Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of "the orchestra girls"; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.

    First comes the imagining, then the search for reality. Then back to the imagining, and to the desk where I'm sitting now." From his years serving in British Intelligence during the Cold War, to a career as a writer that took him from war-torn Cambodia to Beirut on the cusp of the 1982 Israeli invasion to Russia before and after the collapse of the Berlin Wall, le Carré has always written from the heart of modern times. In this, his first memoir, le Carré is as funny as he is incisive, reading into the events he witnesses the same moral ambiguity with which he imbues his novels. Whether he's writing about the parrot at a Beirut hotel that could perfectly mimic machine gun fire or the opening bars of Beethoven's Fifth, visiting Rwanda's museums of the unburied dead in the aftermath of the genocide, celebrating New Year's Eve 1982 with Yasser Arafat and his high command, interviewing a German woman terrorist in her desert prison in the Negev, listening to the wisdoms of the great physicist, dissident, and Nobel Prize winner Andrei Sakharov, meeting with two former heads of the KGB, watching Alec Guinness prepare for his role as George Smiley in the legendary BBC TV adaptations, or describing the female aid worker who inspired the main character in The Constant Gardener, le Carré endows each happening with vividness and humor, now making us laugh out loud, now inviting us to think anew about events and people we believed we understood.Best of all, le Carré gives us a glimpse of a writer's journey over more than six decades, and his own hunt for the human spark that has given so much life and heart to his fictional characters.

    I disconnected my heart and intellect in an act of self-defense, despair, and hopelessness." With these words Sara Nomberg-Przytyk begins this painful and compelling account of her experiences while imprisoned for two years in the infamous death camp. Writing twenty years after her liberation, she recreates the events of a dark past which, in her own words, would have driven her mad had she tried to relive it sooner. But while she records unimaginable atrocities, she also richly describes the human compassion that stubbornly survived despite the backdrop of camp depersonalization and imminent extermination.Commemorative in spirit and artistic in form, Auschwitz convincingly portrays the paradoxes of human nature in extreme circumstances. With consummate understatement Nomberg-Przytyk describes the behavior of concentration camp inmates as she relentlessly and pitilessly examines her own motives and feelings. In this world unmitigated cruelty coexisted with nobility, rapacity with self-sacrifice, indifference with selfless compassion. This book offers a chilling view of the human drama that existed in Auschwitz.From her portraits of camp personalities, an extraordinary and horrifying profile emerges of Dr. Josef Mengele, whose medical experiments resulted in the slaughter of nearly half a million Jews. Nomberg-Przytyk's job as an attendant in Mengle's hospital allowed her to observe this Angel of Death firsthand and to provide us with the most complete description to date of his monstrous activities.The original Polish manuscript was discovered by Eli Pfefferkorn in 1980 in the Yad Vashem Archive in Jerusalem. Not knowing the fate of the journal's author, Pfefferkorn spent two years searching and finally located Nomberg-Przytyk in Canada. Subsequent interviews revealed the history of the manuscript, the author's background, and brought the journal into perspective.

    Raised Catholic, Cordelia Edvardson had little in common with her fellow inmates, some of whom despised her as a "German swine." Singled out for punishment, she was selected to act as a secretary for the monstrous "angel of Auschwitz," Josef Mengele. Impressionistic and naïve, Edvardson's third-person memoir retains a highly effective childlike quality ("she had learned that anything can happen, no matter what and no matter when, and for inexplicable reasons") that holds even in the most horrifying episodes. After World War II ended, Edvardson moved to Sweden, where this book was first published. She then converted to Judaism and moved to Israel.

    Since that time, books such as Richard Plant's The Pink Triangle (and Martin Sherman's play Bent) have illuminated this nearly lost history. Heinz Heger's first-person account, The Men with the Pink Triangle, was one of the first books on the topic and remains one of the most important. In 1939, Heger, a Viennese university student, was arrested and sentenced to prison for being a "degenerate." Within weeks he was transported to Sachsenhausen, a concentration camp in East Germany, and forced to wear a pink triangle to show that his crime was homosexuality. He remained there, under horrific conditions, until the end of the war in 1945. The power of The Men with the Pink Triangle comes from Heger's sparse prose and his ability to recall--and communicate--the smallest resonant details. The pain and squalor of everyday camp life--the constant filth, the continuous presence of death, and the unimaginable cruelty of those in command--are all here. But Heger's story would be unbearable were it not for the simple courage he and others used to survive and, having survived, that he bore witness. This book is harrowing but necessary reading for everyone concerned about gay history, human rights, or social justice. --Michael Bronski

    They named their group the White Rose, and they distributed leaflets denouncing the Nazi regime. Sophie, Hans, and a third student were caught and executed.Written by Inge Scholl (Han's and Sophie's sister), The White Rose features letters, diary excerpts, photographs of Hans and Sophie, transcriptions of the leaflets, and accounts of the trial and execution. This is a gripping account of courage and morality.CONTRIBUTORS: Dorthe Solle.

    He was the only one of his family to survive. In this book, his account of the Holocaust is told in the refreshingly direct and optimistic language of a young boy, that appeals to younger audiences and his contemporaries.

