Basil E. Frankweiler meets Chasing Vermeer in this clever middle-grade debut.When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.

    Mr. Gupta, a rich newcomer to the island, is also searching—he wants to sell the cub’s body parts on the black market. Neel and his sister, Rupa, resolve to find the cub first and bring her back to the reserve where she belongs.The hunt for the cub interrupts Neel’s preparations for an exam to win a prestigious scholarship at a boarding school far from home. Neel doesn’t mind—he dreads the exam and would rather stay on his beloved island in the Sunderbans of West Bengal with his family and friends.But through his encounter with the cub, Neil learns that sometimes you have to take risks to preserve what you love. And sometimes you have to sacrifice the present for the chance to improve the future.

    With a starred review from Kirkus Reviews calling it an "enchanting tale to treasure," The Great Unexpected captures the heart and the imagination.Humorous and heartfelt, this is a story of pairs—of young Naomi and Lizzie, both orphans in present-day Blackbird Tree, USA, and of Sybil and Nula, grown-up sisters from faraway Rook's Orchard, Ireland, who have become estranged.Young Naomi Deane is brimming with curiosity and her best friend, Lizzie Scatterding, could talk the ears off a cornfield. Naomi has a knack for being around when trouble happens. She knows all the peculiar people in town—like Crazy Cora and Witch Wiggins. But then, one day, a boy drops out of a tree. Just like that. A strangely charming Finn boy. And then the Dingle Dangle man appears, asking all kinds of questions. Curious surprises are revealed—three locked trunks, a pair of rooks, a crooked bridge, and that boy—and soon Naomi and Lizzie find their lives changed forever.As two worlds are woven together, Creech reveals that hearts can be mended and that there is indeed a gossamer thread that connects us all.

    But when she discovers the diary her Jewish great-grandmother wrote chronicling her escape from Holocaust-era Europe, Imani begins to see family in a new way.Imani knows exactly what she wants as her big bat mitzvah gift: to meet her birthparents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. When her mom's grandmother--Imani's great-grandma Anna--passes away, Imani discovers an old diary among her books. It's Anna's diary from 1941, the year she was twelve--the year she fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn. Written as a series of letters to the twin sister she had to leave behind, Anna's diary records her journey to America and her new life with an adopted family. Anna's diary and Imani's birthparent search intertwine to tell the story of two girls, each searching for family and identity in her own time and in her own way.

    Her mom is white, and her dad, who died before she was born, was black. She attends a mostly white school where she sometimes feels like a brown leaf on a pile of snow. She’s tired of people asking if she’s adopted. Now that Violet’s eleven, she decides it’s time to learn about her African American heritage. And despite getting off to a rocky start trying to reclaim her dad’s side of the family, she can feel her confidence growing as the puzzle pieces of her life finally start coming together. Readers will cheer for Violet, sharing her joy as she discovers her roots.

    She just doesn’t like doing it. And in February a warning letter arrives at her home. Abby will have to repeat sixth grade—unless she meets some specific conditions, including taking on an extra-credit project to find a pen pal in a distant country. Seems simple enough. But when Abby’s first letter arrives at a small school in Afghanistan, the village elders agree that any letters going back to America must be written well. In English. And the only qualified student is a boy, Sadeed Bayat. Except in this village, it is not proper for a boy to correspond with a girl. So Sadeed’s younger sister will write the letters. Except she knows hardly any English. So Sadeed must write the letters. For his sister to sign. But what about the villagers who believe that girls should not be anywhere near a school? And what about those who believe that any contact with Americans is . . . unhealthy? Not so simple. But as letters flow back and forth—between the prairies of Illinois and the mountains of central Asia, across cultural and religious divides, through the minefields of different lifestyles and traditions—a small group of children begin to speak and listen to one another. And in just a few short weeks, they make important discoveries about their communities, about their world, and most of all, about themselves.

