She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.In spite of her reluctance, she soon finds herself the sole owner of a remote farm and a dilapidated curio shop full of long-forgotten artifacts, remarkable preserved creatures, and a mystery that began more than sixty-five years ago. With the help of Kip, a repatriated soldier dealing with the sobering aftereffects of war, Fleur finds herself unable to resist pulling on the threads of the past. What she finds is a shocking story surrounding an opal and a woman in a green dress. . . a story that, nevertheless, offers hope and healing for the future.This romantic mystery from award-winning Australian novelist Tea Cooper will keep readers guessing until the astonishing conclusion.Praise for   The Woman in the Green Dress :“Refreshing and unique, The Woman in the Green Dress sweeps you across the wild lands of Australia in a thrilling whirl of mystery, romance, and danger. This magical tale weaves together two storylines with a heart-pounding finish that is drop-dead gorgeous.” —J’nell Ciesielski, author of The SocialiteA USA TODAY bestsellerFull-length historical fiction with both mystery and romance Stand-alone novelIncludes discussion questions for book clubs

    Sydney, city of secrets and gossip. Seventeen-year-old Isobel Macleod is determined to save her father because she loves him. But when she dares to trespass in a forbidden male world, she will be plunged into social disgrace. A wave of ill fortune threatens to swallow up her family and their stately home, Rosemount Hall, 'the finest house in the colony' on the foreshores of Sydney Harbour. Is Isobel to blame for her family's fate or does the cause lie further in the past? When Isobel was four, Major Macleod returned from an expedition with two 'souvenirs': an Aboriginal girl who became her friend and two opals fashioned into a dragonfly brooch for her mother. When Isobel inherits this 'unlucky' heirloom, she wonders if the terrible dreams it summons are a curse or a gift. Now Isobel's hopes for her future depend on a charming bohemian who encourages her hidden passion to become an artist. Will she now be permanently exiled from her family home? Or will she be transformed into a new self, like a magnificent dragonfly emerging into the sunlight? A daughter sacrifices her reputation, two men bid for the love of a woman, freedom is found in the heart of a dust storm, a father's legacy reveals past crimes. Inspired by Elizabeth Bay House and the other grand villas of Sydney's Woolloomooloo Hill, The Opal Dragonfly tells the bittersweet story of an ambitious family's fall from grace and a brave young woman's struggle to find her true self.

    Wife to a gorgeous husband, Scott, and a devoted mother to two small daughters, the former accountant has everything she wants - except a third child. But the universe has a strange way of providing.On the surface, Ava's fifth birthday party seems the ideal opportunity for Lisa to meet her daughter's new kindergarten friends - all 32 of them! But from beginning to end, the day is a complete nightmare, capped off by the discovery of a little girl hiding in the Wheeldon's backyard. At first, Lisa reasons that Ellie's mum is running late. But when they open a gift from the mysterious little girl, it becomes clear her mother has no intention of returning at all...What sort of mother abandons her child? And why has she chosen the Wheeldons?Together, Lisa and her sister Jamie launch their own efforts to find the missing mum, a journey that will force Lisa to face her past, Jamie to confront her future and see both embroiled with angry exes, pragmatic fortune-tellers, Russian mobsters and a hyena pack of yummy mummies.A journey that will force Lisa to rethink all she knows about being a good mother.Liane Moriarty meets Marian Keyes with a touch of Christos Tsiolkas's The Slap in this hilarious, touching and clever novel that asks what wouldn't you do to save a child?PRAISE FOR AFTER THE PARTY'Everything I love in a novel -- jam-packed with intrigue and humour - After the Party will keep you turning the pages into the early hours.' - Bestselling Australian author Rachael Johns'a light-hearted and heart-warming story about parenting, marriage and family...I can see it being passed from sister to sister, or from girlfriend to girlfriend, with a knowing look, an exasperated sigh and a genuine giggle.' - Cass Moriarty, bestselling author of The Promise Seed and Parting Words

