But he longs to make his mark in the field of science--something consequential enough to present to the Royal Society in London. He hits on a radical experiment in isolation: For seven years a subject will inhabit three rooms in the basement of the manor house, fitted out with rugs, books, paintings, and even a chamber organ. Meals will arrive thrice daily via a dumbwaiter. The solitude will be totally unrelieved by any social contact whatsoever; the subject will keep a diary of his daily thoughts and actions. The pay: fifty pounds per annum, for life. Only one man is desperate to apply for the job: John Warlow, a semi-literate laborer with a wife and six children to provide for. The experiment, a classic Enlightenment exercise gone more than a little mad, will have unforeseen consequences for all included.

    Next door, Lorrie, a working single mother, struggles with a heinous act committed by her own teenage son. Separated by only a silvery stretch of trees, the two parents are emotionally stranded, isolated by their great losses--until an unfamiliar sixteen-year-old girl shows up, bridges the gap, and changes everything.Evangeline's arrival at first feels like a blessing, but she is also clearly hiding something. When Isaac, who has retreated into his Quaker faith, isn't equipped to handle her alone, Lorrie forges her own relationship with the girl. Soon all three characters are forced to examine what really happened in their overlapping pasts, and what it all possibly means for a shared future.With a propulsive mystery at its core, What Comes After offers an unforgettable story of loss and anger, but also of kindness and hope, courage and forgiveness. It is a deeply moving account of strangers and friends not only helping each other forward after tragedy, but inspiring a new kind of family.

    An academically gifted yet painfully forgettable member of his New Jersey high school class, the withdrawn, mild-mannered freshman arrives at Harvard fully expecting to be embraced by a new tribe of high-achieving peers. Initially, however, his social prospects seem unlikely to change, sentencing him to a lifetime of anonymity.Then he meets Veronica Morgan Wells. Struck by her beauty, wit, and sophisticated Manhattan upbringing, David becomes instantly infatuated. Determined to win her attention and an invite into her glamorous world, he begins compromising his moral standards for this one, great shot at happiness. But both Veronica and David, it turns out, are not exactly as they seem.Loner turns the traditional campus novel on its head as it explores ambition, class, and gender politics. It is a stunning and timely literary achievement from one of the rising stars of American fiction.

    It’s July 1921, “flickers” are all the rage, and Irene Van Beck has just declared her own independence by jumping off a moving train to escape her fate in a traveling burlesque show. When her friends, fellow dancer Millie Martin and comedian Henry Weiss, leap after her, the trio finds their way to the bright lights of Hollywood with hopes of making it big in the burgeoning silent film industry.At first glance, Hollywood in the 1920s is like no other place on earth—iridescent, scandalous, and utterly exhilarating—and the three friends yearn for a life they could only have dreamed of before. But despite the glamour and seduction of Tinseltown, success doesn’t come easy, and nothing can prepare Irene, Millie, and Henry for the poverty, temptation, and heartbreak that lie ahead. With their ambitions challenged by both the men above them and the prejudice surrounding them, their friendship is the only constant through desperate times, as each struggles to find their true calling in an uncertain world. What begins as a quest for fame and fortune soon becomes a collective search for love, acceptance, and fulfillment as they navigate the backlots and stage sets where the illusions of the silver screen are brought to life.With her “trademark wit and grace” (Randy Susan Meyers, author of The Murderer’s Daughters), Juliette Fay crafts another radiant and fascinating historical novel as thrilling as the bygone era of Hollywood itself.

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe

    Made famous by a viral sermon on purity co-written with his eldest daughter, Abigail, Luke is the prototype of a modern preacher: tall, handsome, a spellbinding speaker. But his youngest daughter Caroline has started to notice the cracks in their comfortable life. She is certain that her perfect, pristine sister is about to marry the wrong man—and Caroline has slid into sin with a boy she’s known her entire life, wondering why God would care so much about her virginity anyway.When it comes to light, six weeks before Abigail’s wedding, that Luke has been having an affair with another woman, the entire Nolan family falls into a tailspin. Caroline seizes the opportunity to be alone with her sister. The two girls flee to the ranch they inherited from their maternal grandmother, far removed from the embarrassing drama of their parents and the prying eyes of the community. But with the date of Abigail’s wedding fast approaching, the sisters will have to make a hard decision about which familial bonds are worth protecting.An intimate coming-of-age story and a modern woman’s read, God Spare the Girls lays bare the rabid love of sisterhood and asks what we owe our communities, our families, and ourselves.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    Fust is financing Gutenberg’s workshop and he orders Peter, his adopted son, to become Gutenberg’s apprentice. Resentful at having to abandon a prestigious career as a scribe, Peter begins his education in the “darkest art.”As his skill grows, so, too, does his admiration for Gutenberg and his dedication to their daring venture: copies of the Holy Bible. But mechanical difficulties and the crushing power of the Catholic Church threaten their work. As outside forces align against them, Peter finds himself torn between two father figures: the generous Fust, who saved him from poverty after his mother died; and the brilliant, mercurial Gutenberg, who inspires Peter to achieve his own mastery.Caught between the genius and the merchant, the old ways and the new, Peter and the men he admires must work together to prevail against overwhelming obstacles—a battle that will change history . . . and irrevocably transform them.

