After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    On the outside, there's Violet, an eighteen-year-old dancer days away from the life of her dreams when something threatens to expose the shocking truth of her achievement.On the inside, within the walls of the Aurora Hills juvenile detention center, there's Amber, locked up for so long she can't imagine freedom.Tying their two worlds together is Orianna, who holds the key to unlocking all the girls' darkest mysteries…What really happened on the night Orianna stepped between Violet and her tormentors? What really happened on two strange nights at Aurora Hills? Will Amber and Violet and Orianna ever get the justice they deserve—in this life or in another one?In prose that sings from line to line, Nova Ren Suma tells a supernatural tale of guilt and of innocence, and of what happens when one is mistaken for the other.

    Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power.source: annerice.com

    In fact, he would say he is extraordinary…Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.

    The story of young, sensitive, and idealistic Francie Nolan and her bittersweet formative years in the slums of Williamsburg has enchanted and inspired millions of readers for more than sixty years. By turns overwhelming, sublime, heartbreaking, and uplifting, the daily experiences of the unforgettable Nolans are raw with honesty and tenderly threaded with family connectedness -- in a work of literary art that brilliantly captures a unique time and place as well as incredibly rich moments of universal experience.

    It all began with a simple seaside vacation, a brother and sister recapturing their childhood. Antoine Rey thought he had the perfect surprise for his sister Mélanie's birthday: a weekend by the sea at Noirmoutier Island, where the pair spent many happy childhood summers playing on the beach. It had been too long, Antoine thought, since they'd returned to the island - over thirty years, since their mother died and the family holidays ceased. But the island's haunting beauty triggers more than happy memories; it reminds Mélanie of something unexpected and deeply disturbing about their last island summer. When, on the drive home to Paris, she finally summons the courage to reveal what she knows to Antoine, her emotions overcome her and she loses control of the car. Recovering from the accident in a nearby hospital, Mélanie tries to recall what caused her to crash. Antoine encounters an unexpected ally: sexy, streetwise Angèle, a mortician who will teach him new meanings for the words life, love and death. Suddenly, however, the past comes swinging back at both siblings, burdened with a dark truth about their mother, Clarisse. Trapped in the wake of a shocking family secret shrouded by taboo, Antoine must confront his past and also his troubled relationships with his own children. How well does he really know his mother, his children, even himself? Suddenly fragile on all fronts as a son, a husband, a brother and a father, Antoine Rey will learn the truth about his family and himself the hard way. By turns thrilling, seductive and destructive, with a lingering effect that is bittersweet and redeeming, A Secret Kept is the story of a modern family, the invisible ties that hold it together, and the impact it has throughout life.

    Before Britt can explore her feelings for Calvin, an unexpected blizzard forces her to seek shelter in a remote cabin, accepting the hospitality of its two very handsome occupants—but these men are fugitives, and they take her hostage.Britt is forced to guide the men off the mountain, and knows she must stay alive long enough for Calvin to find her. The task is made even more complicated when Britt finds chilling evidence of a series of murders that have taken place there…and in uncovering this, she may become the killer’s next target.But nothing is as it seems, and everyone is keeping secrets, including Mason, one of her kidnappers. His kindness is confusing Britt. Is he an enemy? Or an ally?

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    A lifetime of stories. Their last one begins here.Life is short. No-one knows that better than seventeen year old Lenni living on the terminal ward. But as she is about to learn, it's not only what you make of life that matters, but who you share it with. Dodging doctor's orders, she joins an art class where she bumps into fellow patient Margot, a rebel-hearted eighty three year old from the next ward. Their bond is instant as they realize that together they have lived an astonishing one hundred years. To celebrate their shared century, they decide to paint their life stories: of growing old and staying young, of giving joy, of receiving kindness, of losing love, of finding the person who is everything. As their extraordinary friendship deepens, it becomes vividly clear that life is not done with Lenni and Margot yet.Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life even when it is about to be taken away, and revels in our infinite capacity for friendship and love when we need them most.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.It opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.