The girl is said to have drowned herself, driven to madness by a local widow named Agnes Mason, who is arrested on a charge of witchcraft. If found guilty, she will hang at the next Assizes.But Justice Belstrang, shrewd ex-magistrate and sceptic, does not believe a word of it. And when Agnes’s family beg him to help, he finds himself caught up in an ever-darkening mystery.Another death follows: that of Susanna’s lover, a young shepherd. He too is reported to have drowned himself at the Witching Pool, unable to face life without his beloved. But from local woodsman Ned Berritt, Belstrang learns there’s more to it – and when Berritt too is found dead soon after, he becomes even more determined to uncover the truth.The mystery grows murkier, however, as Belstrang is pitted against his old rival Justice Standish.But Belstrang’s stubbornness and passion for justice drives him on. With the help of his friend and fellow-sceptic Doctor Boyd, he unravels the terrible crimes that have lain hidden behind the doors of the great manor of Ebbfield.Belstrang must confront and apprehend his suspect - and risk his own life in the attempt.Recommended for fans of Andrew Taylor, CJ Sansom and SJ Parris.John Pilkington was born in Preston, into one of the oldest Lancashire families. He writes historical fiction as well as drama which has been adapted for radio, theatre and tv. He is the author of the Thomas the Falconer Mystery series.

    He heads down to Mulberry, Texas, to keep a promise to his fallen Union army brother-in-arms, Joe Farrell, to make sure that his family is safe. But what Sam finds is the Farrell family in shambles: a gang of former Confederate soldiers are harassing them because of Joe's Union service. In desperation, Joe's widow, Julia, has married the gang's sadistic leader -- a man Sam had haunting his dreams since the war. To rescue Julia, Sam will need to rely on his wits as much as his guns, and he'll need the help of the whole Farrell clan, including Joe's disarming younger sister, Mary. This is a new release of an edition originally published by C.J. Petit.

    Spurred by the startling discovery of a letter written by a Scotland Yard inspector, two veteran police investigators have traced the shadowy movements of a self-styled "doctor" from St. Louis who had a criminal record spanning both sides of the Atlantic. Two decades after the Ripper's murderous spree, Inspector John George Littlechild, then retired, laments in his fateful letter: "to my mind a very likely [suspect] . . . was an American quack named Francis Tumblety. . . his feelings toward women were remarkable and bitter in the extreme." Littlechild expresses dismay that Tumblety, who was in custody only briefly, was ever granted bail, enabling him to flee London-just as the murders ended. The Littlechild letter, printed in this book, provides crucial details either overlooked by police officials at the time of the investigation or later suppressed because they would reveal the same officials had allowed their prime suspect to slip through their fingers.Sifting through the entire historical record and their own surprising discoveries, Stewart Evans and Paul Gainey have created a true-life detective story that will fascinate all readers of Arthur Conan Doyle, Wilkie Collins, and Charles Dickens. Vividly evoking the mean streets of Victorian London and the wave of terror that swept the city with the Ripper's grisly crimes, they convincingly paint a portrait of history's most infamous serial killer.

    What follows is a playful dance of possibilities between the real and the invented.Grenville's Elizabeth Macarthur is a passionate woman managing her complicated life-marriage to a ruthless bully, the impulses of her own heart, the search for power in a society that gave her none-with spirit, cunning and sly wit.Her memoir reveals the dark underbelly of the polite world of Jane Austen. It explodes the stereotype of the women of the past- devoted and docile, accepting of their narrow choices. That was their public face-here's what one of them really thought.At the heart of this book is one of the most toxic issues of our times- the seductive appeal of false stories. Beneath the surface of Elizabeth Macarthur's life and the violent colonial world she navigated are secrets and lies with the dangerous power to shape reality.A Room Made of Leaves is the internationally acclaimed author Kate Grenville's first novel in almost a decade. It is historical fiction turned inside out, a stunning sleight of hand that gives the past the piercing immediacy of the present.

    But on his return to South Africa, relegated to a dilapidated mission near Fort Beaufort, he had to confront not only the prejudices of a colonial society but the discrimination within the Church itself.Conflicted between his loyalties to the amaNgqika people, for whom his brother fought, and the colonial cause he as Reverend Mzamane is expected to uphold, Stephen’s journey to his mother’s home proves decisive in resolving the contradictions that tear at his heart.

    Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world.Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order.Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.

    In Saviors and Survivors, Mahmood Mamdani explains how the conflict in Darfur began as a civil war (1987—89) between nomadic and peasant tribes over fertile land in the south, triggered by a severe drought that had expanded the Sahara Desert by more than sixty miles in forty years; how British colonial officials had artificially tribalized Darfur, dividing its population into “native” and “settler” tribes and creating homelands for the former at the expense of the latter; how the war intensified in the 1990s when the Sudanese government tried unsuccessfully to address the problem by creating homelands for tribes without any. The involvement of opposition parties gave rise in 2003 to two rebel movements, leading to a brutal insurgency and a horrific counterinsurgency–but not to genocide, as the West has declared.Mamdani also explains how the Cold War exacerbated the twenty-year civil war in neighboring Chad, creating a confrontation between Libya’s Muammar al-Qaddafi (with Soviet support) and the Reagan administration (allied with France and Israel) that spilled over into Darfur and militarized the fighting. By 2003, the war involved national, regional, and global forces, including the powerful Western lobby, who now saw it as part of the War on Terror and called for a military invasion dressed up as “humanitarian intervention.”Incisive and authoritative, Saviors and Survivors will radically alter our understanding of the crisis in Darfur.