    Not knowing what to do with the interviews, he boxed & stored them. After his death, his son Stephan--also a journalist--inherited the files. Fascinated by what he found, he set out to re-interview the same people 40 years later. Revisiting his father's subjects, Lebert explores how each of them deals with the agonizing question: What does it mean to have a father who participated in mass murder? For the most part, the Leberts found that the children remained intensely loyal to their fathers, regardless of their crimes. Gudrun Himmler, for example, lives in a Munich suburb under her husband's name, keeping secret contact with other nostalgic Nazis. In fact, Niklas Frank is the only one who rejects his heritage. But when he writes in a popular German magazine of his rage against his father--charged with 2,000,000 deaths--hundreds of letters pour in from outraged readers. Whatever your father did, fathers must always be honored. Remarkable in both its content & its narrative power, "My Father's Keeper" is an illuminating addition to the dark literature of the Nazi past & of how the past haunts the present.For You Bear My Name --The 1959 Manuscript: Wolf-Rudiger Hess --Who Were the Fathers? --The 1959 Manuscript: Wolf-Rudiger Hess and the Nazi Women --On a Home Page the Story Continues --The 1959 Manuscript: Martin Bormann Junior --A Priest Offers a Warning about the Future --The 1959 Manuscript: Niklas and Norman Frank --A Man Wants to Destroy His Father --The 1959 Manuscript: Gudrun Himmler --An Embittered Daughter and the Not-Wanting-to-See Principle --The 1959 Manuscript: Edda Goring --A Sightseeing Tour of Munich in the Year 2000 --The 1959 Manuscript: The von Schirach Brothers --A Final Meeting with the Lawyer

    Josef Mengele has come to symbolize both the evil of the Nazi regime and the failure of justice in the postwar world. Drawing on new scholarship and sources, historian David G. Marwell examines Mengele’s life and career, chronicling his university studies, which led to two PhDs and a promising career as a scientist; his wartime service, in combat and at Auschwitz, where his “selections” determined the fate of countless innocents and his “scientific” pursuits resulted in the traumatization and death of thousands more; and his postwar refuge in Germany and South America.Mengele describes the international search in 1985, which ended in a cemetery in Sao Paulo, Brazil, and the dogged forensic investigation that produced overwhelming evidence that Mengele had died―but failed to convince those who, arguably, most wanted him dead. This is a story of science without limits, escape without freedom, and resolution without justice.

    Spearman. Largely unread, it went out of print until it was re-discovered by a British editor in 2011 and now, for the first time, it is available to readers everywhere. In 1938, Trudi Miller, stunningly beautiful, chic, and charismatic, was a hat designer for the best-dressed women in Vienna. She frequented cafes. She had suitors. She flew to Paris to see the latest fashions. And she fell deeply in love with Walter Ehrlich, a charming and romantic businessman. But as Hitler’s tanks roll into Austria, the world this young Jewish couple knows and loves collapses leaving them desperate to find a way to survive. Some Girls, Some Hats and Hitler is an enchanting true story that moves from Vienna to Prague to blitzed London, as Trudi seeks safety for her and Walter amid the horror engulfing Europe. In prose that cuts straight to the bone, Trudi Kanter has shared her indelible story. Some Girls, Some Hats and Hitler is destined to become a World War II classic.

    Shirer was a correspondent for six years in Nazi Germany-and had a front-row seat for Hitler's rise to power. His most definitive work on the subject, The Rise and Fall of the Third Reich, is a riveting account defined by first-person experience interviewing Hitler, watching his impassioned speeches, and living in a country transformed by war and dictatorship.William Shirer was originally commissioned to write The Rise and Fall of Adolf Hitler for a young adult audience. This account loses none of the immediacy of The Rise and Fall of the Third Reich-capturing Hitler's rise from obscurity, the horror of Nazi Germany's mass killings, and the paranoia and insanity that marked Hitler's downfall. This book is by no means simplified-and is sure to appeal to adults as well as young people with an interest in World War II history.

    Hitler did not escape the bunker in Berlin but, half a century later, he has managed to escape explanation in ways both frightening and profound. Explaining Hitler is an extraordinary quest, an expedition into the war zone of Hitler theories. This is a passionate, enthralling book that illuminates what Hitler explainers tell us about Hitler, about the explainers, and about ourselves.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Goering told women, “Take a pot, a dustpan and a broom, and marry a man,” but many became active Nazis, helping to spread wide the net of evil. By 1944, 40 percent of the Gestapo was staffed by women, concentration camps employed legions of Aufseherinnen (female guards), and callous nurses ran the euthanasia program. Prominent female Nazis included First Lady of the Third Reichb Magda Goebbels,Eva Braun, Lina Heydrich, Carin Goering and Unity Mitford. A cult of adoration developed round the unmarried Hitler. Love is meat for husbands, but my love for Hitler is stronger. I would give my life for it, said Magda Goebbels.

    Numerous theories have sprouted in an attempt to console ourselves and to point the blame in emotionally satisfying directions—yet none of them are fully convincing. As witnesses to the Holocaust near the ends of their lives, it becomes that much more important to unravel what happened and to educate a new generation about the horrors inflicted by the Nazi regime on Jews and non-Jews alike.Why? dispels many misconceptions and answers some of the most basic—yet vexing—questions that remain: why the Jews and not another ethnic group? Why the Germans? Why such a swift and sweeping extermination? Why didn’t more Jews fight back more often? Why didn’t they receive more help? While responding to the questions he has been most frequently asked by students over the decades, world-renowned Holocaust historian and professor Peter Hayes brings a wealth of scholarly research and experience to bear on conventional, popular views of the history, challenging some of the most prominent recent interpretations. He argues that there is no single theory that “explains” the Holocaust; the convergence of multiple forces at a particular moment in time led to catastrophe.In clear prose informed by an encyclopedic knowledge of Holocaust literature in English and German, Hayes weaves together stories and statistics to heart-stopping effect. Why? is an authoritative, groundbreaking exploration of the origins of one of the most tragic events in human history.