While his dominatrix friend Cerys has spanked, flogged and tied up half of the British ruling class, Toby’s career has reached the point where he’s supplementing his income by writing tentacle erotica. The author of his misfortune – or so he thinks – is Derek Waterhouse MP, aka Derek the Red, shadow cabinet member and sexy young darling of the New Left. When the kinky, charismatic Derek offers to make amends in the shape of drinks, dinner and rough sex under his desk, Toby finds himself not only in love but moving in the kind of exalted social and political circles he has previously only dreamed about. As the two dive into an absorbing and inventive affair that sees Toby running to Cerys for tips on dealing with his new lover’s requirements, Toby begins to realise that maybe he is – as Derek often says – a bit too nice for the backstabbing, rumour-mongering and quid pro quos that make up the daily grind of Westminster. Not to mention that he has a sneaking suspicion that Derek isn’t telling him everything.

    Joshua’s grandfather is a Wisconsin Ojibwe Indian who, along with an array of quirky characters, runs a recreated sixteenth-century village for the tourists who visit the reservation. Joshua’s mother kept him from his Ojibwe heritage, so living on the reservation is liberating for him. The more he learns about Ojibwe traditions, the more he feels at home.One Ojibwe legend in particular captivates him. Pukawiss was a powerful manitou known for introducing dance to his people, and his nontraditional lifestyle inspires Joshua to embrace both his burgeoning sexuality and his status as an outcast. Ultimately, Joshua summons the courage necessary to reject his strict upbringing and to accept the mysterious path set before him.

    . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 editionPublished well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature.With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle.Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

    Thirty years later, one of the brothers-the only remaining survivor of a family he seeks both to leave behind and to preserve in words forever-narrates these precise and heartbreaking tales. Suffused with the beauty of Richard McCann's extraordinary language, Mother of Sorrows introduces us to an elegant writer like no other in contemporary fiction.

    For Jules Burns, a lonely baker, it is the memory of his deceased husband, Andy. For Teddy Flores, a numbed-to-the-world accountant who accidentally stumbles into his bakery, it is a voyage of discovery into his deep connections to pleasure, to the world, and to his own heart.Sweet is also the story of how we tell stories—of what we expect and need from a love story. The narrator is on to you, Reader, and wants to give you a love story that doesn’t always fit the bill. There are ghosts to exorcise, and jobs and money to worry about. Sweet is a love story, but it also reminds us that love is never quite what we expect, nor quite as blissfully easy as we hope.

    There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and disease.What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

    It’s picturesque, idyllic and tranquil – but Harrison is far from happy. His parent’s marriage is strained to say the least and on top of that, his boyfriend, Daniel, has been mentally and physically abusing him for years. After he finds himself with one bruise too many, Harrison has had enough. But when he plucks up the courage to finally end his violent relationship, Harrison’s life is changed forever when Daniel is found murdered in the most bizarre circumstances. Detective Sergeant Blake Harte has moved to Harmschapel after his own relationship ended in tatters. But moving to a quiet village after working his way up the ranks in a city brings its own set of problems and Blake soon finds himself at odds with new colleagues who aren’t used to his style of policing. But when he is called upon to investigate the mysterious and impossible murder at Halfmile Farm, Blake finds himself facing the most challenging case of his career. So how can Daniel have been shot in a locked shed that nobody could possibly have escaped from? Is anybody really Untouchable?

    Their names are Tom and Christopher. In the opposite corner to them stands Father Louis, the elderly headmaster. It is his conviction that the sixties will go down in history as the decade which sees the earthly triumph of the Catholic Church. Life becomes more complicated for Tom and Christopher when Miss O’Deere, the art mistress, decides to paint the pair as David and Jonathan and to enter the result in a public exhibition… To say nothing of the inconvenient attentions paid to them by 13-year-old Angelo Dexter.

    The object of his affections is his roommate Andrew, who is confused about his sexuality. Meanwhile, X's other roommate-a seventeen-year-old precocious partyboy-is falling for X in a big way. The result is an old-fashioned (well, sort of) love triangle peppered with savage one-liners-a touching portrait of love and lust among three very different gay men

    His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises.

    Tiring of his double life, William travels to Dublin for one last assignment: infiltrating a group of IRA supporters. But these "rebels" are not what he expected — and one of them, a firebrand named Adam with a past as painful as his own, shakes William's uncertain footing to its foundation. As the crisis in Dublin escalates, William treads a dangerous path between the violence in the streets, the vengeance of the Crown, and the costliest risk of all — falling in love with the man he was sent to betray.

    Hiding among the choir, he was content to be ignored at school. But in order to make his singing dreams come true and win the scholarship, he has to push aside that shyness and stand out. When new kid, Maverick Cole shows up, all of Ashton’s plans are thrown into chaos. Now he has to work with his new duet partner to perfect their song for the biggest choir competition in the country. The moment things start to look up, Ashton suddenly finds himself at the lowest point in his life. His new friend steps in to save him, proving their friendly rivalry might be more than friendship, on and off the stage. If only he could tell Maverick how he really feels. With his heart and his future on the line, will Maverick and Ashton be able to work together to make this work or will the pressure of winning tear them apart? The stakes are high, so Ashton will have to be ready to not only stand out, but come out. Especially if he wants to win both the competition and his Maverick’s heart. Besides, who needs therapy when you have harmony? *The Boy I Love The Most is a young adult gay romance*

    What they find is a race of humanoids who are sentient, but as emotionless and serene as the plants and placid lakes they tend. B, captain of the mission, doesn't believe that the "Silvers" are intelligent, and lets his crew experiment on them. But then he bonds with Imms, who seems different from the others-interested in learning, intrigued by human feelings. And B realizes that capturing, studying, and killing this planet's natives has done incalculable damage.When a fire aboard B's ship kills most of the crew and endangers Imms, B decides to take him back to Earth. But the simplicity of the Silver Planet doesn't follow them. Imms learns the full spectrum of human emotions, including a love B is frightened to return, and a mistrust of the bureaucracy that wants to treat Imms like a test subject, even if they have to eliminate B to do it.(Note: This is a revised second edition, originally published elsewhere.)

    He meets 31-year-old art professor Doriskos Klionarios, who was sold in infancy by his Greek prostitute mother to a British lord. Together they embark on an emotionally reckless courtship, made all the more difficult by social bigotry and human jealousy.

    His parents did, and so did his sister, but he survived.Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.A partly graphic novel.