Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    Buried there from time immemorial by a long-dead race of aliens, it had at last been triggered into action . . .For among the ruins of London, surrounded by the survivors of the recent holocaust, Hawkwind rock, their music catalysing the attacking Death Raythe only potential saviours of the human race otherwise doomed to extermination in an apocalyptic battle between the forces of good and evil . . .

    They find themselves in an area made to look like a town--it contains a stocked store, a hotel, a inoperable car & plastic coffins, each containing a passenger from an international flight, each apparently snatched out of midair, since there's no flight wreckage & all seem alive & unharmed. The people slowly gather in the hotel & find themselves able to understand one another, even tho they don't all speak the same language. None of them has an idea what they're doing in this new place & there isn't anything for miles around their little settlement except a seemingly endless expanse of grass. After weeks of waiting for rescue that never arrives, a few of them explore & discover this mysterious land is also populated by a group of what appear to be medieval people & a group of what seems to be cavemen. That accounts for the human population on the island. The only other creatures around are sinister metal spiders. This story is as much mystery as it is sf, because these people must figure out how they got to this place, & why they were chosen. But they also have to survive.--Kaduzy (edited)

    Physical fundamentals of intensive ultrasound effects are covered, and detailed discussions are presented on the engineering principles of equipment and material design for the practical use of ultrasound in the refining of melts, crystallization of ingots and molds, pulverization, plating, pressure working of metals, surface strengthening, and other processes.

    They've got homes on Long Island and a dream: to pull off the perfect heist. Tom and Joe also have badges, uniforms and guns, just like the rest of the New York City police force! These two shining examples of New York's Finest don't care what they steal or how, as long as it comes out to 2 million dollars. But they get involved with the Mob and find out that robbing Wall Street can be very dangerous

    Although he is best known today for his scripts for television and film, including several classic episodes of The Twilight Zone, Beaumont is being rediscovered as a master of weird tales, and this, his first published collection, contains some of his best. Ranging in tone from the chilling Gothic horror of "Miss Gentilbelle," where an insane mother dresses her son up as a girl and slaughters his pets, to deliciously dark humor in tales like "Open House" and "The Infernal Bouillabaisse," where murderers' plans go disastrously awry, these seventeen stories demonstrate Beaumont's remarkable talent and versatility. This new edition of The Hunger and Other Stories, the first in more than fifty years, includes a new introduction by Dr. Bernice M. Murphy, who argues for reevaluation of Beaumont alongside the other greats of the genre, including Shirley Jackson, Ray Bradbury, and Richard Matheson.Contents:Miss Gentilbelle • (1957) The Vanishing American • (1955)A Point of Honor • (1955) Fair Lady • (1957) Free Dirt • (1955) Open House • (1957)The Train • (1957) The Dark Music • (1956) The Customers • (1957)Last Night in the Rain • (1956)The Crooked Man • (1955) Nursery Rhyme • (1957) The Murderers • (1955) The Hunger • (1955) Tears of the Madonna • (1957) The Infernal Bouillabaisse • (1957)Black Country • (1954)

    Under the bottom is the top--and the power to smash the Machine. After humanity becomes inextricably linked to the computers, a heroic couple makes a scale-ship journey beneath the smallest particles and through the largest cosmic structures, seeking a perfect world.

    Exposed to the persuasive energies of a sensuous high priestess, the men of science are forced to question seriously their superstitious belief that they can chart, understand, and control the workings of the human mind.

    It is a profound and utterly convincing portrait of a man whose career and life has been devoted to the manipulation of imagesand the story of how, at the age of 71, he tries to divest himself of illusions and make peace with his demons and his past.

    And he has old newspapers stacked up to his ceiling because...well, who knows?

    (1964)Casablanca (1967)

    In this lost colony the inhabitants had forgotten the very existence of earth. Only one man remembered. He foresaw the awesome consequences if this paradise were ever rediscovered.MonumentThe novel of a frightening future - a planet in mortal combat with an alien universe.

    L. Moore '75 essay by Lester del Rey Shambleau [Northwest Smith] '33 novelette by C. L. Moore Black Thirst [Northwest Smith] '34 novelette by C. L. Moore The Bright Illusion '34 story by C. L. Moore Black God's Kiss [Jirel of Joiry] '34 novelette by C. L. Moore Tryst in Time '36 novelette by C. L. Moore Greater Than Gods '39 novelette by C. L. Moore Fruit of Knowledge '40 novelette by C. L. Moore No Woman Born '44 novelette by C. L. Moore Daemon '46 story by C. L. Moore Vintage Season '46 novella by Henry Kuttner & C. L. Moore Afterword--Footnote to Shambleau & Others '75 essay by C. L. Moore

    Revenge does not account for it: Something infinitely more sinister has happened. Only Primavera and mad Ignatz Zwakh know what power is really behind the microbiotic army dedicated to overthrowing the human gamete. But Primavera's dying. Can they reach Dr. Toxicopholous before the CIA or the pornocrat Kito or their combined assassins and nanomachines reach them?

    In this classic noir novel, a private eye from St. Louis, who likes his steak rare, his liquor hard, and his women fallen, arrives at the small town of Paulton to protect his wealthy client's daughter from a suspicious religious cult. Throughout the span of the case, he confronts Paulton's mob boss, avenges his partner's death, and falls for a classic femme fatale named Princess.