Fifty years after the war, she discovers what he never did—that her mother and Hitler’s mistress were friends. The secret surfaces with a mysterious monogrammed handkerchief, and a man, Hannes Ritter, whose Third Reich family history is entwined with Anna’s. Plunged into the world of the “ordinary” Munich girl who was her mother’s confidante—and a tyrant’s lover—Anna finds her every belief about right and wrong challenged. With Hannes’s help, she retraces the path of two women who met as teenagers, shared a friendship that spanned the years that Eva Braun was Hitler’s mistress, yet never knew that the men they loved had opposing ambitions. Eva’s story reveals that she never joined the Nazi party, had Jewish friends, and was credited at the Nuremberg Trials with saving 35,000 Allied lives. As Anna's journey leads back through the treacherous years in wartime Germany, it uncovers long-buried secrets and unknown reaches of her heart to reveal the enduring power of love in the legacies that always outlast war.

    Frank Baum's intrepid wife, Maud--from the family's hardscrabble days in South Dakota to the Hollywood film set where she first meets Judy Garland. Maud Gage Baum, widow of the author of the book The Wonderful Wizard of Oz, met Judy Garland, the young actress playing the role of Dorothy on the set of The Wizard of Oz in 1939. At the time, Maud was seventy-eight and Judy was sixteen. In spite of their age difference, Maud immediately connected to Judy--especially when Maud heard her sing "Over the Rainbow," a song whose yearning brought to mind the tough years in South Dakota when Maud and her husband struggled to make a living--until Frank Baum's book became a national sensation.This wonderfully evocative two-stranded story recreates Maud's youth as the rebellious daughter of a leading suffragette, and the prairie years of Maud and Frank's early days when they lived among the people--especially young Dorothy--who would inspire Frank's masterpiece. Woven into this past story is one set in 1939, describing the high-pressured days on The Wizard of Oz film set where Judy is being badgered by the director, producer, and her ambitious stage mother to lose weight, bind her breasts, and laugh, cry, and act terrified on command. As Maud had promised to protect the original Dorothy back in Aberdeen, she now takes on the job of protecting young Judy.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    But for some, like Tracy, the shy, intelligent young boy at the center of this enthralling collection of linked stories, they are simply home. Set in the mid-1980s and taking readers up to the point of the destruction of the infamous Cabrini-Green housing projects—a set of buildings similar in design to Stateway Gardens to the south—this collection gives an intimate look at the hopes, dreams, failures, and fortunes of a group of people growing up with the deck always stacked against them. Through Jasmon Drain’s sensitive and often playful prose, we see another side of what we have come to know as “the projects.” Stateway’s Garden is a coming-of-age story told in short stories, through the lens of a childhood made rough by the crush of poverty and violence, with the crack epidemic a looming specter ahead. And yet, through the experiences and ambitions of Tracy and other young characters, Drain reveals a vibrant community that creates its own ecosystem, all set in a series of massive, seemingly soulless concrete buildings. Not shying away from the darkness of life for his characters, Drain shows the full complexity of their human experiences. Exquisitely detailed and novelistic in scope, this collection of stories will linger in your mind long after you have turned the final page.

    Do not buy this reading Sidekick if you are looking for a full copy of this great book. In this sidekick of Orphan Train, you'll find a chapter-by-chapter guide to walk you through the book's major events, as well as character breakdowns and major symbol analyses. Despite the 74-year difference in age, Vivien and Molly find something in each other that allows them both to begin healing. Orphan Train is a touching look at the importance of what people carry with them and the legacy of trauma. Readers will feel heartbreak and joy as the narratives of these two strong women unfold. A sentimental novel that interweaves the stories of two women who carry the burden of the past with them, Christina Baker Kline's Orphan Train is also a compelling look at a little-known chapter of American history. When 17-year-old Molly must complete 50 hours of community service, she is hired to clean out 91-year-old Vivien Daly's attic. A foster child, a Native American, and a goth, Molly has felt alienated for most of her life, and she's built up emotional barriers to protect herself. Vivien, an orphan sent by train to live a life of indentured servitude, also bears the scars of solitude and alienation. The two recognize each other as kindred spirits, and a powerful friendship blossoms despite the generational differences. In Orphan Train, Kline tells a compelling story from dual perspectives, playing with tense and perspective to clue readers in to who is narrating the story.

    They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can’t Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past—she will always see blood on the leaves.

    But after already living under Stalin’s horrifying regime, Emil and Adeline decide they must run in retreat from their land with the wolves they despise to escape the Soviets and go in search of freedom.Caught between two warring forces and overcoming horrific trials to pursue their hope of immigrating to the West, the Martels’ story is a brutal, complex, and ultimately triumphant tale that illuminates the extraordinary power of love, faith, and one family’s incredible will to survive and see their dreams realized.

    costume ball--a coup for the former Alva Smith, who not long before was destitute, her family's good name useless on its own. Marrying into the newly rich but socially scorned Vanderbilt clan, a union contrived by Alva's bestfriend and now-Duchess of Manchester, saved the Smiths--and elevated the Vanderbilts.From outside, Alva seems to have it all and want more. She does have a knack for getting all she tries for: the costume ball--no mere amusement--wrests acceptance from doyenne Caroline Astor. Denied abox at the Academy of Music, Alva founds The Met. No obstacle puts her off for long.But how much of ambition arises from insecurity? From despair? From refusal to play insipid games by absurd rules? --There are, however, consequences to breaking those rules. One must tread carefully.And what of her maddening sister-in-law, Alice? Her husband William, who's hiding a terrible betrayal? The not-entirely-unwelcome attentions of his friend Oliver Belmont, who is everything William is not? What of her own best friend, whose troubles cast a wide net?Alva will build mansions, push boundaries, test friendships, and marry her daughter to England's most eligible duke or die trying. She means to do right by all, but good behavior will only get a woman so far. What is the price of going further? What might be the rewards? There's only one way to know for certain...