    The typed recipes and instructions are a direct translation of the handwriting seen in the photographs on each page. To preserve its authenticity, no extra instructions have been added. The cover is a photograph of the actual book, (with title added.) Bring your tablet into the rural English kitchen of 1910. Relive the tastes and smells of an age where there were no microwave ovens or digital scales. Back then, cooking was done on a Yorkshire Range. The book was compiled before the First World War when young women visited each other's houses swapping recipes, as well as catching up on the latest gossip. Funny little markings on some of the recipes, ( a cross "X" with a dot between each line ) was a star rating, four dots being the best. The recipes included instructions like "place the chocolate and sugar into a bowl and warm by the fire, stirring until melted" ( you will probably pop them into a microwave for a few seconds ) The hand written recipes contain simple ingredients available at that time. Self raising flour was not in common use, baking powder was used with plain flour. UK measurements are used; oz, lbs. and pints. Gills and quarts are given as mL and fluid ozs. Also terms like "bake in a quick oven" are used, a handy guide to all modern settings is given on the "Conversions" page. This is not a book for the complete novice. You won't find any "preheat the oven to 200° " instructions. Their skills were not only in baking, but also maintaining the oven at a constant temperature, remember the heat came from the coal and wood, no thermostatic controls or glass fronted oven in doors existed back then. However, if you can bake scones and know by looking at things when they are "done," you will enjoy experimenting as they did, adapting the recipes to your own taste. Above all……enjoy the taste of yesteryear !!

    Traversing the country, he encounters a pompous Western businessman swindling his way to millions, a local vendor with a flair for painting nudes, and long ago legends of a western circus. Sensitively written and expertly researched, Greetings from Myanmar: Exploring the Price of Progress in One of the Last Countries on Earth to Open for Business is the story of a flourishing nation still very much in limbo and an answer to the hard questions that arise when tourism not only charts, but shapes a place as well.

    The orthodox view is that the author of the works of Shakespeare was, of course, the actor and businessman of Statford-upon-Avon. But the known facts about this man are surprisingly meager and contrast puzzlingly with the learned, courtly philosopher revealed in the sonnets and plays--the universal genius and supreme stylist. John Michell's witty investigation of the theories and claims reads like a series of detective stories. By the end of the book even the most faithful disciples of the Bard will find themselves asking, "Who Wrote Shakespeare?"

    For one thing, he’s American, and Albertia is a small coastal republic in Africa, about to be cut loose from the English Crown. For another, Shartelle is Southern and fiercely proud of it, and his ideas about racial politics veer unpredictably from progressive to rigidly old-fashioned. But Shartelle is the best, and the political future of Albertia is too important to be left to anyone else. If history is any indication, this first fair election will probably be the country’s last. Rich natural resources make it attractive to businessmen on both sides of the Atlantic, opening Albertia up to political corruption. For his part, Shartelle is hired to make sure that a British industrialist’s favored candidate wins the presidency. But the opposition is backed by the CIA, for whom murder is just another political tool.

    New in paperbackWhat was achieved and destroyed, what was made up and forgotten in the American West as the continent was mapped, the natives were displaced, and exploits were transformed into legends? In this acclaimed collection, Larry McMurtry profiles explorers and martyrs, hucksters and scholars--figures in the West's enduring yet ever-shifting mixture of myth and reality.In these twelve pieces, McMurtry explores John Wesley Powell's journey on the Colorado, the dispossession of the Five Civilized Tribes, the fascination the Zuni held over a parade of unscrupulous anthropologists, and--in the bicentennial of their journey--the journals of Lewis and Clark, "our only really American epic."

    In 1985 Hans von Ohain, the scientist who pioneered Nazi Germany's efforts to build a jet plane, posed the question: 'Would World War II have occured if the Luftwaffe knew it faced operational British jets instead of Spitfires?' He immediately answered, 'I, for one, think not.'Frank Whittle, working-class outsider and self-taught enthusiast, had worked out the blueprint of a completely new type of engine in 1929, only for his ideas to be blocked by bureaucratic opposition until the outbreak of war in 1939. The importance of his work was recognized too late by the government for his revolutionary engine to play a major part in World War II. After the war Whittle's dream of civilian jet-powered aircraft became a reality and Britain enjoyed a golden age of 1950's jet-powered flight.Drawing on Whittle's extensive private papers, Campbell-Smith tells the story of a stoic and overlooked British hero, a tantalizing tale of 'what might have been'.

    Instead, she's a teacher, a mum and wife to Julian, a very English husband. When disaster befalls her best friend, Karina feels forced to question the very foundations of her existence.

    Porter certainly acknowledges France's importance, but here makes an overwhelming case for consideringBritain the true home of modernity - a country driven by an exuberance, diversity and power of invention comparable only to twentieth-century America. Porter immerses the reader in a society which, recovering from the horrors of the Civil War and decisively reinvigorated by the revolution of 1688, had emerged as something new and extraordinary - a society unlike any other in the world.