    And he can’t even ask them why — not because of his Astonishing Stutter, but because asking questions is against the newly instated rules. (Rule Number Two: Don’t talk about serious things indoors, because Rule Number One: They will always be listening). As Noah—now "Jonah Brown"—and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: Who, exactly, is listening — and why? When did his mother become fluent in so many languages? And what really happened to the parents of his only friend, Cloud-Claudia, the lonely girl who lives downstairs?

    Old enough to wear a toob, old enough for new responsibilities. And maybe old enough to go to school in Nyala--Amira's one true dream.But life in her peaceful Sudanese village is shattered when the Janjaweed arrive. The terrifying attackers ravage the town and unleash unspeakable horrors. After she loses nearly everything, Amira needs to dig deep within herself to find the strength to make the long journey--on foot--to safety at a refugee camp. Her days are tough at the camp, until the gift of a simple red pencil opens her mind--and all kinds of possibilities.New York Times bestselling and Coretta Scott King Award-winning author Andrea Davis Pinkney's powerful verse and Coretta Scott King Award-winning artist Shane W. Evans's breathtaking illustrations combine to tell an inspiring tale of one girl's triumph against all odds.

    But first they have to figure out how.Under the tutelage of a lizard guide named Henrietta Peel and an aeronaut Vijay, the Farah and her friends battle camel spiders, red scorpions, grease monkeys, and sand cats as they prepare to face off with the maniacal Lord Amari, the man behind the machine. Can they defeat Amari at his own game…or will they, like the children who came before them, become cogs in the machine?

    But when two inmates break out of the town's maximum security prison, everything changes. Doors are locked, helicopters fly over the woods, and police patrol the school grounds. Worst of all, everyone is on edge, and fear brings out the worst in some people Nora has known her whole life. Even if the inmates are caught, she worries that home might never feel the same. Told in letters, poems, text messages, news stories, and comics--a series of documents Nora collects for the Wolf Creek Community Time Capsule Project.

    The girls will stay at each other’s homes, attend school together, and record their experience in their journals. Catherine and her family have a beautiful home with plenty of space. Since Ivy June’s house is crowded, she lives with her grandparents. Her Pappaw works in the coal mines supporting four generations of kinfolk. Ivy June can’t wait until he leaves that mine forever and retires. As the girls get closer, they discover they’re more alike than different, especially when they face the terror of not knowing what’s happening to those they love most.From the Hardcover edition.

    Tyler isn’ t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences?In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.

    She's also championed causes her whole young life. Some worthy…like expanding the options for race on school tests beyond just a few bubbles. And some not so much…like complaining to the BBC about the length between Doctor Who seasons.Lupe needs an A in all her classes in order to meet her favorite pitcher, Fu Li Hernandez, who's Chinacan/Mexinese just like her. So when the horror that is square dancing rears its head in gym? Obviously she's not gonna let that slide.

    It's lonely in the small apartment with just the two of them, and at school Langston is bullied. But his new home has one fantastic thing. Unlike the whites-only library in Alabama, the local public library welcomes everyone. There, hiding out after school, Langston discovers another Langston, a poet whom he learns inspired his mother enough to name her only son after him.

    While her classmates are jetting off to family vacations in exotic locales, she'll be spending her autumn break at home, in the Museum of Ancient Indian Art and Culture, waiting for her mom to return from her latest archeological trip. Is it any wonder that Aru makes up stories about being royalty, traveling to Paris, and having a chauffeur?One day, three schoolmates show up at Aru's doorstep to catch her in a lie. They don't believe her claim that the museum's Lamp of Bharata is cursed, and they dare Aru to prove it. Just a quick light, Aru thinks. Then she can get herself out of this mess and never ever fib again.But lighting the lamp has dire consequences. She unwittingly frees the Sleeper, an ancient demon whose duty it is to awaken the God of Destruction. Her classmates and beloved mother are frozen in time, and it's up to Aru to save them.The only way to stop the demon is to find the reincarnations of the five legendary Pandava brothers, protagonists of the Hindu epic poem, the Mahabharata, and journey through the Kingdom of Death. But how is one girl in Spider-Man pajamas supposed to do all that?