Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life.In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    But when he suddenly dies of a heart attack his wife Annie refuses to have the words ‘beloved husband’ added to his gravestone. Their son, Billy, is exasperated with his mother and worries about how she will cope on her own. Unwilling to take time out of his own busy schedule to take care of her, he enlists the services of the local vicar, Andrew, to keep an eye on her.Before she knows what is happening, Annie finds herself telling the vicar things she has kept hidden for years. Dark secrets that had plagued her sixty-year marriage to Ernest.When Annie’s estranged granddaughter, Ophelia, turns up for a visit, the two bond over their mutual contempt for Billy and his controlling behaviour. But when Ophelia meets Andrew, the unhappily married vicar, things start to get very complicated…What is the truth about Ernest? Why is Annie behaving so strangely now that he is dead? And how can Andrew reconcile his growing feelings for Ophelia with his respect for his marriage and his religion?Spanning from the Second World War to the present day, Dead Ernest is a poignant, moving and, at times, very funny look at what really goes on behind closed doors in the ordinary lives of ordinary people."Beautifully written, deceptively simple, with convincingly drawn and endearing characters...a delightful read" Andrew Davies“Witty, original and engaging. A wonderful read from the classic opening line to the deeply moving conclusion” L C Tyler, author of the John Grey historical series and the Herring Mysteries."shot through with a sense of human sympathy transcending its situations; and that in itself is a considerable achievement" Church Times"Garrood's debut is assured and thought provoking" Kelly Salter, Big Issue Cymru"Remarkably well written and well constructed" Michael Allen, Grumpy Old Bookman

    But she only has four days to decide, which means she will most likely have to cancel her weekend trip away. She dials her friends to let them know, and excitedly launches into a speech about the opportunity. But when she pauses, a sexy, inquisitive stranger is on the other end, and he’s eager to hear about her store, her passions and her life. She’s dialed the wrong number--- and the man on the other end, with his deep voice, his charming jokes and his excellent advice, is a surprise she never expected…Will this wrong number turn out to be right man for Carly?Featuring an excerpt from Barbara Delinsky’s upcoming novel, Sweet Salt Air.

    o get them to reengage with the world, Ryan’s daughter, Mary Kate, signs them up for dance lessons and insists that each find a partner in time for her wedding.Robert, the eldest of the brothers, rediscovers an old friend who brings the spark back to his life. Eian, a former professional baseball player, takes another swing at love with the widow of his best friend. Ryan, the doctor in the family, hopes his beautiful new dance instructor can put the spring back in his step. But Mary Kate’s fiancé is a member of the rival Campbell clan, and as the wedding approaches, joyful anticipation turns into a heated family rivalry.Together the Macgregor brothers will dance their way through first-date jitters and plenty of wrong moves as they try to save the wedding—and restart their lives.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. The guest editor then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected – and most popular – of its kind.This special e-book sampler contains eleven selections from the 2011 editions.From The Best American Short Stories® edited by Geraldine Brooks:Housewifely Arts by Megan Mayhew BergmanPhantoms by Steven MillhauserFrom The Best American Essays® edited by Edwidge Danticat:Chapels by Pico IyerThere Are Things Awry Here by Lia PurpuraFrom The Best American Mystery Stories edited by Harlan Coben:A Crime of Opportunity by Ernest J. FinneyFrom The Best American Science and Nature Writing edited by Mary Roach:The Killer in the Pool by Tim Zimmermann, Jr.The Whole Fracking Enchilada by Sandra SteingraberFrom The Best American Sports Writing edited by Jane Leavy:The Surfing Savant by Paul SolotaroffNew Mike, Old Christine by Nancy HassFrom The Best American Travel Writing edited by Sloane Crosley: My Year at Sea by Christopher BuckleyMiami Party Boom by Emily Witt

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'