Those Promises become harder to keep when Shelby's father joins the planning committee for the Princess Ball, an annual dance that ends with a ceremonial vow to live pure lives -- in other words, no "bad behavior," no breaking the rules, and definitely no sex.Torn between Promises One and Three, Shelby makes a decision -- to exploit a loophole and lose her virginity before taking the vow. But somewhere between failed hookup attempts and helping her dad plan the ball, Shelby starts to understand what her mother really meant, what her father really needs, and who really has the right to her purity.

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    Dorothea Benton Frank s magical stories take us deep into the heart of her beloved Carolina Lowcountry. In her novels, this lush landscape comes alive in all its vibrancy and color. She ignites all of our senses with her vivid descriptions of landscape and atmosphere. In her novels you hear the ocean washing the shore on different islands so profoundly that you can nearly hear the sea gulls squawking, too. This is a story of people whose lives are changing a southern gentleman returning home to lead a more peaceful life and his talented New York wife who is not quite sure she is ready to make the transition. They are moving north to south, fast pace versus slow pace, downsizing. And while they are doing this, they are getting glimpses into other people s lives over the course of a summer, holidays that will amuse, shock and transform them. This irresistible story is home to captivating characters as funny, complicated, and real as our best friends husbands and wives, mothers and daughters, friends and family who wrestle with the complexities, pain, and joys familiar to us all. Finally, we ll come to recognize the face of love, the kind that deepens and endures but only because one woman makes a tremendous leap of faith. That leap changes them all.

    Namely writing her next novel. A bestselling author who is still recovering from a near Pulitzer Prize win and the heady success that follows Oprah'stamp of approval, she is stuck at Chapter Five and losing confidence daily. But when her publicist signs her up for a Twitter account, she's intrigued. What's all the fuss?Taken under the wing of one of her Twitter followers, "MarkBaynard", a quick witted, quick-typing professor on sabbatical, Abby finds it easy to put words out into the world 140 characters at a time. And once she gets a handle on tweets, retweets, direct messages, hashtags, and trends, she starts to feel unblocked in writing and in life. After all, why should she be spending hours in her apartment staring at her TweetDeck and fretting about her stalled career when Mark is out there traveling the world and living?Or is he?Told almost entirely in tweets and DMs, Goodnight Tweetheart is a truly modern take on a classic tale of love and loss, a Griffin and Sabine for the Twitter generation.

    The girls are all named Guinevere - Vere, Gwen, Ginny, and Win - and it is the surprise of finding another Guinevere in their midst that first brings them together.They come to The Sisters of the Supreme Adoration convent by different paths, delivered by their families, each with her own complicated, heartbreaking story that she safeguards. Gwen is all Hollywood glamour and swagger; Ginny is a budding artiste with a sentiment to match; Win's tough bravado isn't even skin deep; and Vere is the only one who seems to be a believer, trying to hold onto her faith that her mother will one day return for her. However, the girls are more than the sum of their parts and together they form the all powerful and confident The Guineveres, bound by the extraordinary coincidence of their names and girded against the indignities of their plain, sequestered lives. The nuns who raise them teach the Guineveres that faith is about waiting: waiting for the mail, for weekly wash day, for a miracle, or for the day they turn eighteen and are allowed to leave the convent. But the Guineveres grow tired of waiting. And so when four comatose soldiers from the War looming outside arrive at the convent, the girls realize that these men may hold their ticket out.In prose shot through with beauty, Sarah Domet weaves together the Guineveres' past, present, and future, as well as the stories of the female saints they were raised on, to capture the wonder and tumult of girlhood and the magical thinking of young women as they cross over to adulthood.

    She likes a drink, sure. But what 17-year-old doesn’t?Nina’s mum isn’t so sure. But she’s busy with her new husband and five year old Katie. And Nina’s almost an adult after all.And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina’s drunken exploits are the stuff of college legend.But then one dark Sunday morning, even her friends can’t help piece together Saturday night. All Nina feels is a deep sense of shame, that something very bad has happened to her…A dark, funny - sometimes shocking - coming of age novel from one of the UK’s leading comedians. NINA IS NOT O.K. will appeal to fans of Caitlin Moran and Lena Dunham.

