It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    Adventurous and precocious, Jess is enormously protective of his older brother, Christopher, a mute whom everyone calls Stump. Though their mother has warned them not to snoop, Stump can't help sneaking a look at something he's not supposed to — an act that will have catastrophic repercussions, shattering both his world and Jess's. It's a wrenching event that thrusts Jess into an adulthood for which he's not prepared. While there is much about the world that still confuses him, he now knows that a new understanding can bring not only a growing danger and evil — but also the possibility of freedom and deliverance as well.Told by three resonant and evocative characters — Jess; Adelaide Lyle, the town midwife and moral conscience; and Clem Barefield, a sheriff with his own painful past — A Land More Kind Than Home is a haunting tale of courage in the face of cruelty and the power of love to overcome the darkness that lives in us all. These are masterful portrayals, written with assurance and truth, and they show us the extraordinary promise of this remarkable.

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    J. Gahagan] · ss Courier Spr ’38 77 · The Ape and the Mystery [“The Mysterious Mona Lisa Smile”] · ss The Saturday Evening Post Jun 26 ’48 89 · The King Who Collected Clocks [“Royal Impostor”] · nv The Saturday Evening Post May 3 ’47 117 · Bone for Debunkers [“The Karmesin Affair”; Karmesin] · ss The Saturday Evening Post Dec 15 ’62 133 · A Lucky Day for the Boar · ss Playboy Oct ’62 143 · Voices in the Dust of Annan · ss The Saturday Evening Post Sep 13 ’47 161 · Whatever Happened to Corporal Cuckoo? · nv The Brighton Monster, London: Heinemann, 1953; Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954

    Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer's car will speed down Mary's street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood, a world of robots and sorcerers, slaves and masters, bodies without souls. In Duplex, Kathryn Davis, whom the Chicago Tribune has called "one of the most inventive novelists at work today," has created a coming-of-age story like no other. Once you enter the duplex—that magical hinge between past and future, human and robot, space and time—there's no telling where you might come out.

    In the aftermath of a devastating loss, Cal and Jenny Horigan's marriage is unraveling. Both are plagued by guilt, unable to seek comfort from one another. Burdened by remorse, they begin to lose sight of the love that once anchored them-together with their sense of right and wrong.As the Horigans try different ways to deal with their pain, a new acquaintance seems to offer the support they desperately need-though at times they are unsure whether his guidance is leading them back to each other or further apart...

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    Wild Pets is an instant set text of the emerging canon of millennial fiction.' Guardian 'A wickedly funny and emotionally complex novel.'Jenny Offill, author of Weather and Dept. of Speculation'An impresive, cumulatively powerful first outing.' Daily Mail 'A ripe and excellent debut... funny and smart and human and true.'Andrew O'Hagan, author of MayfliesWild Pets follows Iris, Ezra and Nance in the years after university. They fall in and out of bed with each other, reread The Art of War, grieve the closing of Fabric and write book proposals on the history of salt, while submerging their nights in drink and drugs. Confronting adulthood with high wit and low behaviour against contemporary political and social turmoil, these young men and women seem to have everything going for them. So why are they still swimming desperately against the tide? A bold, honest novel, Wild Pets is about the fragility of mental health, power imbalances in friendship and sex, and creative ambition fused with destruction - and the lingering power of first loves.

    But it seems the world around her won't cooperate -- she keeps getting involved with the wrong friends, the wrong older man, even the wrong Mr. Right. Her relationship with her family is downright dysfunctional -- while her mother is a holdover from the 1950s, her father embraces the go-go 1970s with abandon. So Taylor, left to her own devices, determines her life's road map -- a plan that will get her out of her house and out of Houston. A plan that will get her somewhere. "The Way to Somewhere" traces Taylor's odyssey as she moves from teenager to woman, with equal parts awkwardness, conflict, and resolve. All the while, Taylor struggles to shape reality into her dreams of the forever after. When a complex romantic entanglement leads to a fascination with furniture restoration, Taylor seems to have found the precise balance of science and logic that she desperately seeks. Yet somehow, her experiences continue to be more surprising and disastrous than smoothly aligned, until eventually all of these wrong turns set her life further on its own true course.Resonant and moving, funny and wise, "The Way to Somewhere" charts Taylor's growth as she flings herself headlong into sex, love, relationships, and renewal. In the end, Taylor's happiness hinges on learning not only to accept but to embrace those elements of her life that she had once tossed aside in search of better things.With the quick wit of Tom Perrotta's "Bad Haircut" and the emotional timbre of Wally Lamb's "She's Come Undone," Angie Day's "The Way to Somewhere" is an exceptional exploration ofthat fragile bridge between adolescence and adulthood, and what shores us up -- or breaks us apart.

    Here, he visits her, erratically, and not always happily. All is soon inexorably overturned when a rich interloper comes between the couple with an indecent proposal-a thousand dollars for a night.

    Frank Money is an angry, self-loathing veteran of the Korean War who, after traumatic experiences on the front lines, finds himself back in racist America with more than just physical scars. His home may seem alien to him, but he is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from and that he's hated all his life. As Frank revisits his memories from childhood and the war that have left him questioning his sense of self, he discovers a profound courage he had thought he could never possess again. A deeply moving novel about an apparently defeated man finding his manhood - and his home.

    Ten years later, Sarah is about to graduate from college when she receives a mysterious letter from Moscow suggesting that Jenny's death might have been a hoax.  She sets off to the former Soviet Union in search of the truth, but the more she delves into her personal Cold War history, the harder it is to separate facts from propaganda.You Are One of Them is a taut, moving debut about the ways in which we define ourselves against others and the secrets we keep from those who are closest to us.  In her insightful forensic of a mourned friendship, Holt illuminates the long lasting sting of abandonment and the measures we take to bring back those we have lost.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.