There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and Gerry, who has everything it takes to run the world except for a conscience. Separately, they are talented freaks. Together, they compose a single organism that may represent the next step in evolution, and the final chapter in the history of the human race.In this genre-bending novel - among the first to have launched scifi into the arena of literature - one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul. For as the protagonists of More Than Human struggle to find who they are and whether they are meant to help humanity or destroy it. Theodore Sturgeon explores questions of power and morality, individuality and belonging, with suspense, pathos, and a lyricism rarely seen in science fiction.

    Jesse dies for a living, literally. As a Necronite, she is one of the population’s rare 2% who can serve as a death replacement agent, dying so others don’t have to. Although each death is different, the result is the same: a life is saved, and Jesse resurrects days later with sore muscles, new scars, and another hole in her memory. But when Jesse is murdered and becomes the sole suspect in a federal investigation, more than her freedom and sanity are at stake. She must catch the killer herself—or die trying.

    P. Lovecraft (1890–1937) published by Arkham House posthumously in 1943 in the collection Beyond the Wall of Sleep. Begun probably in the autumn of 1926, it was completed on January 22, 1927 and was unpublished in his lifetime. It is both the longest of the stories that make up his Dream Cycle and the longest Lovecraft work to feature protagonist Randolph Carter. Along with his 1927 novel The Case of Charles Dexter Ward, it can be considered one of the significant achievements of that period of Lovecraft's writing. The Dream-Quest combines elements of horror and fantasy into an epic tale that illustrates the scope and wonder of humankind's ability to dream.The dream-quest of unknown Kadath --Celephais --The silver key --Through the gates of the silver key --The white ship --The strange high house in the mist

    Clandestine Ministry of Peculiar Occurrences is forbidden to investigate. But Eliza Braun, with bulletproof corset, fondness for dynamite, remarkable devices, drags along timorous new partner Wellington Books, of encyclopedic brain, against Phoenix intent on enslaving Britons.

    An emergency skeleton crew sees only one chance for survival: to create an artificial consciousness in the Earthling's primary computer, which could guide them to their destination . . . or could destroy the human race. Frank Herbert's classic novel that begins the epic Pandora Sequence (written with Bill Ransom), which also includes The Jesus Incident, The Lazarus Effect, and The Ascension Factor.

    He also knows that his meager psychic abilities aren't enough to identify the killers, much less stop them.Luckily, Mark has an ace up his sleeve: an attractive young romance novelist who happens to be a practicing witch. And not just any witch, either-Diana Tregarde is a Guardian, charged with protecting the Earth and all its creatures. Using modern science and ancient magics, Diana and Mark discover that they are tailing no ordinary serial killer but the awakened avatar of an Aztec god. Tezcatlipoca and his four beautiful handmaidens are preparing for a great sacrifice that will transform North America into a new Aztec realm.Diana isn't sure her powers are strong enough to take on those of a risen Aztec god, but she has no choice. As a Guardian, she is sworn to protect mankind, even at the cost of her own life. Luckily, she does not stand alone. Mark Valdez is more than just a cop. And Tezcatlipoca is not the only Aztec god walking in the world.

    A world of mists and forests, of ancient magics, mythical beings, ageless bards...and restless evil.Now, with their friends and enemies alike--Blue, the biker; Keiran, the folk musician; the Inspector from the RCMP; and the mysterious Tom Hengyr--Sara and Jamie are drawn into this enchanted land through the portals of Tamson House, that sprawling downtown edifice that straddles two worlds.Sweeping from ancient Wales to the streets of Ottawa today, Moonheart will entrance you with its tale of this world and the other one at the very edge of sight...and the unforgettable people caught up in the affairs of both. A tale of music, and motorcycles, and fey folk beyond the shadows of the moon. A tale of true magic; the tale of Moonheart.

    Some live boring. Some even die boring. Fred managed to do all three, and when he woke up as a vampire, he did so as a boring one. Timid, socially awkward, and plagued by self-esteem issues, Fred has never been the adventurous sort.One fateful night – different from the night he died, which was more inconvenient than fateful – Fred reconnects with an old friend at his high school reunion. This rekindled relationship sets off a chain of events thrusting him right into the chaos that is the parahuman world, a world with chipper zombies, truck driver wereponies, maniacal necromancers, ancient dragons, and now one undead accountant trying his best to “survive.” Because even after it’s over, life can still be a downright bloody mess.

    But there hadn't been any trouble out at the lake for years, and Sunshine just needed a spot where she could be alone with her thoughts. Vampires never entered her mind.Until they found her...

    The agency maverick and the female agent assigned to keep him in line.Their job: investigate the eeriest unsolved mysteries in modern America, from pyro-psychics to death row demonics, from rampaging Sasquatches to alien invasions. The cases the Bureau wants handled quietly, but quickly, before the public finds out what's really out there. And panics. The cases filed under "X."Something out there is killing people, remaining invisible and unseen by human eyes until it strikes with deadly force...

    B. Jackson delivers a thrilling debut tale of magic and intrigue that will leave readers breathless and eager for more Ethan Kaille. Boston, 1765: In D.B. Jackson's Thieftaker, revolution is brewing as the British Crown imposes increasingly onerous taxes on the colonies, and intrigue swirls around firebrands like Samuel Adams and the Sons of Liberty. But for Ethan Kaille, a thieftaker who makes his living by conjuring spells that help him solve crimes, politics is for others...until he is asked to recover a necklace worn by the murdered daughter of a prominent family.Suddenly, he faces another conjurer of enormous power, someone unknown, who is part of a conspiracy that reaches to the highest levels of power in the turbulent colony. His adversary has already killed--and not for his own gain, but in the service of his powerful masters, people for whom others are mere pawns in a game of politics and power. Ethan is in way over his head, and he knows it. Already a man with a dark past, he can ill afford to fail, lest his livelihood be forfeit. But he can't stop now, for his magic has marked him, so he must fight the odds, even though he seems hopelessly overmatched, his doom seeming certain at the spectral hands of one he cannot even see.

    It's like I dropped a heroic dose of acid and turned on the Food Network for eight hours. It's funny and demented and sticks in you like a pinbone. Matt Wallace writes like someone just jammed a needle full of adrenaline in his heart - and then, in yours. From this point forward, I'll read anything this guy writes."-Chuck Wendig, author of BLACKBIRDS and ZER0ES"No one makes me think, 'Dammit, I should have thought of that!' like Matt Wallace. The Sin du Jour series is something I read with equal amounts of envy and delight." - Mur Lafferty, Campbell Award winning author of THE SHAMBLING GUIDE TO NEW YORK CITY

    He’s turned it into a lucrative career putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course.When he left L.A. fifteen years ago he thought he’d never go back. Too many bad memories. Too many people trying to kill him.But now his sister’s been brutally murdered and Carter wants to find out why.Was it the gangster looking to settle a score? The ghost of a mage he killed the night he left town? Maybe it’s the patron saint of violent death herself, Santa Muerte, who’s taken an unusually keen interest in him.Carter’s going to find out who did it and he’s going to make them pay.As long as they don’t kill him first.

    Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

    He's the driver for Annalise Powliss, a high-ranking member of the Twenty Palace Society, a group of sorcerers devoted to hunting down and executing rogue magicians. But because Ray betrayed her once, Annalise is looking for an excuse to kill him - or let someone else do the job.Unfortunately for both of them, Annalise's next mission goes wrong, leaving her critically injured. With the little magic he controls, Ray must complete her assignment alone. Not only does he have to stop a sorcerer who's sacrificing dozens of innocent lives in exchange for supernatural power, he must find - and destroy - the source of that inhuman magic.