owner, Sam Yudenow, is a sort of philosopher. At first Laverock is dazzled by Sam, by his splendidly garbled speech, his flawless depravity, his complete emancipation from decent instincts. But not for long. Soon he is leading a group seeking to overthrow the vicious tyrant. Fowlers End is a black comic masterpiece filled with exuberant language and outrageous characters.

    

    Each story is a dramatisation of the instant in a life that exposes it all: love and the lack of love, hope and the lack of hope.

    She hasn’t had it easy in life—some might say it’s been closer to hell—but now she has custody of her brother, and a house, and a job, and she’s making it.Mostly. If her brother hates her, the house is (literally) falling down, and she gets fired, well, she can fix it.Then Connor Hayes, a guy she wanted to forget, shows up in her life. She loved him when she was only 15, but things are different now. No way is she going to fall for him again, not after the way he deserted her when she needed him the most. Not after she saved his life and he disappeared from hers.But if Connor needs her, can Lia stop herself from stepping in? And what if she and her brother need him right back?Can they fix the mess between them? Can Lia fix her issues—her brother, her job, her house, her relationship, her past—can she fix herself?

    Sir Nigel Anstruthers crosses the Atlantic to look for a rich wife and returns with the daughter of an American millionaire, Rosalie Vanderpoel. He turns out to be a bully, a miser and a philanderer and virtually imprisons his wife in the house. Only when Rosalie's sister Bettina is grown up does it occur to her and her father that some sort of rescue expedition should take place. And the beautiful, kind and dynamic Bettina leaves for Europe to try and find out why Rosalie has, inexplicably, chosen to lose touch with her family. In the process she engages in a psychological war with Sir Nigel; meets and falls in love with another Englishman; and starts to use the Vanderpoel money to modernize ‘Stornham Court’.The book’s title refers to ships shuttling back and forth over the Atlantic (Frances Hodgson Burnett herself traveled between the two countries thirty-three times, something very unusual then).

    A rich farmer fears he'll go to hell for cheating his neighbours. His wife wants pilgrim badges to sew into her hat and show off at church. A poor, ragged villager is convinced his beloved cat is suffering in the fires of purgatory and must be rescued. A mother is convinced her son's dangerous illness is punishment for her own adultery and seeks forgiveness so he may be cured. A landlord is in trouble with the church after he punched an abbot on the nose. A sexually driven noblewoman seeks a divorce so she can marry her new young beau.These are among a group of pilgrims that sets off on the tough and dangerous journey from England to Rome, where they hope all their troubles will be answered. Some in the party who have their own, secret reasons for going.Matthew Kneale is the author of English Passengers and Rome: A History in Seven Sackings. His new novel, Pilgrims is a riveting, sweeping narrative that shows medieval society in a new light, as a highly rule-bound, legalistic world, though religious fervour and the threat of violence are never far below the surface. Told by multiple narrators, 'Pilgrims' has much to say about Englishness, then and now.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    Farmers, fairground workers and wandering pilgrims, gruesome gamekeepers, bare-knuckle boxers and ex-cons with secret passions, the men that populate these unsettling, wild and wistful stories form a multi-faceted, era-spanning portrait of just what it means to be a man.

    Now a STARZ Original Series.Newly arrived in New York City, twenty-two-year-old Tess lands a job as a "backwaiter" at a celebrated downtown Manhattan restaurant. What follows is the story of her education: in champagne and cocaine, love and lust, dive bars and fine dining rooms, as she learns to navigate the chaotic, enchanting, punishing life she has chosen. As her appetites awaken—for food and wine, but also for knowledge, experience, and belonging—Tess finds herself helplessly drawn into a darkly alluring love triangle. In Sweetbitter, Stephanie Danler deftly conjures with heart-stopping accuracy the nonstop and high-adrenaline world of the restaurant industry and evokes the infinite possibilities, the unbearable beauty, and the fragility and brutality of being young in New York.

    She simply wants to fulfill her promise to Jack to visit their cabin in the West Virginia mountains, where their long love affair was safely hidden. Instead, her emotionally reminiscent trip becomes crowded with the two Sebring women, a grief counselor, and the massive role Callie assumes. She must speak for Jack in order to protect his four-year old grandson Chad from his stubbornly manipulative and blame-passing grandmother and his recently widowed and power-usurping mother. Callie understands both women grieve the loss of Chad’s father. He died when a raging storm split the tree that crushed him. Grief isn’t the only common thread running between the four women. One by one, their secrets are revealed on the West Virginia mountaintop.

    Saadiq Haider, a renowned gene therapist and professor at Stanford University, receives a phone call that changes his life. Abandoning his duties and responsibilities, Saadiq hurriedly boards a flight bound for India, embarking on a journey that spans thousands of miles and pulls him back into a past Saadiq thought long-buried. Seated next to him on the flight, Anne Miller—an intrepid journalist with a nose for headline news—senses the reclusive genius has a story to tell.During the flight, Anne manages to break through Saadiq’s hard exterior and listens, rapt, as he unfurls a tale fraught with love and heartbreak.His story transports Anne back in time to a small, sleepy town nestled in the mountains of northern India, where Saadiq spent his childhood. Through Saadiq’s narrative, Anne meets Maryam and witnesses the friendship between Maryam and Saadiq mature into an intense love; a love that is tested when tragedy strikes and the lovers are separated. Try as they might, their devotion is no match against the workings of fate, and the tighter Saadiq and Maryam cling to one another, the faster they slip apart.Now, after two decades of trying to forget his past with alcohol and drug abuse, Saadiq tells Anne that fate has acted again; Maryam is the hospital, her condition critical. When their plane lands in India, the newfound friends part ways and while Saadiq rushes to Maryam’s side, Anne returns to her life, grateful to have met the enigmatic man.Months later, Anne learns that after wrenching Maryam from the indomitable grip of death, Saadiq took her back to America, where they finally married. But, her assumption that the greatest love story she had ever known would end happily is shattered when Anne receives devastating news.

    He likes old bicycles, new music, and (don’t say it too loud), model railroading. As the only child of wealthy Dallas executives, it appears that a life of trustafarian ease is his birthright. All those expectations are upended, however, the day he is summoned to the hospital bed of his friend (and fellow English three-speed enthusiast), Morgan Davies. Professor Davies has a secret to share: he once was a time traveler. He also has a task for his young friend: Miles is to travel back in time to 1928, and across the sea to England. Once there, he is to find “a girl with a gift, a girl born out of her time” and a “secret that was not meant to be” and then return home with them both. Miles must first find the courage to pass through the strange portal in the Vermont woods that will launch him on this mission, and then to face down a series of do-or-die crises (including a crisis of confidence). He must also navigate the low-tech, class-bound world of England in 1928 while keeping his true identity a secret. Miles' quest for the girl and the secret carries him from a great estate in England's beautiful countryside to London's jazz-age cabarets, and from terrified boy to heroic young man.