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Seventeen-year-old Maddie Bright embarks on the voyage of a lifetime when she's chosen to serve on the cross-continent tour of His Royal Highness, the dashing Edward, Prince of Wales. Life on the royal train is luxurious beyond her dreams, and the glamorous, good-hearted friends she makes--with their romantic histories and rivalries--crack open her world. But glamour often hides all manner of sins.Decades later, Maddie lives in a ramshackle house in Brisbane, whiling away the days with television news and her devoted, if drunken, next door neighbor. When a London journalist struggling with her own romantic entanglements begins asking Maddie questions about her relationship to the famous and reclusive author M.A. Bright, she's taken back to the glamorous days of the royal tour--and to the secrets she's kept for all of these years.

    Nine momentous days. An unforgettable novel of love and folly and heartbreak.It is 1939 and Australia is about to go to war. Deep in the working-class Melbourne suburb of Richmond it is business—your own and everyone else's—as usual. And young Kip Westaway, failed scholar and stablehand, is living the most important day of his life.Ambitious in scope and structure, triumphantly realised, this is a novel about one family and every family. It is about dreams and fights and sacrifices. And finally, of course, it is—as it must be—about love.Toni Jordan has a BSc in physiology and qualifications in marketing and professional writing. Her debut novel, Addition, has been published in sixteen countries and won numerous awards. Jordan lives in Melbourne, Australia.

    A chest of clues.Come find me... I’ll be waiting…1929: On the night of her engagement to austere banker Floyd Clark, Charlotte Greene meets enigmatic Sydney Harbour Bridge engineer, Alexander Young. Their encounter is brief, but their attraction instant.During a second-chance meeting, Alex invites Charlotte to play a game with him, one of daring clues and secret meeting places. She accepts and they embark on a thrilling lover’s chase across the city.But with her arranged marriage to Floyd looming, will she have the strength to let Alex go?Present Day: Paige Westwood is helping her boss establish a publishing company in his newly-purchased Playfair Street house in The Rocks, Sydney. In the attic, she discovers a chest of old clues that lead the reader on a journey across the city. Paige contacts the former owner, Ryan Greene, who explains the clues belonged to his great-aunt Charlotte, who once lived in the house, but who mysteriously disappeared in 1929.Together, they follow Charlotte and Alex’s clues to unravel a fascinating tale of lies and intrigue, of two lovers bound by hope, but also by deceit. Can they solve the mystery of Charlotte’s disappearance or has all hope been lost to the past?

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    The armaments factories are making washing machines instead of bullets and war correspondent Tilly Galloway has hung up her uniform and been forced to work on the women's pages of her newspaper - the only job available to her - where she struggles to write advice on fashion and make-up.As Sydney swells with returning servicemen and the city bustles back to post-war life, Tilly finds her world is anything but normal. As she desperately waits for word of her prisoner-of-war husband, she begins to research stories about the lives of the underpaid and overworked women who live in her own city. Those whose war service has been overlooked; the freedom and independence of their war lives lost to them.Meanwhile Tilly's waterside worker father is on strike, and her best friend Mary is struggling to cope with the stranger her own husband has become since being liberated from Changi a broken man. As strikes rip the country apart and the news from abroad causes despair, matters build to a heart-rending crescendo. Tilly realises that for her the war may have ended, but the fight is just beginning...

    In one day, she’s dumped by her boyfriend, disinherited by her mum, and kicked off the three-year degree she’d stretched to a decade. And that was before she received the letter saying she owed the government $70,000. But that’s no reason to grow up, is it? With a decrepit 1960s caravan to call home, Maggie has to prove to her mother she can survive without a safety net, stop her loyal best friend Jen from marrying a scumbag, and convince her sexy workmate Rueben that she’s not a walking disaster. For someone who’s spent her life avoiding hard work, she sure can move mountains when she’s got a little motivation – just don’t ask her to move the caravan.