    Not her lovable but super-introverted dad, who after raising Millie alone, doesn’t want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the “Millie Moods,” the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad’s embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She’s going to find her mom.There’s Steph, a still-aspiring stage actress and receptionist at a talent agency. There’s Farrah, ethereal dance teacher who clearly doesn’t have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you’ve had all along?

    For the next 60 years, June will dare to live boldly. She will upend conventions, risk her heart and her life, rear a child, lose a child, love more than one man, and stand up for more than one woman.June’s story will intertwine with those of three unlikely strangers: a one-time mail order bride from the Philippines, a high school music teacher, and a young mother from Mexico working as a hotel maid. Knit together around June’s explosive secret, they forge a future that none of them foresee.This jubilant, compassionate novel explores the unexpected ways that life connects us, changes us, and even perfects us. A powerful story of lust and of hope, of redemption and of compassion, In the Midnight Room is a smart, sagacious novel about womanhood, family bonds, and how we live in America now.

    Or a relationship. Or just a date with a semi-normal person will do.It’s not that she hasn’t tried. She’s the queen of online dating. But enough is enough. Inspired by her job at The Little Brunswick Street Bookshop, Frankie decides to take fate into her own hands and embarks on the ultimate love experiment.Her plan? Plant her favourite books on trains inscribed with her contact details in a bid to lure the sophisticated, charming and well-read man of her dreams.Enter Sunny, and one spontaneous kiss later, Frankie begins to fall for him. But there’s just one problem – Frankie is strictly a classics kind of gal, and Sunny is really into Young Adult. Like really.A quirky and uplifting love letter to books, friendship and soulmates.

    After years of being the subject of ridicule, she revels in her ability to make the in-crowd cower via the exposés on her blog, The Eastline Spy. Now that she's carved out her place in the high school hierarchy, she uses her position to help the unpopular kids walking the hallways. Saving a freshman from bullies? Check. Swapping insults with the head cheerleader? Check. Falling for the star quarterback? So not a part of her plan. But when Brett offers to help her solve the mystery of who’s posting X-rated videos from the girls’ locker room, she’ll have to swallow her pride and learn to see past the high school stereotypes she’s never questioned—until now.

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    Flirtation—online—ensues. A romance, potentially eternal, possibly doomed, begins.And, like most things in life today, their early exchanges are available to be scrutinized and interpreted by well-intentioned friends who are a mere click away.Madeline and Elliot's relationship unfolds through a series of thrilling, confounding, and funny exchanges with each other, and, of course, with their best friends and dubious confidants (Emily and David). The result is a brand-new kind of modern romantic comedy, in format, in content, and even in creation—the authors exchanged e-mails in real time, blind to each other's side conversations. You will nod in appreciation and roll your eyes in recognition; you'll learn a thing or two about how the other half approaches a new relationship . . . and you will cheer for an unexpected ending that just might restore your faith in falling in love, twenty-first-century style.

    Such a beautiful mother. Such a lovely house. Such endless terror! It wasn't that she didn't love her children. She did. But there was a fortune at stake—a fortune that would assure their later happiness if she could keep the children a secret from her dying father. So she and her mother hid her darlings away in an unused attic. Just for a little while. But the brutal days swelled into agonizing years. Now Cathy, Chris, and the twins wait in their cramped and helpless world, stirred by adult dreams, adult desires, served a meager sustenance by an angry, superstitious grandmother who knows that the Devil works in dark and devious ways. Sometimes he sends children to do his work—children who—one by one—must be destroyed.... 'Way upstairs there are four secrets hidden. Blond, beautiful, innocent struggling to stay alive....'

    Just a few minor problems: she has no job, no prospects, and she’s moving back into her childhood bedroom. Lou is grimly determined to stick to a rigorous schedule to get a job and get out of her parents’ house. Shelly “Mama Shell” Hansen, on the other hand, is ecstatic, and just as determined to keep her at home. Who else will help her hide her latest binge-shopping purchases from her husband, go to SoulCycle with her, and hold her hand during Botox shots?Smothered is a hilarious roman à clef told via journal entries, text messages, emails, bills, receipts, tweets, doctor’s prescriptions, job applications and rejections, parking tickets, and pug pictures, chronicling the year that Lou moves back home after college. Told from Lou’s point-of-view, Smothered tells the story of two young(ish) women, just trying to get it right, and learning that just because we all grow up doesn’t mean we necessarily have to grow old. (After all, what is Juvaderm for?)

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"