Bursting with energy and filled with moments of absolute beauty, this bighearted and inspired novel ponders life’s terrible surprises as well as its immeasurable rewards.

    Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.Set in the leafy northern suburbs of Sydney during the 1940's, The Watch Tower is a novel of relentless and acute psychological power.

    And without her, Audrey is thrown off balance: everything she thought she knew, everything she believed was true, is bent out of shape.Audrey’s family—her neurotic mother, her wayward teenage brother, her uptight suburban sister—are likely to fall apart. Her boyfriend, Nick, tries to hold their relationship together. And Audrey, caught in the middle, needs to find a reason to keep going when everything around her suddenly seems wrong.Evocative and exquisitely written, Our Magic Hour is a story of love, loss and discovery. Jennifer Down’s remarkable debut novel captures that moment when being young and invincible gives way to being open and vulnerable, when one terrible act changes a life forever.

    As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget.‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to scatter his father’s remains, while lifelong resentments simmer in the background. Cate Kennedy’s poignant short stories find the beauty and tragedy in illness and mortality, life and love.

    A love that should never have been hidden.In the small town of Gawler, South Australia, the tang of cut grass and eucalyptus mingles on the warm air. The neat houses perched under the big gum trees on Church Street have been home to many over the years. Years of sprinklers stuttering over clipped lawns, children playing behind low brick walls. Family barbecues. Gossipy neighbours. Arguments. Accidents. Births, deaths, marriages. This ordinary street has seen it all.Until the arrival of newlyweds Thomas and Elsie Mullet. And when one day Elsie spies a face in the window of the silent house next door, nothing will ever be ordinary again...In Kim Lock's third novel of what really goes on behind closed doors, she weaves the tale of three people with one big secret; a story of fifty years of friendship, betrayal, loss and laughter in a heartwarming depiction of love against the odds."With great care and compassion for the lives and losses of human beings, Kim Lock artfully weaves a moving and surprising story of the simple compexity of relationships and how they shape us" Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club

    Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too. All over Shorehaven, the Cormac family buys up land to develop into cheap housing for people they openly scorn.After: The summers have grown even fiercer and the Cormac name doesn't mean what it used to. Arthur has taken it abroad, far from a family unable to understand him. Clem is a young artist who turns obsessively to the same dark subject. Pat doesn't even know what legacy means now. Not since the ground started sinking beneath her. Meanwhile, a nameless woman has been released from state care. She sticks to her twelve-step program, recites her affirmations, works one day at a time on a humble life devoid of ambition or redemption. How can she have an after when baby Robbie doesn't?

    When Bridget Crack arrives in the colony, she is just grateful to be on dry land. But finding the life of an indentured domestic servant intolerable, she pushes back and is punished for her insubordination-sent from one place to another, each significantly worse than the last. Too late, she realises the place she has ended up is the worst of all: the 'Interior,' where the hard cases are sent-a brutally hard life with a cruel master, miles from civilisation.She runs from there and finds herself imprisoned by the impenetrable Tasmanian wilderness. What she finds there-what finds her-is Matt Sheedy, a man on the run, who saves her from certain death. Her precarious existence among volatile and murderous bushrangers is a different kind of hell and, surrounded by roaring rivers and towering columns of rock, hunted by soldiers and at the mercy of killers, Bridget finds herself in an impossible situation. In the face of terrible darkness, what will she have to do to survive?A gripping and moving story of a woman's struggle for survival in a beautiful and brutal landscape, Bridget Crack is a unique and deeply accomplished novel by a rare talent.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    Sometimes the end is just the beginning . . . Sam Elling works for an internet dating company, but he still can't get a date. So he creates an algorithm that will match you with your soul mate. Sam meets the love of his life, a coworker named Meredith, but he also gets fired when the company starts losing all their customers to Mr. and Ms. Right.When Meredith's grandmother, Livvie, dies suddenly, Sam uses his ample free time to create a computer program that will allow Meredith to have one last conversation with her grandmother. Mining from all her correspondence—email, Facebook, Skype, texts—Sam constructs a computer simulation of Livvie who can respond to email or video chat just as if she were still alive. It's not supernatural, it's computer science.Meredith loves it, and the couple begins to wonder if this is something that could help more people through their grief. And thus, the company RePose is born. The business takes off, but for every person who just wants to say good-bye, there is someone who can't let go. In the meantime, Sam and Meredith's affection for one another deepens into the kind of love that once tasted, you can't live without. But what if one of them suddenly had to? This entertaining novel, delivers a charming and bittersweet romance as well as a lump in the throat exploration of the nature of love, loss, and life (both real and computer simulated). Maybe nothing was meant to last forever, but then again, sometimes love takes on a life of its own.

    It is a land of rugged wilderness, of ice and snow and blistering heat … They say extinct tigers still roam there. They say other things roam, too.When a school group of teenage girls go missing in the remote wilderness of Tasmania’s Great Western Tiers, the people of Limestone Creek are immediately on alert. Not long ago, six young girls went missing in the area of those dangerous bluffs, and the legends of ‘the Hungry Man’ still haunt locals to this day. Now, authorities can determine that the teacher, Eliza Ellis, was knocked unconscious, so someone on the mountain was up to foul play. Jordan Murphy, father of missing student Jasmine and the town’s local dealer, instantly becomes prime suspect, but Detective Con Badenhorst knows that in a town this size – with corrupt cops, small-town politics, and a teenage YouTube sensation – anyone could be hiding something, and bluffing comes second nature.When a body is found, mauled, at the bottom of a cliff, suspicion turns to a wild animal – but that can’t explain why she, like all victims past and present, was discovered barefoot, with her shoes found nearby, laces neatly tied. What happened up there on the bluffs? Somebody knows… unless the local legends are true…

    Perfect for fans of "Downton Abbey," it's the story of an aristocratic family, a house, a mysterious death, and a way of life that vanished forever, told in flashback by a woman who witnessed it all.The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It's also a meditation on memory and the devastation of war and a beautifully rendered window into a fascinating time in history.

    I believed them. That was my mistake.There isn’t anyone else in the world like me.I’m different. I’m an anomaly. I’m a monster. For two years, six months, fourteen days, eleven hours and sixteen minutes, Subject Six-Eight-Four — ‘Jane Doe’ — has been locked away and experimented on, without uttering a single word.As Jane’s resolve begins to crack under the influence of her new — and unexpectedly kind — evaluator, she uncovers the truth about Lengard’s mysterious ‘program’, discovering that her own secret is at the heart of a sinister plot … and one wrong move, one wrong word, could change the world.

    Resonant of the bestselling Conditions of Faith, Alex Miller's keenly awaited new novel tells the deeply moving story of their lives together, and of how each came undone by desire.Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris' distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever. John is like no-one Sabiha has met before - his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage - a marriage of two cultures lived in a third - and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events.Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose - questions have no simple answer.Lovesong is a simple enough story in many ways - the story of a marriage, of people coming undone by desire, of ordinary lives and death, love and struggle - but when told with Miller's distinctive voice, which is all intelligence, clarity and compassion, it has a real gravitas, it resonates and is deeply moving. Into the wonderfully evoked contemporary settings of Paris and Melbourne, memories of Tunisian family life, culture and its music are tenderly woven.