The 33 Scandinavian folk tales take the imagination of the reader from rags to riches, from skulduggery to heroism, via witches' curses, beautiful princesses, giants, quests, billy goats and the occasional wicked troll, to a happy ending.

    It was said that just before his death he was on the verge of a breakthrough in the transplantation of human organs.Marie Laurent felt privileged to work for the professor’s brilliant associate, Professor Kern. But her feelings turned to shock and revulsion when she entered Kern’s laboratory and discovered—sitting on a table, surrounded by tubes and tanks, its eyes blinking and lips moving—Professor Dowell’s head!Thus begins a classic tale of horror and suspense by Alexander Beliaev, the bestselling Soviet science fiction author of all time, whose work is considered by many readers the equal of Wells’ and Verne’s.Written half a century ago, this prophetic novel foresees not only organ transplants but other disturbing phenomena of our time, such as the use of mental hospitals as prisons and the manipulation of the news media. In the heads that Kern “rescues” from death, we see a poignant parable of mankind’s disembodied life in a high-technology age.The escape of one of the heads—after its transplantation to the body of an opera star—is the catalyst for the story’s hair-raising climax, as Marie Laurent and Professor Dowell’s son race against time to bring Kern to justice. Kern is a cunning adversary, armed with formidable weapons, both real and psychological. Pursuing him means hairbreadth escapes and sudden reversals—with the outcome uncertain right up to the last page.

    Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.

    They regard their disappointment in him as an act of betrayal on his part, and react violently.

    Sommer. Moving through the landscape in silent haste, like a man possessed, with his empty rucksack and his long, odd-looking walking stick, Mr Sommer runs like a black thread through the boy's days.

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.

    This diary, which he kept in four notebooks over six weeks, is the only sustained, on-the-spot written account we have by a major artist of the experience of entering psychosis.Nijinsky's diary was first published in 1936, in a heavily bowdlerized version that omitted almost half of his text. The present edition, translated by Kyril FitzLyon, is the first complete version in English and the first version in any language to include the fourth notebook, which was written at the very edge of madness. It contains Nijinsky's last lucid thoughts -- on God, sex, war, and the nature of the universe, as well as on his own broken life. In her Introduction, the noted dance writer Joan Acocella explains the context of the diary and its place in the history of modernism.