    Gruff and indomitable on the surface, warm and wry underneath, Evelyn and her fellow sisters makes Mercy House a safe haven for the abused and abandoned. Women like Lucia, who arrives in the dead of night; Mei-Li, the Chinese and Russian house veteran; Desiree, a loud and proud prostitute; Esther, a Haitian immigrant and aspiring collegiate; and Katrina, knitter of lumpy scarves… all of them know what it’s like to be broken by men.Little daunts Evelyn, until she receives word that Bishop Robert Hawkins is coming to investigate Mercy House and the nuns, whose secret efforts to help the women in ways forbidden by the Church may be uncovered. But Evelyn has secrets too, dark enough to threaten everything she has built.Evelyn will do anything to protect Mercy House and the vibrant, diverse women it serves—confront gang members, challenge her beliefs, even face her past. As she fights to defend all that she loves, she discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.

    Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family's "china room," sequestered from contact with the men--except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn't want her to know. From beneath her veil, she studies the sounds of the men's voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality--and danger--of her situation.Spiraling around Mehar's story is that of a young man who arrives at his uncle's house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family's ancestral home--an abandoned farmstead, its china room mysteriously locked and barred--he begins to knit himself back together, gathering strength for the journey home.Partly inspired by award-winning author Sunjeev Sahota's family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stunning achievement from a contemporary master.

    Rochester himself."Reader, she married me."For one hundred seventy years, Edward Fairfax Rochester has stood as one of literature's most romantic, most complex, and most mysterious heroes. Sometimes haughty, sometimes tender-professing his love for Jane Eyre in one breath and denying it in the next-Mr. Rochester has for generations mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece. But his own story has never been told.Now, out of Sarah Shoemaker's rich and vibrant imagination, springs Edward: a vulnerable, brilliant, complicated man whom we first meet as a motherless, lonely little boy roaming the corridors and stable yards of Thornfield Hall. On the morning of Edward's eighth birthday, his father issues a decree: He is to be sent away to get an education, exiled from Thornfield and all he ever loved. As the determined young Edward begins his journey across England, making friends and enemies along the way, a series of eccentric mentors teach him more than he might have wished about the ways of the men-and women-who will someday be his peers.But much as he longs to be accepted-and to return to the home where he was born-his father has made clear that Thornfield is reserved for his older brother, Rowland, and that Edward's inheritance lies instead on the warm, languid shores of faraway Jamaica. That island, however, holds secrets of its own, and not long after his arrival, Edward finds himself entangled in morally dubious business dealings and a passionate, whirlwind love affair with the town's ravishing heiress, Antoinetta Bertha Mason.Eventually, after a devastating betrayal, Edward must return to England with his increasingly unstable wife to take over as master of Thornfield. And it is there, on a twilight ride, that he meets the stubborn, plain, young governess who will teach him how to love again.It is impossible not to watch enthralled as this tender-hearted child grows into the tormented hero Brontë immortalized-and as Jane surprises them both by stealing his heart. Mr. Rochester is a great, sweeping, classic coming-of-age story, and a stirring tale of adventure, romance, and deceit. Faithful in every particular to Brontë's original yet full of unexpected twists and riveting behind-the-scenes drama, this novel will completely, deliciously, and forever change how we read and remember Jane Eyre.

    She lives a quiet life caring for her alcoholic mother, working in the local chip shop, watching the regular customers come and go. She wears the same clothes each day (overalls, too small), has the same dinner each night (fish and chips, microwaved at home after her shift ends), and binge-watches old DVDs of the same show (Dallas, best show on TV) from the comfort of her bed.  But underneath Majella’s seemingly ordinary life are the facts that she doesn’t know where her father is and that every person in her town has been changed by the lingering divide between Protestants and Catholics. When Majella’s predictable existence is upended by the death of her granny, she comes to realize there may be more to life than the gossips of Aghybogey, the pub, and the chip shop. In fact, there just may be a whole big world outside her small town.  Told in a highly original voice, with a captivating heroine readers will love and root for, Big Girl, Small Town will appeal to fans of Sally Rooney, Ottessa Moshfegh, and accessible literary fiction with an edge.

    Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.