3 Waterloo Place, London. The president, Sir Francis M -, made an important communication to his colleagues, in an address that was frequently interrupted by applause. This rare specimen of eloquence terminated with the following sonorous phrases bubbling over with patriotism: "England has always marched at the head of nations" (for, the reader will observe, the nations always march at the head of each other), "by the intrepidity of her explorers in the line of geographical discovery." (General assent). "Dr. Samuel Ferguson, one of her most glorious sons, will not reflect discredit on his origin." ("No, indeed!" from all parts of the hall.)

    The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes — and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.

    In the foothills of the French Alps the narrator meets a shepherd who has quietly taken on the task of planting one hundred acorns a day in an effort to reforest his desolate region. Not even two world wars can keep the shepherd from continuing his solitary work. Gradually, this gentle, persistent man's work comes to fruition: the region is transformed; life and hope return; the world is renewed.

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    Now, 30 years later, Puzo enriches us all with his ultimate vision of the subject: the story of the greatest crime family in Italian history, the Borgias.In The Family, this singular novelist transports his readers back to 15th century Rome, and reveals to us the extravagance and intrigue of the Vatican as surely as he once revealed the secrets of the Mafia. At the story's center is Rodrigo Borgia, Pope Alexander VI, a man whose lustful appetites were matched only by his consuming love of family. Surrounding him are his extraordinary children: simple, unloved Jofre; irascible, heartless Juan; beautiful, strong-willed Lucrezia; and passionate warrior Cesare, Machiavelli's friend and inspiration. Their stories constitute a symphony of human emotion and behavior, from pride to romance to jealousy to betrayal and murderous rage.A labor of love two decades in the making, The Family marks the final triumph of one of the greatest storytellers of our time.

    The narrator, a boy of sixteen, tells of his love affair with Martha Lacombe, a young woman whose soldier husband is away at the front. With an accuracy of insight that is almost ruthless, he describes his conflicting emotions—the pride of an adolescent on the verge of manhood and the pain of a child thrust too fast into maturity.The liaison soon becomes a scandal, and their friends, horrified and incredulous, refuse to accept what is happening—even when the affair reaches its tragic climax.

    The story's protagonist, Michel, knows nothing about love when he marries the gentle Marceline out of duty to his father. On the couple's honeymoon to Tunisia, Michel becomes very ill, and during his recovery he meets a young Arab boy whose radiant health and beauty captivate him. An awakening for him both sexually and morally, Michel discovers a new freedom in seeking to live according to his own desires. But, as he also discovers, freedom can be a burden. A frank defense of homosexuality and a challenge to prevailing ethical concepts, The Immoralist is a literary landmark, marked by Gide's masterful, pure, simple style.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Beyond the glittering court of Louis XV and Madame de Pompadour at Versailles, lies Paris, a capital in the grip of crime. A police officer disappears and Nicolas Le Floch, a young Breton police recruit, is instructed to find him. When unidentified human remains are found it becomes a murder investigation. As Paris descends into Carnival debauchery it is Le Floch's skill, courage and integrity that will help him unravel a mystery which threatens to implicate the highest in the land.

    This is the story of the infamous Dreyfus affair told as a chillingly dark, hard-edged novel of conspiracy and espionage. Paris in 1895. Alfred Dreyfus, a young Jewish officer, has just been convicted of treason, sentenced to life imprisonment at Devil’s Island, and stripped of his rank in front of a baying crowd of twenty-thousand. Among the witnesses to his humiliation is Georges Picquart, the ambitious, intellectual, recently promoted head of the counterespionage agency that “proved” Dreyfus had passed secrets to the Germans. At first, Picquart firmly believes in Dreyfus’s guilt. But it is not long after Dreyfus is delivered to his desolate prison that Picquart stumbles on information that leads him to suspect that there is still a spy at large in the French military. As evidence of the most malignant deceit mounts and spirals inexorably toward the uppermost levels of government, Picquart is compelled to question not only the case against Dreyfus but also his most deeply held beliefs about his country, and about himself. Bringing to life the scandal that mesmerized the world at the turn of the twentieth century, Robert Harris tells a tale of uncanny timeliness––a witch hunt, secret tribunals, out-of-control intelligence agencies, the fate of a whistle-blower--richly dramatized with the singular storytelling mastery that has marked all of his internationally best-selling novels.