    and J.A. Johnstone tell the tale of a man who became a myth--and a myth that became a legend. This is the epic story of Nathan Stark, Army Scout...They slaughtered his family. Killed his young bride. And ever since that tragic day, Nathan Stark has devoted his life to fighting the hostile tribes who massacred those he loved. As a civilian scout for the Army, he's served with such famous commanders as Custer and Crook. He's battled against such notorious war chiefs as Crazy Horse and Sitting Bull. Among the fiercest natives of the untamed West, Nathan Stark is a living legend--one that must be destroyed...Against his better judgment, Nathan agrees to be teamed up with a rival Crow scout named Moses Red Buffalo. Their mission: to forge a trail deep into Indian territory under the command of a bloodthirsty army colonel. But the mission is not what it seems. If Stark and Red Buffalo want to stay alive, they'll have to work together as a team--if they don't kill each other first...

    It’s in the love of dogs, and my love for them, that I can best now take the measure of the child I once was, and the bottomless, unfathomable desires that once haunted me.There are times when it is hard for me to fully remember that love, which was once so fragile, and so fierce. Sometimes it seems to fade before me, like breath on a mirror.But I remember the dogs. In her New York Times opinion column, Jennifer Finney Boylan wrote about her relationship with her beloved dog Indigo, and her wise, funny, heartbreaking column went viral. In Good Boy, Boylan explores what should be the simplest topic in the world, but never is: finding and giving love.Good Boy is a universal account of a remarkable story: showing how a young boy became a middle-aged woman—accompanied at seven crucial moments of growth and transformation by seven memorable dogs. “Everything I know about love,” she writes, “I learned from dogs.” Their love enables us pull off what seem like impossible feats: to find our way home when we are lost, to live our lives with humor and courage, and above all, to best become our true selves.

    On the heels of her mother’s illness and crushing death, she's pulled into a seventy-four year old mystery by a chance discovery on a Norwegian glacier. 1945: RCAF Squadron Leader Jack Barton flies combat missions over occupied Europe. Major Günther Graf, a war-weary and disillusioned Luftwaffe pilot, is trapped in the unspeakable horrors of Nazi Germany. Their paths, so different yet so similar, are connected by a young victim of appalling cruelty.A story of love and loss, cruelty and kindness, guilt and redemption, EO-N's sweeping narrative takes readers on a riveting journey—from the destruction and cruelty of war to the relentless pressures of contemporary corporate greed—weaving together five seemingly separate lives to remind us that individual actions matter and that courage comes in many forms.

    And how these oppressive systems have bled into the fashion industry and its lack of diversity and equality. She will also reveal how we spend our money and whose pockets it goes into and whose it doesn't (clue: the people who do the actual work) and will tell her story of how she came to learn the truth. In the second 'unlearning' half of the book, she will help you to understand the uncomfortable truth behind why you consume the way you do. She asks you to confront the sense of lack you have, the feeling that you are never quite enough and the reasons why you fill the aching void with consumption rather than compassion. And she makes you challenge this power disparity, and take back ownership of it. The less you buy into the consumer culture the more power you have. CONSUMED will teach you how to be a citizen not a consumer.

    Essentially trapped, Adah must plan an escape.But when she develops feelings for the one person essential to her plan’s success, she faces a painful choice: Will she choose to risk everything saving Daisy or take the new life offered by a loving man?

    She wants to be a Captain--the only way she knows to prove her worth as a pilot and atone for a deadly mistake. To further her career, Tris accepts a prestigious job with Tetrix, Inc. But her dream of becoming pilot-in-command twists into a nightmare. As the company's first woman pilot, she encounters resistance, marginalization, and harassment on a daily basis. Fortunately, Tris has one thing her co-workers can't deny--skill.In the skies over Europe, Tris, her passengers, and crew are in real danger. With their lives on the line, can Tris earn the respect she's been craving? And if this is the end, can she find the strength to forgive herself?

    As Isadora, a novelist, and two of her sisters sift through the artifacts of their forebears’ lives, trying to decide what to salvage and what to toss, the narrative shifts to a winter day in 1910 at a train station in Ohio. Two girls wait in the winter cold with their mother—the mercurial Glenna Stewart—to depart for a new life in the West. As Glenna campaigns in Montana for women’s suffrage and teaches in one-room schoolhouses, Tommy takes care of her little sister, Katherine: trapping animals, begging, keeping house, cooking, while Katherine goes to school. When Katherine graduates, Tommy makes a decision that will change the course of both of their lives. A profound meditation on memory, history, and legacy, An Elegant Woman follows one woman over the course of the 20th century, taking the reader from a drought-stricken farm in Montana to a yellow Victorian in Maine; from the halls of a psychiatric hospital in London to a wedding gown fitting at Bergdorf Goodman; from a house in small town Ohio to a family reunion at a sweltering New Jersey pig roast. Framed by Isadora’s efforts to retell her grandmother’s journey—and understand her own—the novel is an evocative exploration of the stories we tell ourselves, and what we leave out.