Inside this book you will find weird things indeed, not least the likes of:The fungus-riddled mannequin in the lunatic asylumThe reconstruction company that works with life and deathThe legal nightmare where the sane are guiltyA horror writing convention taken over by black magic cannibalsThe Punch and Judy show broadcast live after deathThe strange fate of the reincarnation of H.P. Lovecraft

    The highly anticipated new collection of macabre delights, that explores dark realms of the fevered, fecund mind, and visits strange landscapes and vistas. These are grim and grotesque tales of terror -- modern Mysterium Tremendums -- that open new doors of perception and reality.“Gavin’s writing serves as a testament that great masters once crafted great stories .. .and as evidence that they shall do so again.”— Thomas Ligotti

    The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    Like Ghelderode's plays, the stories are marked by a powerful imagination and a keen sense of the grotesque, but in these the author speaks to us still more directly. Written at a time of illness and isolation, and conceived as a fresh start, Spells was Ghelderode's last major creative work, and he claimed it as his most personal and deeply felt one: a set of written spells through which his fears, paranoia and nostalgia found concrete form.By turns mystical, macabre and whimsically humorous, and set in the unsettled atmosphere of Brussels, Ostend, Bruges and London, Spells conjures up an uncanny realm of angels, demons, masks, effigies and apparitions, a twilit, oppressed world of diseased gardens, dusty wax mannequins and sinister relics.Combining the full contents of both the 1941 and 1947 editions, this translation of Spells is the most comprehensive edition yet published.Michel de Ghelderode was born in Brussels in 1898. After nearly a decade of penning fiction, drama, literary journalism and puppet plays, in 1926 he began to write almost entirely for the theater and the following ten years saw the creation of most of his major plays. After 1936 he suffered from poor health and his involvement with the theater diminished. In the later 1940s, performances of his plays in Paris sparked a major awakening of interest in his work. Ghelderode died in 1962; the interior of his apartment, packed with books, pictures, puppets and masks, has been reassembled in Brussels as the Musee-Bibliotheque Michel de Ghelderode.

    Originally published with Current 93's 1997 album of the same name.

    Foreword: Reggie OliverIntroduction: Christopher Barker**'Beside The Shrill Sea''Feng Shui''In Arcadia''The Evil Eye''Miss Marchant’s Cause''Tiger In The Snow''Gardens Gods''The Black Cathedral''The Boy in Green Velvet''The Golden Basilica''Death Mask''A Warning To The Antiquary''The Seventeenth Sister''The Copper Wig''The Dreams Of Cardinal Vittorini'

    While still a boy, sensitive Nophtha realizes that he's uncommonly empathetic and able to see the world from the perspective of others. Tutored by his uncle, Nophtha apprentices as an itinerant spirit eater, or someone who absorbs lingering ghosts that congest the surrounding atmosphere and converts their essence into formidable healing powers. One day, Nophtha crosses paths with his alter ego, Wite, a soul burner who hopes to evolve to a higher level of being by gorging himself on the souls of the living. Under his sway, Nophtha is compelled to evaluate whether he and Wite are that different in nature, and to assess his feelings about family and community. Cisco writes in a reflective style that masks his narrative's virtual absence of a plot. Though discursive and sometimes repetitive, the story still moves toward its conclusion with a momentum borne of the author's meditative prose and aphoristic expressions.

    The characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice," Brian Evenson is the author of ten books of fiction. He has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award, and the winner of the International Horror Guild Award, and the American Library Association's award for Best Horror Novel. Fugue State was named one of Time Out New York's Best Books of 2009. The recipient of a National Endowment for the Arts fellowship and three O. Henry Prizes, including one for the title story in "Windeye," Evenson lives in Providence, Rhode Island, where he directs Brown University's Literary Arts Department.

    Lovecraft as 'unexcelled by any other writer, dead or living'. They will take you into unearthly realms of fantasy and horror beyond your wildest nightmares...Contents:1. The Nameless Offspring2. The Witchcraft of Ulua3. The Devotee of Evil4. The Epiphany of Death5. A Vintage From Atlantis6. The Abominations of Yondo7. The White Sybil8. The Ice-Demon9. The Voyage of King Euvoran10. The Master of the Crabs11. The Enchantress of Sylaire12. The Dweller in the Gulf13. The Dark Age14. The Third Episode of Vathek15. Chinoiserie16. The Mirror in the Hall of Ebony17. The Passing of Aphrodite

    Lovecraft)By turns bizarre, unsettling, spooky, and sublime, Ancient Sorceries and Other Weird Stories showcases nine incomparable stories from master conjuror Algernon Blackwood. Evoking the uncanny spiritual forces of Nature, Blackwood's writings all tread the nebulous borderland between fantasy, awe, wonder, and horror. Here Blackwood displays his best and most disturbing work-including the title story, the inspiration for Val Lewton's classic film Cat People; "The Willows," which Lovecraft singled out as "the single finest weird tale in literature"; "The Wendigo"; "The Insanity of Jones"; and "Sand.""Of the equality of Mr. Blackwood's genius there can be no dispute; for no one has ever approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences." --H.P. Lovecraft

    Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924.The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    These are stories to be savored late at night in bed, read by the light of a single lamp in an empty, dark house.

    An air of mystery and fear looms...waiting. Now you can return to Innsmouth in this second collection of short stories about the children of Dagon. Visit the undersea city of Y'ha-nthlei and discover the secrets of Father Dagon in this collection of stories. This anthology includes ten new tales and three classic reprints concerning the shunned town of Innsmouth.Contents:The One That Got Away by Robert M. PriceThe Weird Shadow Over Innsmouth by H.P. Lovecraft and John GlasbyUnderstudy by Gary MyersThe Doom That Came to Innsmouth by Brian McNaughtonReturn to Y'ha-nthlei by John GlasbyThe Old Ones' Signs by Pierre ComtoisFleas of the Dragon by C.J. HendersonMail Order Bride by Ann K. SchwaderThe Idol by Scott David AniolowskiThe Guardian of the Pit by Franklyn SearightTrust Me by Stanley C. SargentJust a Tad Beyond Innsmouth by Stanley C. SargentThe Deep End by Gregory LuceIt Was the Day of the Deep One by Peter Cannon

    The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.Cover artwork by Santiago Caruso