    A pregnant mother's plans for the future unravel at the hospital; a travelling salesman learns the consequences of an almost-missed exit on the motorway in the newspaper the next morning; while a perfect date is spoilt by a single act of thoughtlessness. In those crucial moments Gavalda demonstrates her almost magical skill in conveying love, lust, longing, and loneliness. Someone I Loved is a hauntingly intimate look at the intolerably painful, yet sometimes valuable consequences that adultery can have on a marriage and the individuals involved. A simple tale, yet long in substance, Someone I Loved ends like most great love affairs, forever leaving you wanting just one more moment.

    From the lush gardens of Versailles to the lights and gaiety of Paris, the verdant countryside of France, and finally the stark and terrifying isolation of a prison cell, the young queen's life is joyful, poignant, and harrowing by turns. As her world of unprecedented royal splendor crumbles, the charming Marie Antoinette matures into a heroine of inspiring stature, one whose nobility arises not from the circumstance of her birth but from her courageous spirit.Marie Antoinette was a child of fourteen when her mother, the Empress of Austria, arranged for her to leave her family and her country to become the wife of the fifteen-year-old Dauphin, the future King of France. Coming of age in the most public of arenas, the young queen embraces her new family and the French people, and she is embraced in return. Eager to be a good wife and strong queen, she shows her new husband nothing but love and encouragement, though he repeatedly fails to consummate their marriage and in doing so, fails to give her the thing she—and the people of France—desires most: a child and an heir to the throne.Deeply disappointed and isolated in her own intimate circle apart from the social life of the court, the queen allows herself to remain ignorant of the country's growing economic and political crises. She entrusts her soul to her women friends, her music teacher, her hairdresser, the ambassador from Austria, and a certain Swedish count so handsome that admirers label him "the Picture." When her innocent and well-chaperoned pilgrimage to watch the sun rise is viciously misrepresented in satiric pamphlets as a drunken orgy, the people begin to turn against her. Poor harvests, bitter winters, war debts, and poverty precipitate rebellion and revenge as the royal family and many nobles are caught up in a murderous time known as "the Terror."With penetrant insight into new historical scholarship and with wondrous narrative skill, Naslund offers an intimate, fresh, and dramatic re-creation of this compelling woman that goes beyond popular myth. Abundance reveals a compassionate and spontaneous Marie Antoinette who rejected the formality and rigid protocol of the court; an enchanting and tenderhearted outsider who was loved by her adopted homeland and people until she became the target of revolutionary cruelty and violence; a dethroned queen whose depth of character sustained her in even the worst of times.Once again, Sena Jeter Naslund has shed new light on an important moment of historical change and made that time as real to us as the one we are living now. Exquisitely detailed, beautifully written, heartbreaking and powerful, Abundance is a novel that is impossible to put down.

    At the center of the island’s life is a café draped with bougainvillea called the House at the Edge of Night, where over generations the community gathers to gossip and talk. Amedeo Esposito, a foundling from Florence, finds his destiny on the island with his beautiful wife, Pina, whose fierce intelligence, grace, and unwavering love guide her every move. An indiscretion tests their marriage, and their children—three sons and an inquisitive daughter—grow up and struggle with both humanity’s cruelty and its capacity for love and mercy.Spanning nearly a century, through secrets and mysteries, trials and sacrifice, this beautiful and haunting novel follows the lives of the Esposito family and the other islanders who live and love on Castellamare: a cruel count and his bewitching wife, a priest who loves scandal, a prisoner of war turned poet, an outcast girl who becomes a pillar of strength, a wounded English soldier who emerges from the sea. The people of Castellamare are transformed by two world wars and a great recession, by the threat of fascism and their deep bonds of passion and friendship, and by bitter rivalries and the power of forgiveness, in this richly written and powerful novel.Catherine Banner has written an enthralling, character-rich novel, epic in scope but intimate in feeling. At times, the island itself seems alive, a mythical place where the earth heaves with stories—and this magical novel takes you there.

    HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

    This is a full-fledged lovers' tragedy between a drifter-turned-writer and the fatally flawed Betty, his muse and obsessive promoter.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.