Forced apart by their families and society, Hazel and Mari both married young men and had families. Decades later, now in their mid-'60s, Hazel and Mari reunite again at a church bingo hall. Realizing their love for each other is still alive, what these grandmothers do next takes absolute strength and courage.This Jackpot Edition contains over SIXTY PAGES of bonus material, including the talents of MARGUERITE BENNETT (Batwoman) and newcomer BEVERLY JOHNSON, SHAWN PRYOR (Cash and Carrie) and PAULINA GANUCHEAU (Zodiac Starforce), award-winning historical romance author ALYSSA COLE's comics writing debut with SHAE BEAGLE (MOONSTRUCK), GAIL SIMONE (CROSSWIND) and MARGAUX SALTEL (Superfreaks), and AMANDA DEIBERT (Wonder Woman '77) and CAT STAGGS (CROSSWIND), with illustrations from MEGAN HUTCHINSON (ROCKSTARS) and ARIELA KRISTANTINA (InSeXts). Plus a sneak peek of BINGO LOVE, VOL. 2: DEAR DIARY, with an afterword from GABBY RIVERA (America).

    Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.

    But it was a secret. . . . Penny and Terry just wanted what so many people want—to express their love through marriage.” —Illinois Representative Ann WilliamsUnder This Beautiful Dome tells the true story of journalist Terry Mutchler's secret five-year relationship with Penny Severns, an Illinois State Senator who mentored Barack Obama. Forced to engage in an elaborate ruse to keep their relationship a secret, the two women constantly fear discovery in their conservative town. Denied legal access to the altar, they face even greater hardships when Penny is diagnosed with cancer and begins undergoing treatment.Set in the political arena, Under This Beautiful Dome reminds us why the march to legalize same-sex marriage is both personal and political. This vivid, beautiful story paints an intimate portrait of a loving relationship and the vast impact gay marriage legislation has on couples and families in America today."In a modern world that has seen an acceleration of gay marriage rights and public LGBT figures, it is crucial to honor and remember the struggles of those who could not love openly, afraid for their jobs, their homes, their families, and their beloved." --Courtney Gillette, Lambda Literary

    Ammons, ancient Kumeyaay Bird Songs, and Beyoncé’s visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English. He’s plagued by an indecision, unsure of which obsessions, attractions, and impulses are essentially his, and which are the result of Christian conversion, hetero-patriarchal/colonialist white supremacy, homophobia, Bacardi, gummy candy, and not getting laid. IRL asks, what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history? Teebs feels compelled towards “boys, burgers,booze,” though he begins to suspect there is perhaps a more ancient goddess calling to him behind art, behind music, behind poetry.

    New to a small town, Jackie and Paula envision a quiet life for their kids: a young adopted son and two teenage foster children, including the troubled Star. However, they quickly butt heads with their neighbor, Clementine, who disapproves of their lifestyle and is incensed when Star befriends her spirited horse, Comet. Haunted by past tragedy and unable to properly care for Comet, Clem nevertheless resents the bond Star soon shares with the horse. When Star disappears with Comet, the neighbors are thrown together—far too close together. But as the search for the pair wears on, both families must learn to put aside their animosity and confront the choices they’ve made and the scars they carry. Plumbing the depths of regret and forgiveness, The Language of Hoofbeats explores the strange alchemy that transforms a group of people into a family.

    He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

    / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail." These provocative poems move with the power of Rich's distinctive voice.

    It's an antebellum fever-dream, where fear and desire entwine in the looming shadow of the Master's House. Jim trembles as Kaneisha handles melons in the cottage, Alana perspires in time with the plucking of Phillip's fiddle in the boudoir, while Dustin cowers at the heel of Gary's big, black boot in the barn. Nothing is as it seems, and yet everything is as it seems.

    Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family’s dispersal after Jefferson’s death in 1826.In the mid-1700s the English captain of a trading ship that made runs between England and the Virginia colony fathered a child by an enslaved woman living near Williamsburg. The woman, whose name is unknown and who is believed to have been born in Africa, was owned by the Eppeses, a prominent Virginia family. The captain, whose surname was Hemings, and the woman had a daughter. They named her Elizabeth.So begins The Hemingses of Monticello, Annette Gordon-Reed’s “riveting history” of the Hemings family, whose story comes to vivid life in this brilliantly researched and deeply moving work. Gordon-Reed, author of the highly acclaimed historiography Thomas Jefferson and Sally Hemings: An American Controversy, unearths startling new information about the Hemingses, Jefferson, and his white family. Although the book presents the most detailed and richly drawn portrait ever written of Sarah Hemings, better known by her nickname Sally, who bore seven children by Jefferson over the course of their thirty-eight-year liaison, The Hemingses of Monticello tells more than the story of her life with Jefferson and their children. The Hemingses as a whole take their rightful place in the narrative of the family’s extraordinary engagement with one of history’s most important figures.Not only do we meet Elizabeth Hemings—the family matriarch and mother to twelve children, six by John Wayles, a poor English immigrant who rose to great wealth in the Virginia colony—but we follow the Hemings family as they become the property of Jefferson through his marriage to Martha Wayles. The Hemings-Wayles children, siblings to Martha, played pivotal roles in the life at Jefferson’s estate.We follow the Hemingses to Paris, where James Hemings trained as a chef in one of the most prestigious kitchens in France and where Sally arrived as a fourteen-year-old chaperone for Jefferson’s daughter Polly; to Philadelphia, where James Hemings acted as the major domo to the newly appointed secretary of state; to Charlottesville, where Mary Hemings lived with her partner, a prosperous white merchant who left her and their children a home and property; to Richmond, where Robert Hemings engineered a plan for his freedom; and finally to Monticello, that iconic home on the mountain, from where most of Jefferson’s slaves, many of them Hemings family members, were sold at auction six months after his death in 1826.As The Hemingses of Monticello makes vividly clear, Monticello can no longer be known only as the home of a remarkable American leader, the author of the Declaration of Independence; nor can the story of the Hemingses, whose close blood ties to our third president have been expunged from history until very recently, be left out of the telling of America’s story. With its empathetic and insightful consideration of human beings acting in almost unimaginably difficult and complicated family circumstances, The Hemingses of Monticello is history as great literature. It is a remarkable achievement.

    She agrees, and together they stake their claim in the forebodingly beautiful South Dakota Badlands. Fourteen years later, in the summer of 1917, the cattle are bellowing with thirst. It hasn't rained in months, and supplies have dwindled. Pregnant, and struggling to feed her family, Rachel is isolated by more than just geography. She is determined to give her surviving children the life they deserve, but she knows that her husband, a fiercely proud former Buffalo Soldier, will never leave his ranch: black families are rare in the West, and land means a measure of equality with the white man. Somehow Rachel must find the strength to do what is right-for herself, and for her children. Reminiscent of The Color Purple as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, The Personal History of Rachel DuPree opens a window on the little-known history of African American homesteaders and gives voice to an extraordinary heroine who embodies the spirit that built America.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

     Bishop was unforgiving of fashion and limited ways of seeing and feeling, but cast an even more trenchant eye on her own work. One wishes this volume were thicker, though the perfections within mark the rightness of her approach. The poems are sublimely controlled, fraught with word play, fierce moral vision (see her caustic ballad on Ezra Pound, "Visits to St. Elizabeths"), and reticence. From the surreal sorrow of the early "Man-Moth" (leaping off from a typo she had come across for "mammoth"), about a lonely monster who rarely emerges from "the pale subways of cement he calls his home," to the beauty of her villanelle "One Art" (with its repeated "the art of losing isn't hard to master"), the poet wittily explores distance and desolation, separation and sorrow.

    But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.Eloquent rage keeps us all honest and accountable. It reminds women that they don’t have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

    The friends become closer as they wait for the Lord to return to their very own Garden of Eden, and Dilys feels she has found the right path at last.But Dilys is wary of their leader's zealotry and suspicious of those who would seem to influence her for their own ends. As her feelings for Grace bud and bloom, the Society around her begins to crumble. Faith is supplanted by doubt as both women come to question what is true and fear what is real.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.