Why else would an educated, well-dressed, clearly upper-crust girl end up in the Triangle Shirtwaist Factory setting sleeves for six dollars a day? As the unlikely friendship between Essie and Harriet grows, so does the weight of the question hanging between them: Who is lost? And who will be found?

    Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

    Few crossroads compare to the one being formed by the Brooklyn Bridge and the East River, and as the bridge’s construction progresses, forces of unimaginable evil seek to bend that power to their advantage. Only two orphans with unusual skills stand in their way. Can the teenagers Sam, a card sharp, and Jin, a fireworks expert, stop them before it’s too late?A richly textured, slow-burning thriller about friendship, courage, love, and the age-old fight between good and evil.

    . . . Seventeen-year-old Skylar Thompson is being questioned by the police. Her boyfriend, Jimmy, stands accused of brutally assaulting two young El Salvadoran immigrants from a neighboring town, and she's the prime witness. Skylar is keeping quiet about what she's seen, but how long can she keep it up? But Jimmy was her savior. . . . When her mother died, he was the only person who made her feel safe, protected from the world. But when she begins to appreciate the enormity of what has happened, especially when Carlos Cortez, one of the victims, steps up to demand justice, she starts to have second thoughts about protecting Jimmy. Jimmy's accomplice, Sean, is facing his own moral quandary. He's out on bail and has been offered a plea in exchange for testifying against Jimmy. The truth must be told. . . . Sean must decide whether or not to turn on his friend in order to save himself. But most important, both he and Skylar need to figure out why they would follow someone like Jimmy in the first place.

     If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life. But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

    It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

    He is excited and afraid; he wants to recapture the love he knew with his parents before they died and become a doctor like his father. But in his new home of celebrities, crooks, untrustworthiness, and excessively wealthy deviants, lust and want thwart his search for selfless caring love, and in his quest to become a doctor, he discovers the altruism of health care and scientific discovery riddled with profit motivation and deficient moral standards. A finalist in the 2012 William Faulkner-William Wisdom Creative Writing Competition.

    After they’re rescued, they spend a single night together, wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is restored, so is reality. Lucy soon moves to Edinburgh with her parents, while Owen heads out west with his father.Lucy and Owen’s relationship plays out across the globe as they stay in touch through postcards, occasional e-mails, and—finally—a reunion in the city where they first met.A carefully charted map of a long-distance relationship, Jennifer E. Smith’s new novel shows that the center of the world isn't necessarily a place. It can be a person, too.