A four-year-old boy named Romochka, abandoned by his mother and uncle, is left to fend for himself. Curious, he follows a stray dog to its home in an abandoned church cellar on the city's outskirts. Romochka makes himself at home with Mamochka, the mother of the pack, and six other dogs as he slowly abandons his human attributes to survive two fiercely cold winters. Able to pass as either boy or dog, Romochka develops his own moral code. As the pack starts to prey on people for food with Romochka's help, he attracts the attention of local police and scientists. His future, and the pack's, will depend on his ability to remain free, but the outside world begins to close in on him as the novel reaches its gripping conclusion. In this taut and emotionally convincing narrative, Eva Hornung explores universal themes of the human condition: the importance of home, what it means to belong to a family, the consequences of exclusion, and what our animal nature can teach us about survival.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    A forty-six-year-old divorcee whose beloved, clueless only child has just left for college, Eve is slowly learning to contend with life on her own when, late one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, “U r my MILF!” It's nothing--just an annoying prank--but she can't get it out of her head. As Eve makes new friends, takes a community college course in Gender Studies, and reaches out to a younger co-worker, the message continues to haunt her, leading her into an online fixation that threatens to upend her quiet suburban existence.Meanwhile, Eve’s son Brendan, is discovering that the oafish frat-boy charm that impressed high school girls may not be so enticing to college women. Increasingly isolated, with mediocre grades and a confusing crush on a softball-playing social justice champion, Brendan struggles to adjust to a campus ill disposed to his brand of white-dude bravado. As the New England autumn turns cold, both mother and son find themselves enmeshed in ethically fraught situations that come to a head one fateful November night.A coming-of-age novel about the sexual awakening of a middle-aged woman, Mrs. Fletcher is a provocative, witty look at contemporary sexual politics and timeless moral dilemmas--a moving and funny examination of sexuality, identity, and the big clarifying mistakes people can make when they're no longer sure who they are and where they belong.

    'That,' she announced, 'is a seriously glamorgeous name.'From the day Annabelle Andrews sashays into her classroom, Tallulah 'Lulu' de Longland is bewitched by Annabelle, by her family, and their sprawling, crumbling house tumbling down to the river.Their unlikely friendship intensifies through a secret language where they share confidences about their unusual mothers, first loves, and growing up in the small, coastal town of Juniper Bay. Their lives become as entwined as Annabelle's initials engraved beneath the de Longland kitchen table.But the euphoria of youth rarely lasts, and the implosion that destroys their friendship leaves lasting scars and a legacy of self-doubt that haunts Lulu into adulthood.Years later, Lulu is presented with a choice: remain the perpetual good girl who misses out, or finally step out from the shadows and do something extraordinary. And possibly unforgiveable.It's not how far you fall, but how high you bounce.

    She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura’s best friend. For Griffin this is akin to driving into the past, since he took his childhood summer vacations here, his parents’ respite from the hated Midwest. And the Cape is where he and Joy honeymooned, in the course of which they drafted the Great Truro Accord, a plan for their lives together that’s now thirty years old and has largely come true. He’d left screenwriting and Los Angeles behind for the sort of New England college his snobby academic parents had always aspired to in vain; they’d moved into an old house full of character; and they’d started a family. Check, check and check.But be careful what you pray for, especially if you manage to achieve it. By the end of this perfectly lovely weekend, the past has so thoroughly swamped the present that the future suddenly hangs in the balance. And when, a year later, a far more important wedding takes place, their beloved Laura’s, on the coast of Maine, Griffin’s chauffeuring two urns of ashes as he contends once more with Joy and her large, unruly family, and both he and she have brought dates along. How in the world could this have happened?That Old Cape Magic is a novel of deep introspection and every family feeling imaginable, with a middle-aged man confronting his parents and their failed marriage, his own troubled one, his daughter’s new life and, finally, what it was he thought he wanted and what in fact he has. The storytelling is flawless throughout, moments of great comedy and even hilarity alternating with others of rueful understanding and heart-stopping sadness, and its ending is at once surprising, uplifting and unlike anything this Pulitzer Prize winner has ever written.From the Hardcover edition.

    I've never seen the water, so I've gone there. I will try to remember to come back.Etta's greatest unfulfilled wish, living in the rolling farmland of Saskatchewan, is to see the sea. And so, at the age of eighty-two she gets up very early one morning, takes a rifle, some chocolate, and her best boots, and begins walking the 2,000 miles to water. Meanwhile her husband Otto waits patiently at home, left only with his memories. Their neighbour Russell remembers too, but differently - and he still loves Etta as much as he did more than fifty years ago, before she married Otto.

    Nora Eldridge, a thirty-seven-year-old elementary school teacher in Cambridge, Massachusetts, who long ago abandoned her ambition to be a successful artist, has become the "woman upstairs," a reliable friend and tidy neighbor always on the fringe of others' achievements. Then into her classroom walks Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a Lebanese scholar and professor at the École Normale Supérleure; and Sirena, an effortlessly glamorous Italian artist--have come to Boston for Skandar to take up a fellowship at Harvard. When Reza is attacked by schoolyard bullies who call him a "terrorist," Nora is drawn into the complex world of the Shahid family: she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries, until Sirena's careless ambition leads to a shattering betrayal. Told with urgency, intimacy, and piercing emotion, this story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions.

    Leaving the city and its troubling memories behind, they have moved to the country for a solitary life where they can devote their days to each other and their art, where Augusta can paint and Owen can write.But the facts of a past betrayal prove harder to escape than urban life. Ancient jealousies and resentments haunt their marriage and their rural paradise.When Alison Hemmings moves into the empty house next door, Augusta is drawn out of isolation, despite her own qualms and Owen’s suspicions. As the new relationship deepens, the lives of the two households grow more and more tightly intertwined. It will take only one new arrival to intensify emotions to breaking point.Fierce, honest and astonishingly gripping, Life Drawing is a novel as beautiful and unsparing as the human heart..

    As the months pass and her children grow, they cope in different ways, drawn closer and pulled apart by their shared loss. And all Cate can do is watch on helplessly, seeing their grief, how much they miss her and how - heartbreakingly - they begin to heal. Gradually unfolding to reveal Cate's life, her marriage, and the unhappy secret she shared with one of her children, In the Quiet is compelling, simple, tender, true - heartbreaking and uplifting in equal measure.

    Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.   Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    A young girl sees ghosts from her third eye, located where her belly button should be. A corporate lawyer feels increasingly disconnected from his job in a soulless 1200-storey skyscraper. And a one-dimensional yellow man steps out from a cinema screen in the hope of leading a three-dimensional life, but everyone around him is fixated only on the color of his skin. Welcome to Portable Curiosities. In these dark and often fantastical stories, Julie Koh combines absurd humour with searing critiques on modern society, proving herself to be one of Australia’s most original and daring young writers.

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.